| Photos (See all 20 | slideshow) | Videos (see all 2) |
| Jeff Bridges | ... | Jack Baker | |
| Michelle Pfeiffer | ... | Susie Diamond | |
| Beau Bridges | ... | Frank Baker | |
| Ellie Raab | ... | Nina | |
| Xander Berkeley | ... | Lloyd | |
| Dakin Matthews | ... | Charlie | |
| Ken Lerner | ... | Ray | |
| Albert Hall | ... | Henry | |
| Terri Treas | ... | Girl in Bed | |
| Gregory Itzin | ... | Vince Nancy | |
| Bradford English | ... | Earl | |
| David Coburn | ... | Kid at Vet | |
| Todd Jeffries | ... | Theo | |
| Gregory James | ... | Hotel Masseuse (as Jeffrey J. Nowinski) | |
| Nancy Fish | ... | Laughing Bar Patron | |
| Beege Barkette | ... | Waitress | |
| Del Zamora | ... | Man with Cleaver | |
| Howard Matthew Johnson | ... | Bathroom Attendant | |
| Stuart Nisbet | ... | Veterinarian | |
| Robert Henry | ... | Doorman | |
| Drake | ... | Eddie | |
| Martina Finch | ... | Bad Singer | |
| Winifred Freedman | ... | Bad Singer | |
| Wendy Goldman | ... | Bad Singer | |
| Karen Hartman | ... | Bad Singer | |
| D.D. Howard | ... | Bad Singer | |
| Lisa Raggio | ... | Bad Singer | |
| Vickilyn Reynolds | ... | Bad Singer | |
| Krisie Spear | ... | Bad Singer | |
| Carole Ita White | ... | Bad Singer | |
| Steve Alterman | ... | Background Voice (voice) | |
| August Bach | ... | Background Voice (voice) (as Bach August) | |
| Greg Finley | ... | Background Voice (voice) | |
| J.D. Hall | ... | Background Voice (voice) | |
| Doris Hess | ... | Background Voice (voice) | |
| Rosanna Huffman | ... | Background Voice (voice) | |
| John Lafayette | ... | Background Voice (voice) (as John La Fayette) | |
| Tina Lifford | ... | Background Voice (voice) | |
| Arlin Miller | ... | Background Voice (voice) | |
| Paige Pollack | ... | Background Voice (voice) (as Paige Nan Pollack) | |
| David Randolph | ... | Background Voice (voice) (as David J. Randolph) | |
| Susan Napoli | ... | Background Voice (voice) (as Stephani Ryan) | |
| Jennifer Tilly | ... | Monica Moran | |
| rest of cast listed alphabetically: | |||
| Kirsten Ashley | ... | (uncredited) | |
| Helen Kelly | ... | Piano Bar Patron (uncredited) | |
Directed by | |||
| Steve Kloves | |||
Writing credits(WGA) | ||
| Steve Kloves | (written by) | |
Produced by | |||
| Julie Bergman Sender | .... | associate producer (as Julie Bergman) | |
| Bill Finnegan | .... | co-producer | |
| Robin Forman | .... | associate producer | |
| Sydney Pollack | .... | executive producer | |
| Mark Rosenberg | .... | producer | |
| Paula Weinstein | .... | producer | |
| Courtney Silberberg | .... | producer: VP Production (uncredited) | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Michael Ballhaus | (director of photography) | ||
Film Editing by | |||
| William Steinkamp | |||
Casting by | |||
| Wallis Nicita | |||
Production Design by | |||
| Jeffrey Townsend | |||
Set Decoration by | |||
| Anne H. Ahrens | |||
Costume Design by | |||
| Lisa Jensen | |||
Makeup Department | |||
| Tammy Kusian | .... | assistant makeup artist | |
| Ronnie Specter | .... | makeup artist | |
| Jeanne Van Phue | .... | hairdresser | |
Production Management | |||
| Bill Finnegan | .... | unit production manager (as William Finnegan) | |
Second Unit Director or Assistant Director | |||
| Cherylanne Martin | .... | second second assistant director | |
| Charles Myers | .... | first assistant director (as Myers) | |
| Tracy Rosenthal-Newsom | .... | second assistant director (as Tracy Rosenthal) | |
Art Department | |||
| Bruce Bellamy | .... | on-set dresser | |
| Tom Bleckov | .... | laborer: Seattle | |
| James Doug Burch | .... | propmaker (as J. Douglas Burch) | |
| David T. Cannon | .... | propmaker (as David Cannon) | |
| Joseph H. Catmull | .... | construction foreman | |
| Ronald Cox | .... | propmaker (as Ronald Wayne Cox) | |
