"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized crime and police corruption in the 1920s, any dastardly trick is fair! Written by
Murray Chapman <firstname.lastname@example.org>
The earlier Eddie Murphy movie from Paramount Pictures, 48 Hrs. (1982) was, during the late 1970s, originally designed as a vehicle for Richard Pryor as the con (with Clint Eastwood as the cop). The picture, then in development at Columbia Pictures, went into turnaround for a time, and didn't go back into development for another couple of years, where it re-surfaced at Paramount, the studio which had a near-total monopoly on Murphy movies during the 1980s, and this included both 48 Hrs. (1982) and Harlem Nights (1989). See more »
A double yellow line dividing the road can be seen when Quick is being chased down the highway by Tommy Small's brother. Center lines in 1938 were painted white. Double yellow lines were not used on US Highways until 1971. See more »
OK Ray, here's the deal. I got a call from a friend of mine by the name of Bugsy Calhoune. He told me you're sitting on a little gold mine here. Now don't get me wrong. I know there's always gonna be after-hour places. We pretty much leave them alone when the money's not that significant, but you guys are doing about 10-15,000 a week. I mean, that's a lot of money. And to be perfectly honest. Mr. Calhoune & myself want some of it.
How much money you talking about, you maggot motherfucker?
[...] See more »
...Thats right the best. This movie was a hallmark for standup comedy. For the first time you had all the greats in one movie, Eddie Murphy, Richard Pryor, Redd Foxx, Robin Harris. Especially since the last 2 have passed away and Richard Pryor is too ill to do a movie again. When he made Nights he had to sit in his wheelchair when he wasn't filming, hence you never see him do anything physical in the movie. I first saw this movie one I was 10 with my dad, uncles and my grandmother. Of course she was turned off by the profanity but we all were laughing untill our sides hurt. I also remember all the things the great voices of cinema said about this movie. And to that i say how can you look down at this movie for profanity and praise movies like Goodfellas and Pulp Fiction (great movies by the way) when they have twice the vulgar langauge. And to those that say, well why did they portray the white mobsters as the bad guys? Well its Harlem in the 30's and ask any black person who owned a place of buisness then how hard it was. To me this wasn't just about Eddie, Eddie, Eddie, this was an epic for comedy and I hate to use the clinche but "Black" movies as well. The only other Murphy movie that comes close is Nutty Professer. I hope the sequel to that is half as funny as Nights. One last point that I think why critics panned this movie is, we all now Eddie is a comic genuis, but people were so use to seeing him play to a white partner or sidekick (i.e. Trading Places, All the Beverly Hill Cops and 48 Hours) But to a comedy standup fan like me, Murphy, Pryor, Foxx, Hall, Harris in one movie was like giving a Star Wars fan (as I am) premire tickets to Ep. 2 & 3. If you haven't seen this I recommend it just for the fact that half the cast had passed on and this was their last work, but its also a fun take on the mobster movie craze of the 30's and 40's.
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