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Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to get so they interview female singers. They finally decide on Susie Diamond, a former 'escort' who needs some refinement, but the act begins to take off again. While the act is now successful, both Frank and Jack have problems with their life on the road. Susie becomes the agent that makes them re-evaluate where they are going, and how honest they have been with each other. Written by
John Vogel <email@example.com>
Michelle Pfeiffer hadn't sung in a year when she got the part of Susie Diamond. She had to practice for ten hours a day in the studio, and then took the tapes home with her to study them. For her most famous scene, singing 'Making Whoopee' on Jeff Bridges' grand piano, it took six hours to shoot it. She only had one choreography lesson, and wore knee and elbow pads during rehearsals. See more »
When the little girl comes in through the window and tells Susie she "came down to walk Eddie", she goes out the door without the dog leash. The leash is clearly visible hanging on a peg right next to the door. See more »
Would you stop that please.
[while loudly playing with her paddle ball]
You want me to make some coffee? How 'bout some eggs? I can make you some eggs, if you want.
Knock it off with that fucking thing... driving me nuts! Jack you want eggs, Jack you want coffee. You're not my housekeeper, I'm not your fucking father. I can't babysit you every time your mama gets an itch!
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Possibly the best ensemble acting since the Hawks, Bogart and Bacall version of "The Big Sleep". There aren't many films of the eighties that match the sheer class of the best studio pictures of the thirties, forties and fifties. This one does. Watch the scene where Jeff Bridges lights Pfeiffer's cigarette for a few seconds' vignette of perfectly restrained and utterly revealing acting. But then, almost every scene in this movie is at or near this standard. It's a film in a thousand, if that, that makes you believe you are seeing a glimpse into real life at a particular place and time. The Fabulous Baker Boys is three people's intersecting lives in Seattle in the late eighties. As real as if you had been there? No. As right as if you had been there? Yes.
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