It's one year later after the events of Halloween 4. Michael survives the shootings and on October 31st he returns with a vengeance. Lurking and stalking, Jamie, Rachel, and Rachel's ... See full summary »
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Six years ago, Michael Myers terrorized the town of Haddonfield, Illinois. He and his niece, Jamie Lloyd, have disappeared. Jamie was kidnapped by a bunch of evil druids who protect Michael... See full summary »
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
It's one year later after the events of Halloween 4. Michael survives the shootings and on October 31st he returns with a vengeance. Lurking and stalking, Jamie, Rachel, and Rachel's friends, Michael forms a plan to lure Jamie out of the children's hospital where events lead up to the confrontation at the Myers house. Halloween 5 is a dark, thrill ride that will scare the heck out of you! Written by
This is the first Halloween film to have Michael Myers with black hair. His original hair color is blonde. You can see Michael in this film without the mask twice, first when he wakes up in the cabin and again in the attic when he's in front of Jamie. Tom Morga is one of two actors to have played Myers who had a different hair color. The other is Brad Loree in Halloween: Resurrection (2002). See more »
When chasing Jamie and Billy in the car, Michael's position while driving the changes between the driver's seat and the passenger seat. (The DVD commentary revealed this is because the shot was filmed with the car being driven towards a mirror) See more »
Halloween 5 takes place one year after its immediate predecessor. We're told in the opening moments that Michael Myers (somehow) survived the onslaught of gunfire that was unleashed upon him by Illinois state troopers at the conclusion of Halloween 4 by crawling out of a sewer drain, floating down a river, and taking shelter in a homeless man's secluded makeshift shanty. Inexplicably, Michael co-exists with this individual foragainan entire year without incident. Without warning, Michael decides to "off" his caretaker without warning so as to pursue his original plan of finally putting an end to the Myers family name with the murder of his niece, Jamie.
I have a few questions about this.
First, why was it necessary that the movie take place on year later? Wouldn't it have been more feasible (a relative term given the circumstances to be sure) to have Michael lay unconscious for several days before coming to and continuing his reign of terror? Logistically, having him exist in some sort of comatose state for a full calendar year without food, water, or any kind of nutrition seems like an unnecessary stretch; on the flip side, if he were conscious during that time, why would he wait so long to dispatch of this poor sap who would naturally serve as little more than "creative kill fodder" for the imposing slasher? Any way you slice it (pun intended) it just doesn't make any sense.
Given the ridiculousness of how movies of this type play out, I'll concede that such a complaint could be viewed as a moot point. I only dwell on it here because it serves as the perfect example of just the sort of moronic plot developments that plague the fifth outing of the now dwindling franchise.
Jamie, having been placed in a juvenile sanitarium for the attempted murder of her foster mother, now has some kind of magical ESP connection with her mask-wearing uncle. It's explained that Michael is actually the one who forced Jamie to brutally stab her mother with a pair of scissors at the conclusion of the fourth film. In fact, any time Michael is about to do what he does best, she wigs out, and the omniscient (and omnipotent) Dr. Loomis swoops in to decipher her writhing and what it means about Michael's next move. Thrown into the mix is some sort of mystic cowboy, clad in all black, who dons the same Druid-ish tattoo as Michael. The guy roams around Haddonfield, keeping tabs on the now grown up boy wonder, never doing anything of particular note (well, that's not entirely truehe does implement a breakout of Michael from the county jail after the perennial sociopath is finally subdued, but this is confusing, odd, and does nothing to advance the story within the framework of the movie). All of this, I suppose, is designed to serve as a lead-in to the sixth film.
If you're scratching your head, rolling your eyes, or doing both at the same time, you're not alone. As things progressed, I found myself increasingly frustrated at the missed opportunities of Halloween 5, as the aftermath of the fourth film's conclusion suggested an interesting new direction for the series that is never made tangible. Instead we're forced to endure a stale entry that's full of logical inconsistencies.
All of that said, this entry is still superior to Halloween 3, and methinks that's worth at least an extra half star.
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