Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young ... See full summary »
The latest success by film-maker Giacomo Solaris is a crime thriller about a judge who gets too friendly with the Mafia and is murdered. A resentful Sicilian magistrate orders the film ... See full summary »
El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unaware... See full summary »
Gian Maria Volonté,
In the Nazi occupied city of Rome, an assault on an SS brigade draws retaliation from the military governship. "Massacre in Rome" is the true story of how this partisan attack led to the ... See full summary »
George P. Cosmatos
A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't making him all that much money, so he figures to hit the "big time" by kidnapping the daughter of a rich man.
Damiano Damiani remains one of the most difficult Italian directors to categorise. He is comfortable at the helm of commercial exploitation such as Amityville 2, but would be better remembered as the key political movie-maker of his generation, with a string of socially aware dramas that puts the better known cinema of Rosi and Gavras to shame.
Massacre Play (The Killing Game) is a rather unknown entry in the Damiani canon, but is well worth the investment of a couple of hours purely for the amazing performances of the two leads. Milian is quite magnificent and Elliott Gould shows just how good an actor he is:they play two friends, both film directors who have taken very different paths. Wordy, intelligent but never boring and with a few little surprises along the way.
If there is a complaint it is only a minor one, and that is the small insignificant part played by John Steiner. Steiner had previously delivered two key performances for Damiani, first in The Case is Closed
Forget it and then in Goodbye and Amen. Here he simply wanders
through the proceedings, but as said it is only a minor quibble.
Not in Damianis's top league but all in all, very worthwhile.
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