A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
A group of drug users in the 1970's help finance their habit by robbing drug stores. Matt Dillon's character is very superstitious and eventually his luck runs out. Written by
Jason Ihle <firstname.lastname@example.org>
When Bob returns to his apartment, having given Father Tom the
drugs Dianne brought him, it is clear that, as he walks the corridor, his apartment's door is open and light comes from inside. In the next shot, he opens the door to a dark apartment. See more »
I was once a shameless full-time dope fiend.
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Home-video-style footage of the characters plays during almost the entire end credits. See more »
Excellent story of a junkie who tries to straighten out his life, only to find out that things aren't much better than they were before.
Matt Dillon delivers one of the best performances of his career in Drugstore Cowboy, a gritty film about the real life of junkies. There is heavy drug content in this film, but in no way is the drug life glorified. We see the more realistic life of drugs on the streets, which is probably what makes this such an aesthetically unpleasing film. No one in the movie looks good, it has just about as much ugliness as a spectacularly ugly movie like Buffalo '66, which enhances the realism of the film. Much of the film is shot in a documentary style, giving it a gritty, realistic feel, almost like a twisted home movie.
Dillon plays the part of Bob, a young junkie in the early 1970s who goes around with his group of friends breaking into pharmacies and drug stores and stealing random bottles of prescription bottles looking for their next high. The movie starts at the end of the story, with Bob riding in an ambulance and telling us the story of how he got there, but has the pleasing distinction of not leading you exactly to where you knew you were going to be. Even by showing the end of the story there is nothing given away. This is a powerful drug film that doesn't hold anything back. It is not pretty to look at, but also like Buffalo '66, it's hideously unattractive counterpart, the movie has something to say.
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