| Photos (see all 3 | slideshow) |
| Meg Tilly | ... | Karin | |
| Rupert Frazer | ... | Alan | |
| Nicholas Le Prevost | ... | The Vicar | |
| Elspet Gray | ... | Mrs. Dresland | |
| Lynsey Baxter | ... | Barbara | |
| Jean Boht | ... | Mrs. Taswell | |
| Lorna Heilbron | ... | Flick | |
| Ljuba Castot | ... | Child in Water | |
| Helen Cherry | ... | Lady Alice | |
| Mogens Dalsgaard | ... | Concert Pianist | |
| Su Elliot | ... | Nurse | |
| June Ellis | ... | Lady at Auction | |
| Patrick Godfrey | ... | Coroner | |
| Ebbe Langberg | ... | Per Simonsen | |
| Preston Lockwood | ... | Man at Sothebys | |
| Leonard Maguire | ... | Dr. Frazer (as Leonard McGuire) | |
| Michael Melia | ... | Policeman 1 | |
| Trine Michelsen | ... | Receptionist | |
| Hilary Minster | ... | Joe | |
| Klaus Pagh | ... | Man at La Cocotte | |
| Jan Petersen | ... | Chef at La Cocotte | |
| Martin Selway | ... | Policeman 2 | |
| Claire Shepherd | ... | Angela | |
| Axel Strøbye | ... | Jarl Borgen | |
| Sophie Thursfield | ... | Deirdre | |
| Ralph Wade | ... | Auctioneer | |
| rest of cast listed alphabetically: | |||
| Hanne Borchsenius | ... | Jytte Borgen | |
| Duke | ... | Mr. Steinberg | |
Directed by | |||
| Gordon Hessler | |||
Writing credits(in alphabetical order) | ||
| Richard Adams | novel | |
| Gordon Hessler | writer | |
Produced by | |||
| Just Betzer | .... | producer | |
| Benni Korzen | .... | producer | |
| Pernille Siesbye | .... | associate producer | |
Original Music by | |||
| Carl Davis | |||
Cinematography by | |||
| Claus Loof | |||
Film Editing by | |||
| Robert Gordon | |||
Costume Design by | |||
| Betina Betzer | |||
| Pernille Siesbye | |||
Makeup Department | |||
| Kezia De Winne | .... | key makeup artist | |
| Abby John | .... | makeup artist: UK | |
| Birthe Lyngsøe | .... | makeup artist: second unit | |
| Susan Parkinson | .... | makeup artist: UK | |
Second Unit Director or Assistant Director | |||
| Tony Dyer | .... | assistant director: UK | |
Sound Department | |||
| Hans-Eric Ahrn | .... | sound recording mixer | |
| Lennart Birch | .... | sound assistant | |
| Preben Mortensen | .... | sound | |
| John Nielsen | .... | sound editor | |
| Bjarne Risbjerg | .... | sound editor | |
| Lars Skovgaard | .... | sound editor | |
| Maj Soya | .... | sound editor | |
| Mark Witzen | .... | boom operator: US | |
Camera and Electrical Department | |||
| Birger Bohm | .... | camera operator: second unit | |
| Dave Cherry | .... | best boy: USA | |
| John Chickanis | .... | best boy: USA | |
| Jesper Find | .... | first assistant camera | |
| Pat Garrett | .... | key grip | |
| Torben Glarbo | .... | camera operator: second unit | |
| Peter Klitgaard | .... | camera operator: second unit | |
| Gunner Nielsen | .... | camera grip | |
| Edward Pacetti | .... | cinematographer: second unit | |
| Marty Segal | .... | gaffer: USA | |
| Otto Stenov | .... | lighting director | |
| Uffe Kaare Thomsen | .... | assistant camera: second unit | |
| Niels Vestberg | .... | still photographer | |
| Erik Wittrup Willumsen | .... | assistant camera: second unit | |
Costume and Wardrobe Department | |||
| Pauline Daly | .... | wardrobe: UK | |
Editorial Department | |||
| Anette Bjerregard | .... | apprentice editor | |
| Linda Schubell-Sundlin | .... | assistant editor | |
Other crew | |||
| Cathy Carlistle | .... | production coordinator: USA | |
| Ditte Christiansen | .... | production assistant: Denmark | |
| Jonathan Korzen | .... | floor runner: UK | |
| Marjorie Lavelly | .... | script supervisor | |
| Ilan Rakah | .... | production assistant: USA | |
| Mette Schramm | .... | dailies assembly | |
| Annette Serena | .... | script supervisor: USA | |
| Ashvin Shah | .... | production accountant | |
| Pernille Siesbye | .... | production assistant: second unit | |
| Mark Somner | .... | production runner: UK | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I remember the buzz about this movie when it came out. The sexuality, the ethereal, metaphysical theme. Sounds intriguing, no? Therefore I was surprised to see Maltin call it "unwatchable" and "a stinker". That was all before I watched it. Now that I have, I tend to agree with Leonard. Ebert's review is interesting because he "didn't get it" either, and seemed to say that the movie had accomplished something by puzzling him. You're too kind, Roger. This could have been a great movie. Each scene was well shot. Unfortunately, the whole was less than the sum of its parts. I was going to blame the Director but perhaps the Editor was more to blame. The faults: 1) the mystery, when revealed, didn't ring true. 2) the sex was totally un-erotic. 3) the visions were confusing and hokey. 4) [perhaps most annoying of all] All of Meg Tilly's lines were delivered in a whisper and with a horrible attempt at a german accent, 50% of her dialog was unintelligible.