| Ed Dupra | .... | set dresser: Seattle | |
| Amy Feldman | .... | set dresser | |
| Mark Fite | .... | propmaker | |
| Eugene Freiburger | .... | construction laborer | |
| Don Gibbin Jr. | .... | senior set designer | |
| Chris Gibbin | .... | painter | |
| Charles T. Gray | .... | swing gang | |
| Clay A. Griffith | .... | art coordinator | |
| Jonathan Hackett | .... | propmaker: Seattle | |
| Kenneth Hardy | .... | painter | |
| Ross Harpold | .... | set dresser | |
| Eric Hice | .... | swing gang | |
| Suzanne Joffe | .... | painter | |
| Scott Anthony Lynk | .... | propmaker | |
| Michael Muhlfriedel | .... | lead man (as Michael Mulhfriedel) | |
| Joshua Ott | .... | propmaker (as Joshua J. Ott) | |
| Paul Pembrook | .... | propmaker: Seattle | |
| Michael Perry | .... | assistant art director | |
| Korey Scott Pollard | .... | swing gang (as Korey Pollard) | |
| Renee Prince | .... | painter | |
| Paul Rylander | .... | assistant props | |
| Randy Sanchez | .... | painter | |
| Wayne Shepherd | .... | painter (as Wayne Shephard) | |
| David Stawecki | .... | propmaker | |
| Peter Sykes | .... | swing gang | |
| Walter Wall | .... | property master | |
| Rick Welden | .... | propmaker | |
| Chris L. Winslow | .... | scenic artist (as Chris Winslow) | |
| Gary Wortman | .... | propmaker | |
| Curtis Yomtob | .... | construction coordinator | |
| John Alvin | .... | poster artist (uncredited) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Glenn Aulepp | .... | cable person (as Glen Aulepp) | |
| Kevin Bartnof | .... | foley artist | |
| Gregg Baxter | .... | adr editor | |
| Wallace R. Bearden | .... | adr mixer | |
| Susan Dudeck | .... | foley editor | |
| Patrick English | .... | sound assistant | |
| John Haeny | .... | sound effects editor | |
| Robin Harlan | .... | foley artist | |
| Doug Hemphill | .... | sound re-recording mixer (as D.M. Hemphill) | |
| J. Paul Huntsman | .... | supervising sound editor | |
| Chris Jenkins | .... | sound re-recording mixer | |
| Robert Mackston | .... | dialogue editor (as Robert Macksten) | |
| Efraim Reuveni | .... | foley editor | |
| Carolann Sanchez-Shapiro | .... | sound assistant (as Carolann S. Sanchez) | |
| Matt Sawelson | .... | dialogue editor (as Matthew G. Sawelson) | |
| Stephan von Hase | .... | sound mixer | |
| Ian Wright | .... | boom operator (as Ian C. Wright) | |
| Brad Sherman | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Robert E. Worthington | .... | special effects | |
Stunts | |||
| Jon Conrad Pochron | .... | stunt coordinator (as Jon Pochron) | |
| Paul E. Short | .... | stunts (uncredited) | |
Casting Department | |||
| Reatha Grey | .... | extras casting: Grey Images | |
| Barbara Harris | .... | voice casting | |
| Christina Sanchez | .... | casting coordinator | |
| Joanne Zaluski | .... | casting associate | |
| Patti Carns Kalles | .... | casting: Seattle (uncredited) | |
Costume and Wardrobe Department | |||
| Marsha Perloff | .... | wardrobe supervisor | |
| Jill Sharaf | .... | costumer | |
Editorial Department | |||
| Susan Alexander | .... | apprentice editor | |
| Dale E. Grahn | .... | color timer | |
| Karen Marmer | .... | post-production coordinator | |
| Michael T. Wilson | .... | assistant editor (as Michael Wilson) | |
| Scot Deer | .... | telecine colorist (uncredited) | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Else Blangsted | .... | music editorial consultant | |
| Brian Bromberg | .... | musician: bass | |
| Sandy DeCrescent | .... | musicians contractor | |
| Dave Grusin | .... | musician: keyboards and piano solo for Jeff Bridges | |
| John Hammond | .... | musician: piano solo for Beau Bridges (as John F. Hammond) | |
| Sal Marquez | .... | musician: trumpet | |
| Harvey W. Mason | .... | musician: drums (as Harvey Mason) | |
| Jill Meyers | .... | music clearance | |
