"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized crime and police corruption in the 1920s, any dastardly trick is fair! Written by
Murray Chapman <firstname.lastname@example.org>
The movie's soundtrack featured seven classic tracks by legendary African American pianist, composer, and jazz-orchestrator Duke Ellington. The tunes, written or co-written by Ellington, were "Black Beauty", "Mood Indigo", "Take The 'A' Train", "The Gal From Joe's", "Sophisticated Lady", "Drop Me Off In Harlem", and "It Don't Mean A Thing (If It Ain't Got That Swing)". See more »
A double yellow line dividing the road can be seen when Quick is being chased down the highway by Tommy Small's brother. Center lines in 1938 were painted white. Double yellow lines were not used on US Highways until 1971. See more »
Excuse me, I got somethin' in my eye.
Well, get it the fuck out yer eye you blind muther fucker!
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...Thats right the best. This movie was a hallmark for standup comedy. For the first time you had all the greats in one movie, Eddie Murphy, Richard Pryor, Redd Foxx, Robin Harris. Especially since the last 2 have passed away and Richard Pryor is too ill to do a movie again. When he made Nights he had to sit in his wheelchair when he wasn't filming, hence you never see him do anything physical in the movie. I first saw this movie one I was 10 with my dad, uncles and my grandmother. Of course she was turned off by the profanity but we all were laughing untill our sides hurt. I also remember all the things the great voices of cinema said about this movie. And to that i say how can you look down at this movie for profanity and praise movies like Goodfellas and Pulp Fiction (great movies by the way) when they have twice the vulgar langauge. And to those that say, well why did they portray the white mobsters as the bad guys? Well its Harlem in the 30's and ask any black person who owned a place of buisness then how hard it was. To me this wasn't just about Eddie, Eddie, Eddie, this was an epic for comedy and I hate to use the clinche but "Black" movies as well. The only other Murphy movie that comes close is Nutty Professer. I hope the sequel to that is half as funny as Nights. One last point that I think why critics panned this movie is, we all now Eddie is a comic genuis, but people were so use to seeing him play to a white partner or sidekick (i.e. Trading Places, All the Beverly Hill Cops and 48 Hours) But to a comedy standup fan like me, Murphy, Pryor, Foxx, Hall, Harris in one movie was like giving a Star Wars fan (as I am) premire tickets to Ep. 2 & 3. If you haven't seen this I recommend it just for the fact that half the cast had passed on and this was their last work, but its also a fun take on the mobster movie craze of the 30's and 40's.
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