| Photos (See all 12 | slideshow) | Videos (see all 4) |
| Matt Dillon | ... | Bob | |
| Kelly Lynch | ... | Dianne | |
| James LeGros | ... | Rick (as James Le Gros) | |
| Heather Graham | ... | Nadine | |
| Eric Hull | ... | Druggist | |
| Max Perlich | ... | David | |
| James Remar | ... | Gentry | |
| John Kelly | ... | Cop | |
| Grace Zabriskie | ... | Bob's Mother | |
| George Catalano | ... | Trousinski | |
| Janet Baumhover | ... | Neighbor Lady | |
| Ted D'Arms | ... | Neighbor Man | |
| Neal Thomas | ... | Halamer | |
| Stephen Rutledge | ... | Motel Manager | |
| Beah Richards | ... | Drug Counselor | |
| William S. Burroughs | ... | Tom the Priest | |
| Robert Lee Pitchlynn | ... | Hotel Clerk | |
| Roger Hancock | ... | Machinist | |
| Michael Parker | ... | Crying Boy | |
| Ray Monge | ... | Accomplice | |
| Woody | ... | Panda the Dog | |
| rest of cast listed alphabetically: | |||
| Doug Cooeyate | ... | Extra - guy with knife (uncredited) | |
| Tom Peterson | ... | Himself - TV Commercial (uncredited) | |
Directed by | |||
| Gus Van Sant | (as Gus Van Sant Jr.) | ||
Writing credits | ||
| James Fogle | (novel) | |
| Gus Van Sant | (screenplay) (as Gus Van Sant Jr.) and | |
| Daniel Yost | (screenplay) | |
| William S. Burroughs | additional dialogue (uncredited) | |
Produced by | |||
| Cary Brokaw | .... | executive producer | |
| Karen Murphy | .... | producer | |
| Nick Wechsler | .... | producer | |
Original Music by | |||
| Elliot Goldenthal | |||
Cinematography by | |||
| Robert D. Yeoman | (as Robert Yeoman) | ||
Film Editing by | |||
| Mary Bauer | |||
| Curtiss Clayton | |||
Casting by | |||
| Sharon Bialy | |||
| Richard Pagano | |||
Production Design by | |||
| David Brisbin | |||
Art Direction by | |||
| Eve Cauley | |||
Set Decoration by | |||
| Margaret Goldsmith | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Jeanine Greville-Morris | .... | assistant hair stylist | |
| Jeanine Greville-Morris | .... | assistant makeup artist | |
| Gina Monaci | .... | hair designer | |
| Lizbeth Williamson | .... | makeup artist | |
Production Management | |||
| Karen Koch | .... | production manager | |
| Leslie A. Leitner | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Robin Leigh Fleck | .... | second assistant director | |
| David B. Householter | .... | first assistant director | |
Art Department | |||
| Linda Dixon | .... | swing gang | |
| Michael Gastaldo | .... | property master | |
| Rob Gomez | .... | art department assistant | |
| Kenneth Hardy | .... | lead man | |
| Benjamin Hayden | .... | swing gang | |
| Christopher Kliks | .... | painter | |
| Don Lundell | .... | carpenter (as Don Robinson Lundell) | |
| Chris Mikolavich | .... | construction assistant | |
| Chris Mikolavich | .... | paint assistant | |
| Brian Montague | .... | art department intern | |
| Christopher Nance | .... | carpenter (as Christopher J. Nance) | |
| Dana A. Payne | .... | carpenter | |
| Charles T. Riggs | .... | carpenter | |
| Dan Self | .... | head scenic artist | |
| William Small | .... | assistant property master | |
| Missy Stewart | .... | set dresser | |
| Jason Winters | .... | head carpenter | |
| Gregory Yock | .... | construction assistant | |
Sound Department | |||
| Martha Atwell | .... | assistant sound editor | |
| G.W. Brown | .... | adr editor | |
| Dane A. Davis | .... | supervising sound editor | |
| Gary Gegan | .... | adr mixer | |
| Gary Gegan | .... | foley mixer | |
| Tom Hammond | .... | foley editor | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Matthew Iadarola | .... | sound effects | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Joel Iwataki | .... | sound recording engineer | |
| Robert Jackson | .... | boom operator | |
| Ron Judkins | .... | sound mixer | |
| John Kwiatkowski | .... | sound effects editor | |
| Mark Larry | .... | foley editor | |
| John Lawson | .... | stereo sound consultant: Ultra | |
| Mark 'Frito' Long | .... | sound recordist | |
| Kimberly Ellen Lowe | .... | dialogue editor (as Kimberly Voigt) | |
| Tom McCormick | .... | optical sound transfer | |
| Joan Rowe | .... | foley artist | |
| Tracy Toon | .... | assistant sound editor | |
| Jerry Trent | .... | foley artist | |
| Randy Vandegrift | .... | dialogue editor | |
| Carl Vandervoort | .... | additional boom operator | |
Stunts | |||
| David Boushey | .... | stunt coordinator | |
| Steve Buckley | .... | stunts (as Stephen D. Buckley) | |
| Bob MacDougall | .... | stunts (as Robert MacDougall) | |