| Donald Murray | .... | music recording engineer (as Don Murray) | |
| Lee Ritenour | .... | musician: guitar (as Lee Rittenour) | |
| Joel Sill | .... | executive music producer | |
| Sally Stevens | .... | vocal coach to Ms. Pfeiffer | |
| Ernie Watts | .... | musician: saxophone | |
| Jon Charles | .... | orchestrator (uncredited) | |
| Curt Sobel | .... | music editor (uncredited) | |
| Rick Winquest | .... | score assistant engineer (uncredited) | |
Transportation Department | |||
| Richard M. Brasic | .... | driver | |
| Anthony J. Brazas | .... | driver | |
| Robert T. Chestnut | .... | driver: Seattle (as Bob Chestnut) | |
| Lewis Cundiff | .... | driver | |
| George Evans | .... | driver: Seattle | |
| Jimmy Jones | .... | driver: Seattle (as Jim Jones) | |
| Thomas C. Kimmel | .... | driver | |
| George Kramer | .... | driver: Seattle | |
| Marc Lebeaune | .... | driver (as Mike Labeaune) | |
| Jon McCarthy | .... | transportation captain: Seattle (as John McCarthy) | |
| Eric W. Mizen | .... | driver | |
| Joseph Kelly Padovich | .... | driver | |
| Mike Padovich | .... | driver | |
| Marvin Palenske | .... | driver | |
| Don Penick | .... | driver: Seattle | |
| Olin Rushin | .... | driver | |
| Gary Shephard | .... | driver: Seattle (as Gary Shepard) | |
| Gary Small | .... | driver (as Gary K. Small) | |
| Howard A. Small | .... | transportation coordinator (as Howard Small) | |
| Anthony C. Steere | .... | driver (as Anthony Charles Steere) | |
| Robert Sullivan | .... | driver: Seattle (as Bob Sullivan) | |
| Bob White | .... | transportation captain | |
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| A Prairie Home Companion | Mr. & Mrs. Smith | Gone with the Wind | Chicago | Lulu on the Bridge |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I consider Baker Boys the best film on music because it is one of the finest noir stories ever written on the subject. It is an important film because of the subject matter: an expose of musical art married to entertainment. It is a subject rarely revealed in American media.
Most people think of "musical art" as something found at the classical music concert or the college music department. The other stuff we hear is entertainment, right? Well, sometimes it just isn't that simple. Baker Boys is a story based on those cases of mixed marriage when the talented artist finds himself locked into an employment situation that hampers his artistic ability. It may come as a surprise to Jazz and commercial music lovers that such music artists really do exist beneath the glamorous facade of their favorite music acts (not to mention films). The story of Jack Baker means to reveal this dark underbelly of the entertainment business.
It is well for the public to understand how and why such musicians exist. The distribution of a film such as Baker Boys is but one step toward this end. While most people saw the film as a romance involving the swing music genre, what they didn't seem to recognize is the more important underlying contextual theme. This issue - of undiscovered musical talent - is not popular. Unfortunately the average layperson is not familiar enough with music to understand or care about why a musician would be unhappy with his job. It is easy to see why most people avoided this, the main theme of the film - it's too dark - and instead focused on the romance and the style.
In the end, Baker Boys is a story of one Jack Baker, an entertainer who was finally bold enough to make the transition to Jazz artist. It is a story of passive resistance to what Blake Edwards immortalized as that "other" part of the entertainment industry known behind the scenes as S.O.B. (Standard Operating Bullshit). It is but one fictional story that represents many, many similar true-life cases of successful failure.