| Photos (See all 22 | slideshow) |
Directed by | |||
| Dominique Othenin-Girard | (as Dominique Otherin-Girard) | ||
Writing credits | ||
| John Carpenter | (characters) and | |
| Debra Hill | (characters) | |
| Michael Jacobs | (written by) & | |
| Dominique Othenin-Girard | (written by) and | |
| Shem Bitterman | (written by) | |
Produced by | |||
| Moustapha Akkad | .... | executive producer | |
| Anthony Masi | .... | commentary producer | |
| Rick Nathanson | .... | line producer | |
| Ramsey Thomas | .... | producer | |
Original Music by | |||
| Alan Howarth | |||
Cinematography by | |||
| Robert Draper | (director of photography) | ||
Film Editing by | |||
| Jerry Brady | |||
| Charles Tetoni | |||
Casting by | |||
| Deedee Bradley | |||
Production Design by | |||
| Brenton Swift | |||
Art Direction by | |||
| Richard Honigman | |||
Set Decoration by | |||
| Chava Danielson | |||
| Steven A. Lee | (as Steven Lee) | ||
Costume Design by | |||
| Simon Tuke | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor: K.N.B. EFX Group | |
| Robert Kurtzman | .... | special makeup effects supervisor: K.N.B. EFX Group | |
| Mark Maitre | .... | on-set special makeup effects application: K.N.B. EFX Group | |
| Moni Mansano | .... | hair supervisor (as Mony Mansano) | |
| Moni Mansano | .... | makeup supervisor (as Mony Mansano) | |
| Gregory Nicotero | .... | special makeup effects supervisor: K.N.B. EFX Group (as Greg Nicotero) | |
| Rhoda Shadlo | .... | assistant hair stylist | |
| Rhoda Shadlo | .... | assistant makeup artist | |
| Scott Oshita | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Paul Hellerman | .... | post-production supervisor | |
| Rick Nathanson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lee McConnell | .... | second assistant director (as L.A. McConnell) | |
| Troy Rohovit | .... | second second assistant director | |
| Kelly Schroeder | .... | first assistant director | |
| Scott Robertson Price | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| John Arnold | .... | carpenter | |
| Brian Carlock | .... | assistant scenic artist | |
| David B. Clark | .... | lead scenic artist (as David Clark) | |
| Bonge Cord | .... | constructor | |
| Sean Everett | .... | property master (as Sean E. Markland) | |
| Ken Fox | .... | carpenter | |
| Wesley Hamblin | .... | carpenter | |
| Kim Hix | .... | construction coordinator | |
| Kim Hix | .... | set designer | |
| Frank Kanig | .... | property buyer | |
| Amy Lives | .... | swing gang | |
| Brian Lives | .... | set dresser | |
| Kelly Lookinland | .... | art department coordinator | |
| Marco López | .... | assistant props (as Marco Lopez) | |
| Diane Millett | .... | set dresser | |
| Mike Rathburn | .... | art department runner | |
| Ian Roylance | .... | set dresser | |
| Barry Shannon | .... | constructor | |
| Bryan Shelley | .... | on-set dresser | |
| Clara Amanda Smith | .... | property buyer | |
| Timothy Stettler | .... | carpenter | |
| Steven Tanner | .... | construction foreman | |
| Robert D. Vaughan | .... | assistant set designer | |
| Robert D. Vaughan | .... | painter | |
| Kip Wilson | .... | set dresser | |
| Bruce Wing | .... | leadman | |
Sound Department | |||
| David Bartlett | .... | sound editor | |
| Patrick Bietz | .... | co-supervising sound editor (as Pat Bietz) | |
| Barbara J. Boguski | .... | adr supervisor | |
| Allan Bond | .... | sound engineer (as Alan Bond) | |
| Martin J. Bram | .... | sound editor | |
| Ed Fassl | .... | sound editor (as Edward F. Fassl) | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Dan Hegeman | .... | dialogue editor | |
| Bess Hopper | .... | foley artist | |
| Chris Ingram | .... | sound editor | |
| Victor Iorillo | .... | sound editor | |
| Greg Jacobs | .... | dialogue editor | |
| Donlee Jorgensen | .... | dialogue editor | |
| Monique A. Le Bleu | .... | sound assistant | |
| Michael Perry | .... | boom operator (as Mike Perry) | |
| Ken S. Polk | .... | sound re-recording mixer | |
| John Post | .... | foley artist | |
| Mark Scheret | .... | production sound mixer (as Mark Sheret) | |
| Robert Thirlwell | .... | sound re-recording mixer (as Robert Thirwell) | |
| Ann L. Thornberg | .... | sound assistant (as Ann Thornberg) | |
