Directed by | |||
| Howard Ziehm | (as Howard T. Ziehm) | ||
Writing credits | ||
| Howard Ziehm | (screenplay) (as Howard T. Ziehm) | |
| Doug Frisby | (screenplay) | |
Produced by | |||
| Joe Allegro | .... | executive producer | |
| Joseph Garofalo | .... | executive producer (as Joe Garofalo) | |
| Gary Melius | .... | associate producer | |
| Maurice Smith | .... | producer | |
Original Music by | |||
| Paul Zaza | |||
Cinematography by | |||
| Danny Nowak | (director of photography) | ||
Film Editing by | |||
| Joe Tornatore | |||
Production Design by | |||
| Allen Benjamin | (as Al Benjamin) | ||
Costume Design by | |||
| Lindsay Dow | |||
Makeup Department | |||
| Anya Ellis | .... | makeup artist | |
| Rachel Griffin | .... | prosthetic makeup artist (as Rick Griffen) | |
| Connie Kambietz | .... | hair stylist | |
Production Management | |||
| Michael Metcalfe | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Bafaro | .... | first assistant director | |
| Robert Olson | .... | first assistant director | |
| Ken Ralph | .... | second assistant director | |
Art Department | |||
| Lyle Barwick | .... | art department coordinator | |
| Rudy Beltramello | .... | construction coordinator (as Ruby Beltramellow) | |
| Peter Bowmar | .... | model maker | |
| Jeffrey Butterworth | .... | model maker (as Jeff Butterworth) | |
| Sal D'Aquila | .... | master model maker (as Sal D'Quila) | |
| Brian Drummond-Hay | .... | lead hand (as Brian Drummond Hay) | |
| Kevin Elnicky | .... | model maker | |
| David Gregg | .... | model maker (as Dave Gregg) | |
| Ken Hatch | .... | carpenter | |
| Michael Jarema | .... | model maker | |
| Daniel McMillian | .... | model maker | |
| Booth Milton | .... | property builder | |
| Booth Milton | .... | set dresser | |
| Margo Nasilowski | .... | set painter | |
| Tony O'Keefe | .... | carpenter | |
| Rick Patterson | .... | property master | |
| Rae Reedyk | .... | property builder (as Ray Reedyk) | |
| Rae Reedyk | .... | set dresser (as Ray Reedyk) | |
| John Sund | .... | head mold maker | |
| Carol Wanderer | .... | set painter | |
| David Wogh | .... | model maker | |
| Richard Yee | .... | model maker | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Peter Burgess | .... | sound effects editor | |
| Richard Hurst | .... | sound mixer | |
| John Kelly | .... | foley artist | |
| Richard Kelly | .... | sound effects assistant | |
| Oliver Manton | .... | supervising sound editor | |
| Tony Poulsen | .... | boom operator (as Tony Paulson) | |
| Don White | .... | sound re-recording mixer (as Don G. White) | |
Special Effects by | |||
| Jim Towler | .... | creature effects | |
Visual Effects by | |||
| Don Bean | .... | assistant stop motion animator | |
| Tom Chaney | .... | rigger: motion control & model unit | |
| Dave Hettmer | .... | programming photography: motion control & model unit | |
| Tom Hitchcock | .... | visual effects director (as Thomas Hitchcock) | |
| Richard 'Jake' Jacobson | .... | director of photography: motion control & model unit (as Richard Jacobson) | |
| Bob Kayganich | .... | matte paintings (as Robert Kayganich) | |
| Bob Kayganich | .... | visual effects artist | |
| Lauritz Larson | .... | chief stop motion animator | |
| Lauritz Larson | .... | stop motion designer | |
| Brian Joseph Ochab | .... | assistant stop motion animator (as Brian Oshab) | |
| Michael Orlando II | .... | assistant stop motion animator (as Michael Orlando) | |
| Marcie Paul | .... | visual effects line producer | |
| Edward Wollman | .... | optical effects (as Edward Wollmann) | |
| Edward Wollman | .... | project manager: FX Center (as Edward Wollmann) | |
| Bob Wollmann | .... | rotoscoping & animation photography: motion control & model unit | |
Stunts | |||
| Curt Bonn | .... | assistant stunts (as Kurt Vonn) | |
| Ray Pichette | .... | stunts | |
Camera and Electrical Department | |||
| Trevor J. Brown | .... | first assistant camera (as Trevor Brown) | |
| Timothy Challenger | .... | lamp operator | |
| Peter Farrar | .... | second assistant camera | |
| David Frazee | .... | gaffer | |
| Lionel Huppee | .... | key grip | |
| Neil Lachance | .... | best boy | |
| Nick Lipohar | .... | dolly grip | |
| Jonas Quastel | .... | lamp operator (as Jonas Questel) | |
| Terry Weaver | .... | grip | |
| Marcel Williams | .... | still photographer | |
Animation Department | |||
| John Aretakis | .... | animator | |
| Mary Nelson | .... | animator | |
| Richard Ruby | .... | animator | |
| LaRon Williams | .... | animator | |
Casting Department | |||
| Chris J. Clayton | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Candice Ferguson | .... | wardrobe assistant | |
| Robert M. Kalafut | .... | costume concepts (as Robert Kalafut) | |
Editorial Department | |||
| Craig Madokoro | .... | assistant editor | |
Music Department | |||
| Nathan Wang | .... | composer: additional music | |
Other crew | |||
| Holly Atchison | .... | script supervisor | |
| Tony Belleveau | .... | production assistant | |
| Robert Chobotar | .... | production assistant | |
| Gina Miraglia | .... | production assistant | |
| Brigette Moore | .... | location coordinator | |
| Keri Nelson | .... | assistant to producer | |
| Katrina Ostrikoff | .... | choreographer | |
| Rob Pratt | .... | production assistant | |
| George Racich | .... | production assistant | |
| Shelly Smee | .... | production coordinator | |
| Jason Tate | .... | production assistant | |
| Kati Zilahi-Balogh | .... | craft service (as Kiki Zilahi Balough) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
Alright, I'll be the first to admit that I didn't know what to expect from a title such as "Flesh Gordon".I knew there would be some pretty raunchy stuff in it, perhaps some slightly tasteful soft-core, but I wasn't expecting *this*.
FGMtC is one of those movies that you can tell immediately came from the '80s. Flesh himself sports a wicked mullet, and the outfits seem to be cast offs from the NY night clubs.
Why a rating of 8? Simple. This is one of those movies that is soooo bad, it has to be seen to be believed. The acting is atrocious, the settings are laughably 3rd rate, the dialog is hackneyed and spends most of the movie in the poor taste pile, and the special effects are bottom of the barrel. And those are the good points! I honestly almost wet myself laughing while watching this. If you dig movies like Plan 9 From Outer Space, but with tons of T 'n A, you'll get a kick out it.
If you've got any taste whatsoever, approach with caution.