| Kathleen Reilly | .... | stunts | |
| Paul Thomas | .... | stunts | |
Camera and Electrical Department | |||
| John Boccaccio | .... | first assistant camera | |
| T.J. Civis | .... | grip | |
| Eric Alan Edwards | .... | photographer: second unit | |
| Michael Gall | .... | electrician | |
| John F. Gurney | .... | additional electrician | |
| Wes Houle | .... | electrician | |
| Bob Leitelt | .... | grip (as 'Mr. Bob' Leitelt) | |
| Willie Mann | .... | best boy grip | |
| Jesse Mather | .... | best boy electric | |
| Mary McGowan-Welp | .... | additional electrician | |
| Michael Earl Menlow | .... | additional electrician (as M.E. Menlow) | |
| Mike Moad | .... | dolly grip | |
| Chris Morley | .... | gaffer (as Christopher Morley) | |
| Les Percy | .... | key grip | |
| Randall S. Timmerman | .... | second assistant camera | |
| Demmie Todd | .... | unit photographer | |
| Steven Welp | .... | additional electrician | |
| Rick Wiley | .... | grip | |
| Gary Yahn | .... | grip | |
Casting Department | |||
| Patti Carns Kalles | .... | casting: Portland (as Patti Kalles) | |
| Julia Flores | .... | casting assistant: Los Angeles | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Dana Delfs | .... | wardrobe assistant | |
| Marychris Mass | .... | wardrobe assistant | |
| Lynn Murdock | .... | assistant costume designer | |
| Marsha Perloff | .... | wardrobe supervisor | |
Editorial Department | |||
| Charles Abbott | .... | editorial intern | |
| Sharon Ballin | .... | editorial intern | |
| Gary Burritt | .... | negative cutter | |
| Curtis Croeni | .... | first assistant editor | |
| Elizabeth Fulton Schmidt | .... | apprentice editor (as Elizabeth Fulton) | |
| D-J Haanraadts | .... | second assistant editor (as 'D.J.' Haanraadts) | |
| Randal Holmes | .... | editorial intern | |
| Maureen Iser | .... | post-production coordinator | |
| Mike Milliken | .... | negative timer | |
| Lisa Rosen | .... | post-production coordinator | |
| Caroline Ross | .... | additional editor | |
| Tom Walton | .... | post-production intern | |
Music Department | |||
| Bill Bernstein | .... | music editor | |
| Randal Case | .... | music coordinator | |
| Joel Iwataki | .... | music scoring mixer | |
| Richard Martinez | .... | associate music producer | |
| Kosmo Vinyl | .... | music consultant | |
Transportation Department | |||
| Harry Alston | .... | driver | |
| Pedro Amaya | .... | driver | |
| William 'Fleet' Eakland | .... | transportation coordinator | |
| Robert Eckholt | .... | driver | |
| Larry Gersten | .... | driver | |
| John Hannah | .... | driver | |
| Scott Hubacek | .... | driver | |
| Lawrence Odgen | .... | driver | |
| Bruce Simballa | .... | transportation captain | |
| John Jan Slovinec | .... | driver | |
| Randall A. Small | .... | driver: camera car (as Randy Small) | |
| Larry Smith | .... | driver | |
| Pat Stubbs | .... | driver | |
| Paul Thomas | .... | driver | |
Thanks | |||
| Michael Eliasberg | .... | special acknowledgment | |
| Gary Tieche | .... | special thanks | |
|
|
|
|
|
| Requiem for a Dream | The Basketball Diaries | Freeway | The Salton Sea | My Own Private Idaho |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Matt Dillon delivers one of the best performances of his career in Drugstore Cowboy, a gritty film about the real life of junkies. There is heavy drug content in this film, but in no way is the drug life glorified. We see the more realistic life of drugs on the streets, which is probably what makes this such an aesthetically unpleasing film. No one in the movie looks good, it has just about as much ugliness as a spectacularly ugly movie like Buffalo '66, which enhances the realism of the film. Much of the film is shot in a documentary style, giving it a gritty, realistic feel, almost like a twisted home movie.
Dillon plays the part of Bob, a young junkie in the early 1970s who goes around with his group of friends breaking into pharmacies and drug stores and stealing random bottles of prescription bottles looking for their next high. The movie starts at the end of the story, with Bob riding in an ambulance and telling us the story of how he got there, but has the pleasing distinction of not leading you exactly to where you knew you were going to be. Even by showing the end of the story there is nothing given away. This is a powerful drug film that doesn't hold anything back. It is not pretty to look at, but also like Buffalo '66, it's hideously unattractive counterpart, the movie has something to say.