When Andy and Elizabeth buy a farm in Vermont, they can't imagine the trouble that awaits them. Andy has quit his job as a sports journalist and is planning to use the peace and quiet of ... See full summary »
George Roy Hill
Madolyn Smith Osborne,
When police discover that a mob hitman has moved in next door to the Robbersons, they want to find out what he is up to. So they set up a stakeout in the Robbersons' home. Hard-nosed, ... See full summary »
Fletch is a reporter for a Los Angeles newspaper, but he acts more like a detective. When an obscure relative leaves him a Louisiana mansion in his will, Fletch is naturally curious. Arriving in Louisiana, events occur that make him suspect that all is not well, and there is more to the property than he has been led to believe. Written by
Murray Chapman <firstname.lastname@example.org>
At one point during the narration, Fletch quips that even Larry Holmes could figure out that the guy who shot at him was the same guy who stole his Lakers watch. This guy was played by former boxer Randall 'Tex' Cobb. Cobb's most famous bout as a boxer was in 1982 during which he was beaten to a bloody pulp by Larry Holmes but refused to be knocked down. See more »
When Fletch rides the motorcycle through the moving boxcar, the train is rolling from right to left. When the gang leader tries to jump through the first scene shows him after leaving the ramp and the train is rolling in the same direction. The next scene shows the wheel of the motorcycle coming through the side of the boxcar and after that, it shows the train rolling in the opposite direction with the wheel of the motorcycle in front of the open door. If the biker missed the door with the train moving, the wheel would be behind the door, not in front of it. See more »
Uh, sir, this is a secure area.
Well, I'm very happy for you, son. Most people live in terrible neighborhoods.
See more »
Irwin Fletcher, or better known as 'Fletch' is a Los Angeles investigative reporter, who quits his job and heads to Belle Isle a vast 80-arce Louisiana plantation that he has inherited from his late aunt. But soon after meeting the lovely attorney and spending the night together, she is mysteriously dead the next morning. This is where the trouble comes along, with a local lawyer telling him to leave town, and a stunning real estate agent has come to make Fletch a healthy offer for his estate. Though Fletch thinks there's something fishy about all of this and he goes to hilarious lengths to figure the real truth about why someone wants his land.
It never seems to amaze me, about how much I get out of this flick. Sure, there's nothing truly great about this feature and you can call it pointless and crude, but I never get tired of the shenanigans and Chevy's wittiness. You could say it's a guilty pleasure of mine that will always be a favourite, no matter what anyone else thinks. 'Fletch Lives' is basically more or less a vehicle for Chevy Chase's dry, smart-ass humour, and his prominently cunning persona. Really, that's about it. During this stage he was one of the funniest comedians in his prime. The others stars who appeared, in the likes of Hal Holbrook, R. Lee Ermey, Julianne Phillips and Richard Libertini basically play off Chase's character and fall under the mockery of his heavy-handed humour. But still, amongst their stupidity are fun performances from the support roles. The beautiful woman in the film seem to be there only for showpieces and to always fall under Fletch's charismatic appeal. Meaning they look nice, but really that's about it.
I'll even go to say that this sequel truly outdoes the original. By containing far more laughs and gags that actually work than that of the original. I don't mind the original, I like it. If you think this sequel is going to be just like the 'Fletch', forget it. It's far from it actually. While the original film was more a mystery story that led into ingenious gags. The mystery in this one takes a back step, and that's a BIG one too. The thin story and Chase's narration isn't much to go by, so most of the elements (or better put, little episodes) provided in the flick are their to give Chase some ammo to pock fun at, while dressing up in his offbeat disguises. In doing so, it basically comes off as parodying that of some movies (look at the title) and the southern states, especially by ridiculing the KKK and Religious gatherings. Some of these scenarios are embarrassing and have no meaning but to pad out the film. But that being said the action and laughs barely let up, as you just roll on with the sharp humour and punch lines. Honestly, its inane drivel that's for sure, but everyone pulls it off well enough. The comical aspect is basically tongue-in-cheek, with a touch of dry remarks and underlying sexual perversion. For some it might be offensive and lowbrow, but I couldn't help myself from raising a smirk from time to time. Chevy Chase's cool-as-ice performance was great fun, and I just enjoyed his manic absurdity overall and Cleavon Little was delightful as Calculus Entropy the caretaker of Fletch's estate.
Nothing will totally gobs-smack you about it, but it's just a sentimental favourite of mine, which I always find something joyous upon each viewing.
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