A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangsters and corrupt policemen who want to see him go out of business. In the world of organized crime and police corruption in the 1930s, any dastardly trick is fair.
Eddie Murphy performed a number of roles on this picture. Murphy was the film's director, executive producer, sole credited writer, top-billed lead star and actor. See more »
Multiple lines of dialogue reflect later 20th century speech and not that of the film's 1930s setting. See more »
Hey, I have a lot of money on you, Man.
W-w-w-well... y-y-y-you's gettin ready to b-b-b-be a rich nigga... you see, cause, c-c-come next week... I'm knockin'... somebody... the fuck out!
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This is one of Murphy's best works. Ignore what the critics say. They just didn't get it. I am a mid-aged white woman - and even I get it. It is a misogynistic as any stylized Western you may have seen. And the language is just what you would expect from Murphy and Pryor. This is stylized Harlem, guys.
I do not think Murphy set out to break ground plot-wise. Its meant to be a very traditional good vs. bad mobster movie. In this rare case we get to see the other side of tracks version. Why not??
This movie is a rare joining of a classic team of talents including Richard Pryor, Della Reese and Red Foxx. Della was my favorite and her rapport with Foxx is classic.
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