| Photos (See all 22 | slideshow) |
Directed by | |||
| Dominique Othenin-Girard | |||
Writing credits | ||
| John Carpenter | (characters) and | |
| Debra Hill | (characters) | |
| Michael Jacobs | (written by) & | |
| Dominique Othenin-Girard | (written by) and | |
| Shem Bitterman | (written by) | |
Produced by | |||
| Moustapha Akkad | .... | executive producer | |
| Anthony Masi | .... | commentary producer | |
| Rick Nathanson | .... | line producer | |
| Ramsey Thomas | .... | producer | |
Original Music by | |||
| Alan Howarth | |||
Cinematography by | |||
| Robert Draper | (director of photography) | ||
Film Editing by | |||
| Jerry Brady | |||
| Charles Tetoni | |||
Casting by | |||
| Deedee Bradley | |||
Production Design by | |||
| Brenton Swift | |||
Art Direction by | |||
| Richard Honigman | |||
Set Decoration by | |||
| Chava Danielson | |||
| Steven A. Lee | (as Steven Lee) | ||
Costume Design by | |||
| Simon Tuke | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor: K.N.B. EFX Group | |
| Robert Kurtzman | .... | special makeup effects supervisor: K.N.B. EFX Group | |
| Mark Maitre | .... | on-set special makeup effects application: K.N.B. EFX Group | |
| Moni Mansano | .... | hair supervisor (as Mony Mansano) | |
| Moni Mansano | .... | makeup supervisor (as Mony Mansano) | |
| Gregory Nicotero | .... | special makeup effects supervisor: K.N.B. EFX Group (as Greg Nicotero) | |
| Rhoda Shadlo | .... | assistant hair stylist | |
| Rhoda Shadlo | .... | assistant makeup artist | |
| Scott Oshita | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Paul Hellerman | .... | post-production supervisor | |
| Rick Nathanson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lee McConnell | .... | second assistant director (as L.A. McConnell) | |
| Troy Rohovit | .... | second second assistant director | |
| Kelly Schroeder | .... | first assistant director | |
| Scott Robertson Price | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| John Arnold | .... | carpenter | |
| Brian Carlock | .... | assistant scenic artist | |
| David B. Clark | .... | lead scenic artist (as David Clark) | |
| Bonge Cord | .... | constructor | |
| Sean Everett | .... | property master (as Sean E. Markland) | |
| Ken Fox | .... | carpenter | |
| Wesley Hamblin | .... | carpenter | |
| Kim Hix | .... | construction coordinator | |
| Kim Hix | .... | set designer | |
| Frank Kanig | .... | property buyer | |
| Amy Lives | .... | swing gang | |
| Brian Lives | .... | set dresser | |
| Kelly Lookinland | .... | art department coordinator | |
| Marco López | .... | assistant props (as Marco Lopez) | |
| Diane Millett | .... | set dresser | |
| Mike Rathburn | .... | art department runner | |
| Ian Roylance | .... | set dresser | |
| Barry Shannon | .... | constructor | |
| Bryan Shelley | .... | on-set dresser | |
| Clara Amanda Smith | .... | property buyer | |
| Timothy Stettler | .... | carpenter | |
| Steven Tanner | .... | construction foreman | |
| Robert D. Vaughan | .... | assistant set designer | |
| Robert D. Vaughan | .... | painter | |
| Kip Wilson | .... | set dresser | |
| Bruce Wing | .... | leadman | |
Sound Department | |||
| David Bartlett | .... | sound editor | |
| Patrick Bietz | .... | co-supervising sound editor (as Pat Bietz) | |
| Barbara J. Boguski | .... | adr supervisor | |
| Allan Bond | .... | sound engineer (as Alan Bond) | |
| Martin J. Bram | .... | sound editor | |
| Ed Fassl | .... | sound editor (as Edward F. Fassl) | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Dan Hegeman | .... | dialogue editor | |
| Bess Hopper | .... | foley artist | |
| Chris Ingram | .... | sound editor | |
| Victor Iorillo | .... | sound editor | |
| Greg Jacobs | .... | dialogue editor | |
| Donlee Jorgensen | .... | dialogue editor | |
| Monique A. Le Bleu | .... | sound assistant | |
| Michael Perry | .... | boom operator (as Mike Perry) | |
| Ken S. Polk | .... | sound re-recording mixer | |
| John Post | .... | foley artist | |
| Mark Scheret | .... | production sound mixer (as Mark Sheret) | |
| Robert Thirlwell | .... | sound re-recording mixer (as Robert Thirwell) | |
| Ann L. Thornberg | .... | sound assistant (as Ann Thornberg) | |
| Dan Wallin | .... | sound re-recording mixer | |
| David Lewis Yewdall | .... | co-supervising sound editor | |
| Lisa A. Yewdall | .... | sound editorial producer | |
| David W. Alstadter | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Greg Landerer | .... | special effects coordinator | |
| F. Lee Stone | .... | mechanical effects: K.N.B. EFX Group (as Lee Stone) | |
| Steve Cotroneo | .... | lead artist: prop fabricator (uncredited) | |
Stunts | |||
| Hal Burton | .... | stunt player | |
| Laura Dash | .... | stunt player | |
| Tracy Evans | .... | stunt player | |
