The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
Set in a world where superheroes are commonly known and accepted, young Will Stronghold, the son of the Commander and Jetstream, tries to find a balance between being a normal teenager and an extraordinary being.
A teenager is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
Wayne Szalinski is your average "nutty scientist", working on a top secret machine which miniaturizes objects. When it unexpectedly starts working, he's so amazed he forgets to tell his family to be careful. And when they wander into his lab... Written by
Murray Chapman <email@example.com>
The subject of the man who's shrinking isn't new because Jack Arnold had broached it (with brio) in "the incredible shrinking man" thirty-two years ago. Here, in this new variation of the man who's shrinking it's not one man but four teenagers who shrunk. Moreover, the philosophical and pessimistic sides have disappeared. Instead, Joe Johnston made a familial comedy and a vibrating movie, often funny with some quite successful special effects. He also succedded in changing a familiar place (the garden) that you think you know like the back of your hand into an unfriendly jungle where the insects are as huge as elephants and the humans become unwittingly monsters: Wayne Szalinski, in spite of him, will put to the test several times the teenagers and he'll nearly eat his son for his breakfast. This doesn't stop the movie from being quite conventional. It's not surprising as the screenplay was written by Tom Schulman, the one who wrote the screenplay of this overrated and conventional movie that is "Dead Poet Society" (the two movies were launched at the same time). Here, for example, Ross' father attempts to lay down to his elder son, his likings and passions but then, he'll find out that it's not the right way to gain his son's affection. The movie doesn't also avoid certain clichés: Rick Moranis epitomizes the model crazy learned: he's wearing glasses, he invented a machine supposed to be revolutionary and his odd habits make the neighbours (the Thompsons) mistrustful and distant. But they'll show gratitude to him because he'll know how to come back their children to their human height. Nevertheless, Johnston and Schulman reach their goal: entertain the spectator without any ulterior motives. So "honey I shrunk the kids" remains a pleasant comedy that was designed to please to a large public
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