Dennis Dimbleby Bagley is a brilliant young advertising executive who can't come up with a slogan to sell a revolutionary new pimple cream. His obsessive worrying affects not only his ...
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Dennis Dimbleby Bagley is a brilliant young advertising executive who can't come up with a slogan to sell a revolutionary new pimple cream. His obsessive worrying affects not only his relationship with his wife, his friends and his boss, but also his own body - graphically demonstrated when he grows a large stress-related boil on his shoulder. But when the boil grows eyes and a mouth and starts talking, Bagley really begins to think he's lost his mind. But has he? Written by
Michael Brooke <email@example.com>
Hugh Armstong is dubbed by Nicky Henson. See more »
During the anniversary party, the strap on Julia's dress changes shoulders for one scene. When the dress is on the opposite shoulder, it looks a different colour as well. See more »
Denis Dimbleby Bagley:
Let me try and clarify some of this for you. Best Company Supermarkets are not interested in selling wholesome foods. They are not worried about the nation's health. What is concerning them, is that the nation appears to be getting worried about its health, and that is what's worrying Best Co., because Best Co. wants to go on selling them what it always has, i.e. white breads, baked beans, canned foods, and that suppurating, fat squirting little heart attack traditionally known as ...
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This movie is a riot. Richard E Grant gives an amazingly intense performance. His entire role seems to consist of nothing but brilliantly scabrous monologues. His acerbic take on everything around him starts at a fever pitch and then giddily topples over into outright inspired lunacy. See this film if for no other reason than to get a glimpse of him naked save for a kitchen apron, gleefully stuffing raw chickens down the toilet drain and all the while explaining, " Everything I do makes sense, everything i do has a reason!"
I prefer this style of over the top attack much more than the drier and more subtle (!) mode employed by both writer-director Bruce Robinson and Richard E. Grant in their first collaboration, WITHNAIL & I.
The heights of comic outlandishness achieved in HOW TO GET AHEAD IN ADVERTISING is something that is rarely achieved by any film and it is doubly commendable that everything done here ( no matter how tastelessly crazy) still never stoops to the childishly vulgar levels that most American comedies regularly splash about in like mental asylum inmates happily playing with their own feces. Yes, despite everything this film attempts ( and achieves) it still retains a sense of sophistication that shows what thuddingly awful garbage ( i am looking directly at you AUSTIN POWERS, SCARY MOVIE, etc, etc) is usually regarded as the height of comedy.
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