This movie documents the Apollo missions perhaps the most definitively of any movie under two hours. Al Reinert watched all the footage shot during the missions--over 6,000,000 feet of it, and picked out the best. Instead of being a newsy, fact-filled documentary. Reinart focuses on the human aspects of the space flights. The only voices heard in the film are the voices of the astronauts and mission control. Reinart uses the astronaunts' own words from interviews and from the mission footage. The score by Brian Eno underscores the strangeness, wonder, and and beauty of the astronauts' experiences--experiences which they were privileged to have for a first time "for all mankind." Written by
Scott B. Fisher <email@example.com>
A Film by Al Reinert
Did You Know?
There is a shot of the moon appearing in the window of the capsule. Director Al Reinert
says there was no shot available of the moon showing in the window of the command module, so a film crew went down to the Johnson Space Center, pasted a photo of the moon on a hatch cover at the museum, and filmed it to illustrate astronaut Ken Mattingly's description of what he saw in his flight. See more
For scenes of spacewalks in earth orbit, scenes from Apollo 9 are mixed with scenes from Gemini program spacewalks. See more
T. Kenneth Mattingly II
I had the only window at this point, and I looked out, and doggone if the moon wasn't visible in the daylight right straight out the top of the window. I know they're doin' their job right because the moon's right straight ahead and that's where we're pointed and they're gonna launch us right straight to this thing.
This film is indebted to the staff of the Johnson Space Center. See more
Referenced in Drive
Courtesy of Opal Records (Music For Films III)
Written and Performed by Roger Eno
Licensed by Upala Music/Hamstein (BMI) See more