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Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to get so they interview female singers. They finally decide on Susie Diamond, a former 'escort' who needs some refinement, but the act begins to take off again. While the act is now successful, both Frank and Jack have problems with their life on the road. Susie becomes the agent that makes them re-evaluate where they are going, and how honest they have been with each other. Written by
John Vogel <email@example.com>
Although Dave Grusin recorded the songs for the movie soundtrack, Beau Bridges and Jeff Bridges both learned to play all the songs in the film. To make their playing appear realistic, the actors watched videotapes of Grusin's hands playing the music. See more »
When Frank, Jack and Susie get underway for the trip to the New Year's event at the resort hotel (a.k.a. Bill Gate's house), they are first shown driving southbound on the Mercer Street onramp to Interstate-5. Then the scene shifts to them driving near the Spokane Street exit southbound, five miles to the south. Then the scene shifts back to them driving emerging from a tunnel, which is actually the same southbound I-5 onramp, only a little farther past the initial shot. See more »
Would you stop that please.
[while loudly playing with her paddle ball]
You want me to make some coffee? How 'bout some eggs? I can make you some eggs, if you want.
Knock it off with that fucking thing... driving me nuts! Jack you want eggs, Jack you want coffee. You're not my housekeeper, I'm not your fucking father. I can't babysit you every time your mama gets an itch!
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After playing small club gigs for over 15 years, the "Baker Boys" finally come to grips with some realities.
"Susie" comes into their act and lives. She's a former "escort" and blues singer, whom they hire to rejuvenate their somewhat tired act.
This she does, in more ways than one.
"The Fabulous Baker Boys" is an accurate and frank depiction of musicians' lives-on-the-road. It reveals what happens after the audience goes home and the musicians retire to their nice hotel rooms.
But after years, one nice hotel room is the same as another. Likewise, their music routines can become as stale as leftover tobacco smoke in their vacated clubs.
Jeff and Beau Bridges execute some the finest work of their careers in this film. Likewise, Michelle Pfeiffer equally supports them, as well as does her own singing.
Dave Grusin and John Hammond's soundtrack piano renditions are excellent, as is Peggy Holmes' choreography for Ms. Pfeiffer. Sydney Pollack was wise to financially support this production as executive producer.
Writer director Steven Kloves came up with a winner here, marred only by some general slow pacing and an ambiguous though appropriate ending.
"The Fabulous Baker Boys'" reputation continues to grow and be appreciated by more audiences, through cable and DVD distributions. It signifies a rare glimpse at backstage life-on-the-road of musicians who so enrich our lives, yet are all too often taken for granted.
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