In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
Young Tommy Hudler decides to become a security systems salesman, and is an instant success. Everything seems to be going great until he discovers there's more to this business and his boss... See full summary »
Mercedes is a taxi dancer who wants to be an actress. She's involved with the married Harry, who considers himself a respected actor. Ernesto is in love with Mercedes, but he doesn't dance or have money.
The world is cloaked in winter. Christian Adkins is a Renegade soldier longing for peace and the son of the famed Liberator. Jen is an orphaned nurse desperately trying to save children. ... See full summary »
A neurotic nebbish lives in 2 worlds: the fantasy of winning his dream-girl via a hit movie, and the meager existence he scrapes out from very odd jobs, such as thesping in an arty ... See full summary »
An uptight New York tax lawyer gets his life turned upside down, all in a single day, when he's asked to escort a feisty and free-spirited female ex-convict whom asks him to help prove her innocence of her crime.
"A Modern Affair" is a romantic comedy about the strain of contemporary relationships, one woman's urgent desire for parenthood, and a solution to it all. Grace Rhodes is the perfect ... See full summary »
Thomas Berger's unique sense of back humor has not adapted well to the movies. "Little Big Man" is still the best adaptation of his work, but that movie's tone is suffused with much 1960's anti-war sentiment. "Neighbors" became a loud, unfunny comedy scripted to accommodate the styles of Dan Akroyd and John Belushi, and was a big failure.
As a film, "The Feud" is like an amateurish "Neighbors" with a low budget and much overacting on the part of the cast, particularly Rene Auberjonois, Gayle Mayron, Joe Grifasi, and Stanley Tucci - none of whom are remotely amusing. The director Bill D'Elia has done mostly TV series, and he certainly doesn't have the proper offbeat sensibility (or the directorial technique) to pull off this very difficult kind of black comedy. But then, very few people do. Even David Lynch has struck out on occasion. Perhaps Berger's fiction is best left on the printed page.
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