This movie documents the Apollo missions perhaps the most definitively of any movie under two hours. Al Reinert watched all the footage shot during the missions--over 6,000,000 feet of it, and picked out the best. Instead of being a newsy, fact-filled documentary. Reinart focuses on the human aspects of the space flights. The only voices heard in the film are the voices of the astronauts and mission control. Reinart uses the astronaunts' own words from interviews and from the mission footage. The score by Brian Eno underscores the strangeness, wonder, and and beauty of the astronauts' experiences--experiences which they were privileged to have for a first time "for all mankind." Written by
Scott B. Fisher <email@example.com>
A Film by Al Reinert
Did You Know?
There is a shot of the moon appearing in the window of the capsule. Director Al Reinert
says there was no shot available of the moon showing in the window of the command module, so a film crew went down to the Johnson Space Center, pasted a photo of the moon on a hatch cover at the museum, and filmed it to illustrate astronaut Ken Mattingly's description of what he saw in his flight. See more
When showing the scenes of trans-lunar injection (firing the rocket to leave earth orbit for the moon), scenes of a Gemini spacecraft reentering the atmosphere are shown instead. See more
We choose to go to the moon in this decade and do the other things, not because they are easy but because they are hard.
This film is indebted to the staff of the Johnson Space Center. See more
Referenced in Drive
Courtesy of Opal Records (Music For Films III)
Written and Performed by John Paul Jones
Licensed by Upala Music/Hamstein (BMI) See more