A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized crime and police corruption in the 1920s, any dastardly trick is fair! Written by
Murray Chapman <firstname.lastname@example.org>
According to Gabi Tartakovsky's 7th June 2011 article "Harlem Nights (1989): Eddie Murphy and the Original Gangsters of Black Comedy" at the Pop Matters website, "[Richard] Pryor's toning down the Sugar Ray character wasn't scripted as such, and Pryor believed his performance was the result of being bothered with a recent Multiple Sclerosis diagnosis, which he kept to himself at the time". See more »
Quick jumps out of a moving car, rolls one way to avoid a car, then rolls the other way. The he runs and dives through a large glass window of a store. And his hat remains on his head. See more »
[after Quick leaves to fight Vera]
You betta watch it, Quick! You fuckin' with a heavyweight!
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This is one of Murphy's best works. Ignore what the critics say. They just didn't get it. I am a mid-aged white woman - and even I get it. It is a misogynistic as any stylized Western you may have seen. And the language is just what you would expect from Murphy and Pryor. This is stylized Harlem, guys.
I do not think Murphy set out to break ground plot-wise. Its meant to be a very traditional good vs. bad mobster movie. In this rare case we get to see the other side of tracks version. Why not??
This movie is a rare joining of a classic team of talents including Richard Pryor, Della Reese and Red Foxx. Della was my favorite and her rapport with Foxx is classic.
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