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Directed by | |||
| Sidney Lumet | |||
Writing credits(WGA) | ||
| Vincent Patrick | (novel) | |
| Vincent Patrick | (screenplay) | |
Produced by | |||
| Lawrence Gordon | .... | producer | |
| Burtt Harris | .... | executive producer | |
| Jennifer Ogden | .... | executive producer | |
Original Music by | |||
| Cy Coleman | |||
Cinematography by | |||
| Andrzej Bartkowiak | (director of photography) | ||
Film Editing by | |||
| Andrew Mondshein | |||
Casting by | |||
| Fran Kumin | |||
| Meg Simon | |||
Production Design by | |||
| Philip Rosenberg | |||
Art Direction by | |||
| Robert Guerra | |||
Set Decoration by | |||
| Gary J. Brink | (as Gary Brink) | ||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Joseph Cranzano | .... | makeup artist | |
| Bob Grimaldi | .... | hair stylist (as Robert Grimaldi) | |
| Ilona Herman | .... | hair stylist: Mr. Connery | |
| Ilona Herman | .... | makeup artist: Mr. Connery | |
| Peter Mannino | .... | hair stylist: Mr. Hoffman | |
| Peter Mannino | .... | makeup artist: Mr. Hoffman | |
| Vito Mannino | .... | hair stylist: Mr. Hoffman | |
| Vito Mannino | .... | makeup artist: Mr. Hoffman | |
| Craig Lyman | .... | makeup artist (uncredited) | |
Production Management | |||
| Lilith Jacobs | .... | post-production supervisor | |
| Jennifer Ogden | .... | unit production manager | |
| Ted Zachary | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Michael Haley | .... | first assistant director | |
| David Hallinan | .... | dga trainee | |
| Daniel M. Stillman | .... | second second assistant director | |
| Nathalie Vadim | .... | second assistant director | |
| Carla Zackson | .... | additional second second assistant director | |
Art Department | |||
| William F. Reynolds | .... | leadman (as Bill Reynolds) | |
| Siv Sandstrom | .... | art department coordinator | |
| William Sohmer | .... | stand-by scenic artist | |
| Walter Stocklin | .... | property master | |
| Richard A. Ventre | .... | master scenic artist (as Richard Ventre) | |
Sound Department | |||
| Allan Byer | .... | sound mixer | |
| Richard P. Cirincione | .... | sound editor (as Richard Cirincione) | |
| Lee Dichter | .... | sound re-recording mixer | |
| Eugene Gearty | .... | synclavier engineer | |
| Bruce Kitzmeyer | .... | sound editor | |
| Jane McCulley | .... | adr editor | |
| James H. Nau | .... | assistant sound editor | |
| Peter Odabashian | .... | sound editor | |
| Maurice Schell | .... | supervising sound editor | |
| Marko A. Costanzo | .... | foley artist (uncredited) | |
| Susan Sklar Friedman | .... | apprentice sound editor (uncredited) | |
| Kerry Fulton | .... | apprentice sound editor (uncredited) | |
Visual Effects by | |||
| Richard Greenberg | .... | opticals | |
Stunts | |||
| Danny Aiello III | .... | stunt cop | |
| Jery Hewitt | .... | stunt cop | |
Camera and Electrical Department | |||
| Norman Buck | .... | key grip | |
| Michael J. Fabiano | .... | key rigging grip (as Mike Fabiano Jr.) | |
| James Malone | .... | key rigging electrician | |
| Frances 'Buddy' McBride | .... | best boy (as Buddy McBride) | |
| James McGrath | .... | dolly grip (as Jim McGrath) | |
| Gary Muller | .... | first assistant camera | |
| Tom Priestley Jr. | .... | camera operator (as Thomas A. Priestley Jr.) | |
| Andrew Priestley | .... | second assistant camera | |
| John Seakwood | .... | still photographer | |
| John Skotchdopole | .... | camera trainee | |
| Joseph Trammell | .... | video technician (as Joe Trammell) | |
| William Ward | .... | gaffer (as Bill Ward) | |
Casting Department | |||
| Linda Carolei | .... | extras casting | |
| Joy Todd | .... | extras casting | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Gary Jones | .... | assistant costume designer | |
| Daniel P. Lomax | .... | costume supervisor: men | |
| Donna Maloney | .... | costume supervisor: women | |
Editorial Department | |||
| Richard J. Rossi | .... | assistant film editor | |
| Colleen Sharp | .... | apprentice film editor | |
Music Department | |||
| Cy Coleman | .... | music arranger | |
| Michael Farrow | .... | music engineer | |
| Sonny Kompanek | .... | conductor | |
| Sonny Kompanek | .... | orchestrator | |
| Michael Farrow | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| John Leonidas | .... | transportation captain | |
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| The Usual Suspects | Blood In, Blood Out | The Assassination of Jesse James by the Coward Robert Ford | The Anderson Tapes | The United States of Leland |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
When I see this film reviewed, over and over, as a comedy, I don't know whether to laugh or to cry. This is one of the most brutally cynical, agonizingly tragic films I've ever seen - the story of a family caught up in the romance of crime, trying to help at least the youngest generation escape its inevitable fate.
Perhaps it helps to know Sidney Lumet's other work, especially his previous bitterly brilliant collaborations with Sean Connery: The Hill, and The Offense. Family Business is a similarly scathing attack on preconceptions. Lumet takes what looks like a tame little 'heist comedy' scenario and shows just how poisonously evil it really is. He gives us the charming scoundrel (Connery), and shows how destructive his devil-may-care attitude can be.
One might as well criticize Othello or Macbeth for having no laughs. This film is, in fact, Shakespearian in its tragic dimensions. Connery starts out with the classic Tragic Flaw, and must pay for it in the end. (There is a heroic dimension in his ultimate realization, at least.)
I can easily understand that many people won't enjoy this film. It's a nasty, venomous, painful piece of work. But it's also quite brilliant. If you want easy answers, by all means, rent Ocean's Eleven. But if you're up for a challenge, don't overlook Family Business.