This movie documents the Apollo missions perhaps the most definitively of any movie under two hours. Al Reinert watched all the footage shot during the missions--over 6,000,000 feet of it, and picked out the best. Instead of being a newsy, fact-filled documentary. Reinart focuses on the human aspects of the space flights. The only voices heard in the film are the voices of the astronauts and mission control. Reinart uses the astronaunts' own words from interviews and from the mission footage. The score by Brian Eno underscores the strangeness, wonder, and and beauty of the astronauts' experiences--experiences which they were privileged to have for a first time "for all mankind." Written by
Scott B. Fisher <firstname.lastname@example.org>
A Film by Al Reinert
Did You Know?
There is a shot of the moon appearing in the window of the capsule. Director Al Reinert
says there was no shot available of the moon showing in the window of the command module, so a film crew went down to the Johnson Space Center, pasted a photo of the moon on a hatch cover at the museum, and filmed it to illustrate astronaut Ken Mattingly's description of what he saw in his flight. See more
(at around 36 mins) During the Apollo 13 coverage, Houston is heard telling the astronauts to "try SCE to auxiliary." This is actually from the launch of Apollo 12 after it was struck by lightning. See more
[alone in the Command Module, following CSM-LEM separation during Apollo X
You'll never know how big this thing gets when there ain't nobody in here but one guy.
Filmed on location by the United States National Aeronautics and Space Administration. See more
Referenced in Drive
Courtesy of Opal Records (Music For Films III)
Written and Performed by Brian Eno
Licensed by Upala Music/Hamstein (BMI) See more