A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
Suzanne Stone (Maretto) knows exactly what she wants. She wants to be a television newscaster and she is willing to do anything to get what she wants. What she lacks in intelligence, she ... See full summary »
Gus Van Sant
A group of drug users in the 1970's help finance their habit by robbing drug stores. Matt Dillon's character is very superstitious and eventually his luck runs out. Written by
Jason Ihle <email@example.com>
This film was chosen by Entertainment Weekly magazine as one of the "100 New Classics," ranking as #74 in their June 20, 2008 issue. The issue ranked the greatest movies of the previous twenty-five years. See more »
In the last scene there is a 1975 or newer white and red colored Ford Van in the background. That boxy styled front end came to be in 1975 and ended in 1991. See more »
I was once a shameless full-time dope fiend.
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Home-video-style footage of the characters plays during almost the entire end credits. See more »
Written by Ken Ellner, Roy Chaney, Craig Atkinson, John Byrne & John Michalski
Performed by Count Five (as The Count Five)
Published by Drive-In Music
Courtesy of Original Sound Record Co., Inc. See more »
I saw many, many people like these in the 1970's in San Francisco
I lived in San Francisco all through the 1970's and saw tons of these kinds of people. They all tended to "group" together for the common purpose of scoring and getting high on any kind of drugs available, but the drug of choice always seemed to be heroin. These groups, or small communes, always tended to have a strong leader who ran the whole show for the group and issued "orders" like a drill sergeant, but interestingly, in a very "loving" way. And nobody ever seemed to question this leader. In fact, HE always seemed to be treated with complete deference (reverence???) as if HE were some kind of a star. Everybody in the group seemed to have a specific "job" to do within the group, and their jobs seemed to define their value to the group and, hence, their "right" to be there. Except for the fact that they existed in the general "hippy" milieu of the time, they never showed any signs of being interested in the presumed hippy world view. I always felt the groups simply represented highly efficient, small business concerns. These people were known thieves, drug dealers, and small-time con artists and, if left alone, they were not considered dangerous. In fact, they were typically very intelligent and interesting people, but very closed-off to the world outside their group. Each group was like its own little cult.
The group portrayed in Drugstore Cowboy would have fit in perfectly with what I remember from that time, except that there were typically more people in the groups than just four. I would say these groups numbered more like six to eight people, certainly enough to occupy a large flat or house in one of the cheap neighborhoods. The fact that the cost of living was so much cheaper back then allowed for this type of lifestyle. And it was only when the real estate boom in San Francisco in the mid-to-late 1970's precluded this type of communal existence (lease applications, leases, personal references, high deposits, etc.) that these "illegal" groups tended to disappear. The ease with which the group in DC moved from one living space to the other would become impossible due to these new economic and social realities (higher rents and stiffer rules). Yes, even in Portland.
Anyway, this movie really resonnated with me and triggered my memories of that time, and I think it's accurate to say that this is truly a "period piece." I'm certain that the DC group could have only existed in the early 1970's, and certainly no later than say 1974-5.
I have no idea why I felt compelled to write all this seeing as how it has very little to do with the movie, which I loved. Thank you!
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