Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Lawrence and Freddie are con-men; big-time and small time respectively. They unsuccessfully attempt to work together only to find that this town (on the French Mediterranean coast) aint big... See full summary »
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
A regular girl, Veronica, tries to survive the social jungle of high school by sticking with the three most popular girls at school who are all called Heather. As she meets a sociopath named JD, her life spirals into a continuous cycle of hate, unintentional murder and indifference, as she exacts revenge on her enemies, also known as her best friends. Written by
Originally, the book that suicidal students supposedly underline "meaningful" passages from was "The Catcher in the Rye". The producers could not get clearance to use this book and it was changed to "Moby Dick" instead. See more »
Veronica's weight fluctuates from scene to scene. Her hair also changes length and color as the film progresses. See more »
Take a look. We'll have a two page layout with her suicide note here in the right hand corner. It's more tasteful than it sounds.
I don't know. This kind of thing leaves a bad taste in my mouth.
Like last night, Veronica?
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Ah, the 80s! It was quite a different time. Loud fashion, ecstatic energy. I love most of the 80's teen films, more than the 90's and 2000's films. There was a certain closeness between the characters and they were portrayed as real humans rather than just horny caricatures. Michael Lehmann's 'Heathers' is one of the best dark comedy teen satires. Lehmann briefly tackles many themes that are of concern to teenagers such as bulimia, popularity, bullying to self-esteem and suicide. This was the time when Christian Slater was a promising actor, when Winona Ryder wasn't arrested for shoplifting and when Shannen Doherty wasn't known yet for her unprofessionalism. the actors themselves were teenagers at the time and their performances come across as very natural. Slater perhaps gives his best performance while the adorable Ryder has gone from strength to strength until she almost vanishes into oblivion. Doherty is very cute and who knows what she could have achieved had she been more professional and not gone into soaps. I wonder whether the very young cast understood what kind of film they were doing or did they think of it as acting in a teen-flick? Waters is writing is amazing and even though a lot of the film is exaggerated, it brilliantly mirrors teen-life in the 80's (which isn't that different today either) and is brutally honest but at the same time funny. The dialogues and one liners are extremely comical and at the same time wonderfully simple. There's also a lot of clever symbolism. For example, Slater's Jason Dean says: People will look at the ashes of Westerburg and say, "Now there's a school that self-destructed, not because society didn't care, but because the school was society." This one line does mark a crucial truth about teenagers because for most teenagers, high-school IS society. Forget these 'American Pies', 'Mean Girls', 'One Tree Hills' etc. None of these wannabe teen flicks will ever be able to match up to the excellence of 'Heathers'. This is one of (if not THE) the best teen films.
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