| Dan Wallin | .... | sound re-recording mixer | |
| David Lewis Yewdall | .... | co-supervising sound editor | |
| Lisa A. Yewdall | .... | sound editorial producer | |
| David W. Alstadter | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Greg Landerer | .... | special effects coordinator | |
| F. Lee Stone | .... | mechanical effects: K.N.B. EFX Group (as Lee Stone) | |
| Steve Cotroneo | .... | lead artist: prop fabricator (uncredited) | |
Stunts | |||
| Hal Burton | .... | stunt player | |
| Laura Dash | .... | stunt player | |
| Tracy Evans | .... | stunt player | |
| Lee McConnell | .... | stunt player (as Chance Marquez) | |
| Don Pike | .... | stunt coordinator | |
| Gary Pike | .... | stunt player | |
| George P. Wilbur | .... | stunt player (as George Wilbur) | |
Casting Department | |||
| Catrine McGregor | .... | extras casting coordinator | |
| Dawn Steinberg | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Victoria J. Auth | .... | key costumer (as Victoria Auth) | |
| Lawane Cole | .... | wardrobe assistant | |
Editorial Department | |||
| Taric Akkad | .... | post-production assistant | |
| June Gilham | .... | negative cutter (as June F. Gilham) | |
| Paul Hellerman | .... | post-production coordinator | |
| Dorna Khazeni | .... | apprentice editor | |
| Dan Muscarella | .... | color timer | |
| Robin Toor | .... | additional assistant editor | |
| Sean Valla | .... | apprentice editor (as Sean Paul Valla) | |
| Michael Westmore II | .... | assistant editor | |
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| John Carpenter | .... | composer: theme "Halloween" | |
| Alan Howarth | .... | score performer | |
| Tony Lettieri | .... | assistant music supervisor (as Antony Lettieri) | |
| Barry Levine | .... | music supervisor: International Music Group | |
Transportation Department | |||
| Steve Anton | .... | driver (as Steven Anton) | |
| Mark Chambers | .... | driver | |
| Bryan 'Skipper' Delaney | .... | transportation captain | |
| Duke Doleto | .... | driver | |
| Grant Gottschall | .... | driver | |
| Michael H. Johnson | .... | driver | |
| John Kelly | .... | driver | |
| Victor Kloster | .... | driver | |
| Benjamin Lopez | .... | driver | |
| Cynthia Paulson | .... | driver | |
| Mari Raymer | .... | driver | |
| Fred Steagall | .... | driver | |
| Paul Thomas | .... | transportation coordinator | |
| Victoria Thomas | .... | transportation assistant | |
Thanks | |||
| Dwight H. Little | .... | acknowledgment: "Halloween 4" footage directed by | |
| Leigh Von Der Esch | .... | special thanks: Utah Film Commission (as Leigh von der Esch, Director) | |
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| The Phantom of the Opera | Ewoks: The Battle for Endor | Interview with the Vampire: The Vampire Chronicles | Torso | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Halloween 4: The Return of Michael Myers was alike Halloween II a great sequel and thoroughly justified the questionable decision to bring Myers back.
The shock ending to Part 4 also left fans demanding another sequel ASAP. I bet they wished they hadn't bothered.
Halloween 5 is so obviously rushed and is littered with plot holes and events that make no sense whatsoever.
Jamie's madness is almost discarded as a plot line, the man in black subplot makes little sense and makes even less in Part 6. Also Ellie Cornell's likable Rachel Carruthers character is killed off almost instantly, and instead the film is carried by a bunch of colourless, obnoxious and unbelievably formulaic characters.
The result of this is that the viewer begins to root for Myers, willing him to slice and dice these dull protagonists.
The two cops amused me, but the circus SFX did not. The only thing that lifts this picture barely above standard horror, is the performance of Donald Pleasence, his Loomis character really begins to lose the plot in this one.
Unquestionably the weakest Michael Myers flick, although Part 6, and Resurrection are only mildly better. This is where the wheels began to fall away in the Halloween saga, even H20 is frustrating, as it discards parts 4-6 as ever happening. Let's hope Part 9 is an improvement and a return to form for the franchise although I wouldn't hold my breath.