The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
Wayne Szalinzki a wacky, absent-minded inventor, is back again but only this time he decides to use his infamous shrink machine just one more time. After when his wife Diane asks him to get... See full summary »
Wayne Szalinski is a clumsy genius who comes up with new gadgets and experiments all the time, but something usually goes wrong and gets Wayne and his family into trouble, danger and fantastical adventure.
Barbara Alyn Woods,
Wayne Szalinski is your average "nutty scientist", working on a top secret machine that shrinks objects. When it unexpectedly starts working, he's so amazed he forgets to tell his family to be careful. And when they wander into his lab... Written by
Murray Chapman <email@example.com>
The subject of the man who's shrinking isn't new because Jack Arnold had broached it (with brio) in "the incredible shrinking man" thirty-two years ago. Here, in this new variation of the man who's shrinking it's not one man but four teenagers who shrunk. Moreover, the philosophical and pessimistic sides have disappeared. Instead, Joe Johnston made a familial comedy and a vibrating movie, often funny with some quite successful special effects. He also succedded in changing a familiar place (the garden) that you think you know like the back of your hand into an unfriendly jungle where the insects are as huge as elephants and the humans become unwittingly monsters: Wayne Szalinski, in spite of him, will put to the test several times the teenagers and he'll nearly eat his son for his breakfast. This doesn't stop the movie from being quite conventional. It's not surprising as the screenplay was written by Tom Schulman, the one who wrote the screenplay of this overrated and conventional movie that is "Dead Poet Society" (the two movies were launched at the same time). Here, for example, Ross' father attempts to lay down to his elder son, his likings and passions but then, he'll find out that it's not the right way to gain his son's affection. The movie doesn't also avoid certain clichés: Rick Moranis epitomizes the model crazy learned: he's wearing glasses, he invented a machine supposed to be revolutionary and his odd habits make the neighbours (the Thompsons) mistrustful and distant. But they'll show gratitude to him because he'll know how to come back their children to their human height. Nevertheless, Johnston and Schulman reach their goal: entertain the spectator without any ulterior motives. So "honey I shrunk the kids" remains a pleasant comedy that was designed to please to a large public
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