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Friday the 13th Part VIII: Jason Takes Manhattan (1989)

A boat of graduating high school students bound for Manhattan pulls Jason Voorhees along for the ride.

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2 nominations. See more awards »
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Cast

Cast overview, first billed only:
Todd Caldecott ...
Jim Miller (as Todd Shaffer)
...
Tim Mirkovich ...
Young Jason Voorhees (as Timothy Burr Mirkovich)
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...
...
...
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Ace ...
...
...
...
...
Saffron Henderson ...
...
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Storyline

The graduating class of the local high school is going on a luxury cruise with Jason Voorhees as a stowaway. The heroine Rennie Wickham believes she was almost drowned by Jason as a child. Jason eventually sinks the boat and kills many of the students on it, but many of them escape to Manhattan. A long battle with Jason ensues until Jason is washed away in the New York sewers by a midnight flooding of toxic waste. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Plot Synopsis

Taglines:

I LOVE NY [heart symbol in the shape of a bloodied ice hockey mask denotes love] See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

28 July 1989 (USA)  »

Also Known As:

Ashes to Ashes  »

Filming Locations:

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$6,251,310 (USA) (30 July 1989)

Gross:

$14,343,976 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Sharlene Martin initially expressed discomfort at being filmed nude for a shower scene. To put her at ease, Rob Hedden borrowed a page from theater and film lore and stripped down fully nude and walked into the shower himself to illustrate how easy it all was. Unfortunately, he didn't realize the camera was rolling the whole time. When the producers watched the dailies the next morning they were very, very confused as to why their director was standing completely nude in a shower talking to one of his lovely young actresses. See more »

Goofs

Rennie's mental image of young Jason keeps changing (hair and head shape) throughout the movie. Also, young Jason's right eye was the misshapen one in Friday the 13th. See more »

Quotes

[first lines]
DJ: [narration] It's like this... We live in claustrophobia; the land of steel and concrete, trapped by dark waters. There is no escape, nor do we want it. We've come to thrive on it and each other. You can't get the adrenaline pumpin' without the terror, good people... I love this town.
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Connections

Referenced in Friday the 13th: The Game (2017) See more »

Soundtracks

J.J.'s Blues
Written by Stan Meissner
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Frequently Asked Questions

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User Reviews

 
The Last True "Friday"
23 November 2006 | by (Central Canada) – See all my reviews

Renowned film critic Leonard Maltin calls "Friday the 13th Part VIII: Jason Takes Manhattan" the highlight of the series. Of course Maltin rated virtually every other "Friday" film a dud, so that's not saying much. In any event, he's wrong. But while this eighth installment is comparatively inferior to most that preceded it, it's not as bad as reputed outside Maltin circles.

"Jason Takes Manhattan" is one of those movies that's impossible to love unconditionally. There are simply too many flaws, from ridiculous plot elements (Jason can teleport???) and an uneven pace to a lack of chills and incompatible attempts at humor. Indeed this entry represents a bitter come-down after the absolutely stellar parts VI and VII.

In many ways, "Jason Takes Manhattan" doesn't feel like part of the franchise. The Jason here isn't scary like we know he can be. His deadly moves, be it the electric guitar impaler or decapitatingly powerful right hook, seem contrived. Kane Hodder looks like a guy in a Jason suit rather than the real deal. Director Rob Hedden fell into the trap of gore for the sake of gore, but that's never been what "Friday the 13th" is all about. It's all in the build-up, and sometimes, even in low-budget '80s horror, less is more.

With all of that said, "Jason Takes Manhattan" isn't a total loss. The mere sight of the rapidly decaying villain storming through the mean streets of the Big Apple is worth at least four stars. Aside from the change of scenery, the film offers a semi-compelling storyline or two. And the masked one does have his frightening moments, smashing through portholes and firing harpoons at horny teens. As usual, the climax -- this time a chase through the city and sewer -- is the highlight.

For better or for worse, "Jason Takes Manhattan" marks the last true "Friday the 13th." This was Paramount's last stab (pun intended) at things before selling the rights to New Line Cinema, which basically destroyed the series with absurd ideas like Jason switching bodies and rampaging through spaceships. Not great, but not godawful, this film carries limited appeal outside of fanboy circles.


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