| Lee McConnell | .... | stunt player (as Chance Marquez) | |
| Don Pike | .... | stunt coordinator | |
| Gary Pike | .... | stunt player | |
| George P. Wilbur | .... | stunt player (as George Wilbur) | |
Casting Department | |||
| Catrine McGregor | .... | extras casting coordinator | |
| Dawn Steinberg | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Victoria J. Auth | .... | key costumer (as Victoria Auth) | |
| Lawane Cole | .... | wardrobe assistant | |
Editorial Department | |||
| Taric Akkad | .... | post-production assistant | |
| June Gilham | .... | negative cutter (as June F. Gilham) | |
| Paul Hellerman | .... | post-production coordinator | |
| Dorna Khazeni | .... | apprentice editor | |
| Dan Muscarella | .... | color timer | |
| Robin Toor | .... | additional assistant editor | |
| Sean Valla | .... | apprentice editor (as Sean Paul Valla) | |
| Michael Westmore II | .... | assistant editor | |
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| John Carpenter | .... | composer: theme "Halloween" | |
| Alan Howarth | .... | score performer | |
| Tony Lettieri | .... | assistant music supervisor (as Antony Lettieri) | |
| Barry Levine | .... | music supervisor: International Music Group | |
Transportation Department | |||
| Steve Anton | .... | driver (as Steven Anton) | |
| Mark Chambers | .... | driver | |
| Bryan 'Skipper' Delaney | .... | transportation captain | |
| Duke Doleto | .... | driver | |
| Grant Gottschall | .... | driver | |
| Michael H. Johnson | .... | driver | |
| John Kelly | .... | driver | |
| Victor Kloster | .... | driver | |
| Benjamin Lopez | .... | driver | |
| Cynthia Paulson | .... | driver | |
| Mari Raymer | .... | driver | |
| Fred Steagall | .... | driver | |
| Paul Thomas | .... | transportation coordinator | |
| Victoria Thomas | .... | transportation assistant | |
Thanks | |||
| Dwight H. Little | .... | acknowledgment: "Halloween 4" footage directed by | |
| Leigh Von Der Esch | .... | special thanks: Utah Film Commission (as Leigh von der Esch, Director) | |
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| The Phantom of the Opera | Ewoks: The Battle for Endor | Interview with the Vampire: The Vampire Chronicles | Torso | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Sure, they wasted their one chance to change the direction of the Halloween series (the right way). The year long coma is BS, yes, indeed. Sure, the psychic connection between Jamie and Michael is a little goofy, ill-explained, beyond the scope of a Halloween movie, and exists for no real reason, and yes, other people wearing a mask similar to Michael and pretending to be Michael is getting old (not to mention predictable.) The mask doesn't resemble any of the previous masks really, the Myers house had an inexplicable make-over . . . I could keep these complaints rolling for some time (don't even get me started on the man in black), but despite all my reasons to not like this film . . . I prefer it over #4.
I found Halloween 5 to be strangely fun, which horror tends to be when you stop caring for the cast. While I like Danielle Harris and Donald Pleasance in the leads, most of the supporting characters I didn't really like at all, so when Myers starts the party rolling I'm rooting for team Thorn. And this time around, Miky proves he has a dark sense of humor. I especially like his choice in masks in Halloween 5 . . .
But is it scary? No, but there are a few genuine intense moments towards the end as Michael inevitably runs out of victims and closes in on the stars. I liked all the chases involving Danielle Harris and confrontations between Donald Pleasence and evil personified . . . even if said confrontations are on the silly side.
Speaking of Harris, despite her character not being able to talk in the script, she manages to rise far above the material and actually pull it off. Or in other words, while her character was written by a hack and sloppily thrown together, she works wonders with the very little she's given. It makes me really wish she got writing worthy of her performance, but like a professional, she makes the best of it . . . and to think the studio wouldn't let her reprise her role after this? A slap to the face after an insult . . . oy.
I remember reading on the VHS box of Halloween 5 the exclamation, `Michael finally unmasked!' And couldn't help but chuckle as I recalled him being mask-less at least once in every Myers-inclusive Halloween until this film. Granted, this is the first time he, himself, takes it off. Oh well.
As for the film's ending, I can't forgive because it lead to the atrocity known as Halloween: The Curse of Michael Myers which felt Halloween 5 was extremely flawed but still fun . . . so it set out to make a sequel that was all flaw and no fun . . . or something.