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Erik the Viking (1989)

Erik the Viking and his men travel across the sea to find Valhalla to ask the gods to end the Age of Ragnarok.

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Cast

Cast overview, first billed only:
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Tsutomu Sekine ...
Slavemaster
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Gary Cady ...
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Storyline

Erik the Viking gathers warriors from his village and sets out on a dangerous journey to Valhalla, to ask the gods to end the Age of Ragnorok and allow his people to see sunlight again. A Pythonesque satire of Viking life. Written by Alexander Lum <aj_lum@postoffice.utas.edu.au>

Plot Summary | Plot Synopsis

Taglines:

Be there... or beheaded! See more »


Certificate:

PG-13 | See all certifications »
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Details

Country:

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Language:

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Release Date:

22 September 1989 (USA)  »

Also Known As:

Erik el vikingo  »

Box Office

Gross:

$1,932,642 (USA)
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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Although in many ways a fantasy film, a certain amount of historical accuracy was intended. Most notably, not one horned helmet is seen in the entire movie. See more »

Goofs

As the ship is flung a great distance by the dragon, some of the Vikings fall out. This wouldn't happen, since they're following the same parabolic trajectory as the ship. See more »

Quotes

Erik: I am the air! I am the wind!
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Crazy Credits

This film also does not involve SPAM. This will hurt Hormel's sales. See more »

Connections

Referenced in Jeopardy!: Episode #26.92 (2010) See more »

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User Reviews

Lots of fun and a little bit of hidden depth
5 May 1999 | by (NYC, NY) – See all my reviews

In true Python alum fashion, this movie is rewatchable (despite what Maltin says) and a lot of fun each time you watch it. Tim Robbins does his usual good job in a light-hearted but sensitive role; and possibly the best line of the movie is John Cleese's reaction to Robbins when Robbins *believes* himself to be invisible, declaring: "Now you see me, now you don't!" Cleese's reaction has me laughing out loud every time.

Behind all the fun and games, though, Terry Jones has done some pretty darn clever commentary on belief systems and epistemology; the fact that you can only be affected by that particular brand of magic in which you believe is a strong idea which rings nicely throughout the movie. (The addition of the priest character drives the point home nicely.) Interesting ideas, which I'd bet are ignored by most people just out for a good time (which is okay too, since it's a funny movie).


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