Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a few hours after she sees him arrive at Love Field... See full summary »
An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
Frank and Jack Baker are professional musicians who play in small clubs. They perform cover tunes of music standards and have never needed a day job. Times are changing and dates are becoming more difficult to get so they interview female singers. They finally decide on Susie Diamond, a former 'escort' who needs some refinement, but the act begins to take off again. While the act is now successful, both Frank and Jack have problems with their life on the road. Susie becomes the agent that makes them re-evaluate where they are going, and how honest they have been with each other. Written by
John Vogel <firstname.lastname@example.org>
Possibly the best ensemble acting since the Hawks, Bogart and Bacall version of "The Big Sleep". There aren't many films of the eighties that match the sheer class of the best studio pictures of the thirties, forties and fifties. This one does. Watch the scene where Jeff Bridges lights Pfeiffer's cigarette for a few seconds' vignette of perfectly restrained and utterly revealing acting. But then, almost every scene in this movie is at or near this standard. It's a film in a thousand, if that, that makes you believe you are seeing a glimpse into real life at a particular place and time. The Fabulous Baker Boys is three people's intersecting lives in Seattle in the late eighties. As real as if you had been there? No. As right as if you had been there? Yes.
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