Based on the story of Franca Viola and Filippo Melodia. In Sicily, as a Mafia boss leaves for prison, he advises Vito, a young man who's his potential successor, to marry a virtuous and ... See full summary »
The latest success by film-maker Giacomo Solaris is a crime thriller about a judge who gets too friendly with the Mafia and is murdered. A resentful Sicilian magistrate orders the film ... See full summary »
What do you do when love turns into suspicion and mourning turns to fear? When Marian gets word that her brother Michael has committed suicide, she travels to Berlin to sort out his life. ... See full summary »
Hugues cannot get over the untimely death of his wife Blanche, who made him happy for ten years. He lives alone in his house in Bruges, a city he would like to be dead like his wife. The ... See full summary »
One of the first films about the mafia occurrence, in which the fight is hopeless, because "the polyp's feeler" reaches everything and everybody. A police inspector and a deputy public ... See full summary »
Alessandro Corso is a special forces carabiniere. During an operation he saves a child but cause the death of one of his comrades. He's then transferred to a peaceful little town, where he ... See full summary »
Orso Maria Guerrini
After the death of his mother a man returns to his hometown Palermo in southern Italy in order to get hold of the legacy. Once there he is forced to participate in various crimes commited ... See full summary »
Damiano Damiani remains one of the most difficult Italian directors to categorise. He is comfortable at the helm of commercial exploitation such as Amityville 2, but would be better remembered as the key political movie-maker of his generation, with a string of socially aware dramas that puts the better known cinema of Rosi and Gavras to shame.
Massacre Play (The Killing Game) is a rather unknown entry in the Damiani canon, but is well worth the investment of a couple of hours purely for the amazing performances of the two leads. Milian is quite magnificent and Elliott Gould shows just how good an actor he is:they play two friends, both film directors who have taken very different paths. Wordy, intelligent but never boring and with a few little surprises along the way.
If there is a complaint it is only a minor one, and that is the small insignificant part played by John Steiner. Steiner had previously delivered two key performances for Damiani, first in The Case is Closed
Forget it and then in Goodbye and Amen. Here he simply wanders
through the proceedings, but as said it is only a minor quibble.
Not in Damianis's top league but all in all, very worthwhile.
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