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Storyline
A writer of BAD detective novels is in full writers' block. He pretends to be the alibi of a beautiful woman who was arrested for murder at first thinking her innocent, but as she shows more and more interesting abilities (such as knife throwing) he begins to doubt his first assessment. He is still falling for her, but more and more nervous as time passes, and there are more close calls with death on his part. Written by
John Vogel <jlvogel@comcast.net>
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Did You Know?
Trivia
There's a line in the movie where
Tom Selleck's character makes a quip to
Paulina Porizkova's character about killing a bug by swatting it with a rolled-up copy of Sports Illustrated magazine. In real life, Paulina Porizkova gained fame after appearing on the cover of this very magazine. She appeared on the cover of the Sports Illustrated Swimsuit Issue in 1984 and again in 1985.
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Goofs
As Phil picks up Beeswax the cat and moves through the kitchen, you can briefly see a hand-held boom-mic being quickly lowered to Phil's left as he goes past the oven. The mic is in the slot between the oven and the adjoining cabinet.
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Quotes
Nina:
[
On the way to the hospital, regarding the arrow she has accidentally shot into Phil's right buttock]
What will you tell the doctor?
Phil Blackwood:
That I shot myself.
Nina:
With a bow and arrow?
Phil Blackwood:
I didn't know it was loaded!
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Soundtracks
"TUTTI FRUTTI"
Written by Richard Penniman,
Dorothy La Bostrie and
Joe Lubin
Performed by
Little Richard
Courtesy of Dominion Entertainment, Inc.
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It's true that this film is rather undeep and not particularly demanding. But still, in my opinion, it's charmy. From this point of view, the film is stylistically correct because the books Philip Blackwood writes are also romantic thrillers with exaggerated characters and no attempt to be serious or even world class. We're in the world of trash. Of course, the movie can be understood as kind of a parody on the book that's being written during the film. But on the other hand, it corresponds to it.
Tom Selleck's humour or maybe only the humour around his role keeps the movie alive. Like in Folks!`, he is the poor guy, damned to passiveness, who desperately tries to cope with what is happening to him. But here the humour doesn't arise only from his mishaps but also from the way he falsifies them when transferring them into his novel. Paulina Porizkova is not a convincing actress but in this movie this doesn't matter because her inflexible face makes her character unfathomable, unpredictable, unlike Philip Blackwood's stories.
If you want to see a trashy little comedy about trashy little thrillers, this is the right one for you!