Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to ... See full summary »
Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a few hours after she sees him arrive in Dallas. ... See full summary »
Mentally challenged Raymond Rourke gets blamed and framed by several kids after they accidentally kill his younger brother Bryce. Six years later, Raymond escapes from the state mental ... See full summary »
Steven Lee Edwards
Tom, gardener at the big house, can talk to plants but not to women. When beautiful Polish au pair Anya arrives for the summer, Tom falls for her catastrophically like the felling of one of the giant trees he cares for in the grounds.
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
A writer of horror stories is invited to a "monster club" by a mysterious old gentleman. There, three gruesome stories are told to him; between each story some musicians play their songs. ... See full summary »
Roy Ward Baker
An undercover FBI agent falls in love with a recently widowed mafia wife seeking to start her life over after her husband's murder and who is also pursued by a libidinous mafia kingpin seeking to claim her for himself.
Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to get so they interview female singers. They finally decide on Susie Diamond, a former 'escort' who needs some refinement, but the act begins to take off again. While the act is now successful, both Frank and Jack have problems with their life on the road. Susie becomes the agent that makes them re-evaluate where they are going, and how honest they have been with each other. Written by
John Vogel <email@example.com>
When Frank, Jack and Susie get underway for the trip to the New Year's event at the resort hotel (a.k.a. Bill Gate's house), they are first shown driving southbound on the Mercer Street onramp to Interstate-5. Then the scene shifts to them driving near the Spokane Street exit southbound, five miles to the south. Then the scene shifts back to them driving emerging from a tunnel, which is actually the same southbound I-5 onramp, only a little farther past the initial shot. See more »
Okay, let's hear it. We trashed the Avedon, the Luau Lounge - what's our beef with 'Feelings'?
Nothing... except who cares? I mean, does anybody really need to hear 'Feelings' again in their lifetime? It's like parsley, okay? Take it away, nobody's going to know the difference.
'Feelings' is not parsley!
Frank, to you 'Feelings' may be goddamn filet mignon, but to me, it's parsley. It's *less* than parsley.
Look, 'Feelings,' despite what you may think of it, has always been one of the bright ...
[...] See more »
Written and directed by Steve Kloves, `The Fabulous Baker Boys' is a tale of music and brotherly love set in Seattle. The Baker boys are Jack and Frank (real life brothers Jeff and Beau Bridges), who eke out a living playing piano together at various venues throughout the Emerald City, a basic lounge act they've been doing for fifteen years. Frank is the responsible one, because he has to be; he has a wife, kids and a home in the suburbs. He manages their business, secures the bookings and is content to stick with a formula that works. For him, it's not about the music, it's about keeping food on the table for those who depend on him. Jack, on the other hand, is unattached and could care less about the business end of the partnership. As long as it affords him a modicum of security as well as dignity, he is more than willing to just go along for the ride.
For Jack, though, underneath it all, it is about the music; it's about jazz. On off nights he will steal away alone to some small club to play, and deep down inside he knows that this is not only what he really wants, but needs. And he knows he could be great, if only he'd let himself go. The trouble is, he's been with Frank his whole life, and as long as the act is working he just can't make the break. Unless something happens, his dreams are destined to remain suppressed and unrealized. It is only when one of their regular clubs balks at rescheduling them that the brothers begin to realize that perhaps their act is getting a bit stale. So they decide to try adding a singer to the act. After a memorable scene in which a number of young hopefuls are auditioned, Suzie Diamond (Michelle Pfeiffer) enters their life. She joins the act on a trial basis, and after an amusing and somewhat tentative beginning, infuses it with new life, though Frank continues to adamantly resist too much of a departure from their original show. (`Does anyone really want to hear Feelings' again?' she asks him at one point). Ultimately, however, Suzie becomes the impetus for change that Jack has needed all along, and the stage is set for the decisive moment, which comes when the dignity of the brothers is compromised due to an incident on Frank's part of uncharacteristic carelessness. When Jack tells Frank, `We've never been clowns before' you know exactly how deep it has cut. Kloves has fashioned an entertaining study of relationships, change, and the effects of complacent loyalty and self-denial; and the importance of following your own heart. When Jack sits down alone at the piano in that smoke-filled club, we know that this is where he is meant to be. Filmed on location in and around Seattle, with a terrific score by Dave Grusin,a supporting cast that includes Jennifer Tilly (Monica) and Ellie Raab (Nina), and a classic scene in which Suzie Diamond croons `Makin' Whoopee' atop a piano, `The Fabulous Baker Boys' is an absolute gem you do not want to miss. I rate this one 10/10.
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