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| Morgan Freeman | ... | Hoke Colburn | |
| Jessica Tandy | ... | Daisy Werthan | |
| Dan Aykroyd | ... | Boolie Werthan | |
| Patti LuPone | ... | Florine Werthan (as Patti Lupone) | |
| Esther Rolle | ... | Idella | |
| Joann Havrilla | ... | Miss McClatchey | |
| William Hall Jr. | ... | Oscar | |
| Alvin M. Sugarman | ... | Dr. Weil | |
| Clarice F. Geigerman | ... | Nonie | |
| Muriel Moore | ... | Miriam | |
| Sylvia Kaler | ... | Beulah | |
| Carolyn Gold | ... | Neighbor Lady | |
| Crystal R. Fox | ... | Katie Bell | |
| Bob Hannah | ... | Red Mitchell | |
| Ray McKinnon | ... | Trooper #1 | |
| Ashley Josey | ... | Trooper #2 | |
| Jack Rousso | ... | Slick | |
| Fred Faser | ... | Insurance Agent | |
| Indra A. Thomas | ... | Soloist | |
| rest of cast listed alphabetically: | |||
| Dean DuBois | ... | Commerce Club Member (uncredited) | |
| Martin Luther King | ... | Himself (uncredited) (archive sound) | |
| D. Taylor Loeb | ... | Girl at Temple (uncredited) | |
Directed by | |||
| Bruce Beresford | |||
Writing credits(WGA) | ||
| Alfred Uhry | (screenplay) | |
| Alfred Uhry | (play) | |
Produced by | |||
| David Brown | .... | executive producer | |
| Robert Doudell | .... | associate producer | |
| Jake Eberts | .... | co-executive producer | |
| Alfred Uhry | .... | associate producer | |
| Lili Fini Zanuck | .... | producer | |
| Richard D. Zanuck | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Peter James | (director of photography) | ||
Film Editing by | |||
| Mark Warner | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Victor Kempster | |||
Set Decoration by | |||
| Crispian Sallis | |||
Costume Design by | |||
| Elizabeth McBride | |||
Makeup Department | |||
| Lynn Barber | .... | assistant makeup | |
| Kevin Haney | .... | makeup consultant | |
| Philip Ivey | .... | hair stylist (as Phillip Ivey) | |
| Philip Leto | .... | hair stylist (as Phil Leto) | |
| Manlio Rocchetti | .... | makeup supervisor | |
Production Management | |||
| Robert Doudell | .... | unit production manager | |
| Russell Paris | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Martha M. Elcan | .... | second assistant director (as Martha Elcan) | |
| Katterli Frauenfelder | .... | first assistant director | |
Art Department | |||
| Benjamin Beresford | .... | property assistant | |
| Wren Boney | .... | head set dresser | |
| Gary Buckles | .... | set dresser (as Gary L. Buckles) | |
| Don E. Cochran | .... | scenic chargeman | |
| Tom S. Gunter | .... | scenic billboards | |
| Jeanne M. Hall | .... | greensperson | |
| Paul Huggins | .... | construction foreman | |
| Tony Kupersmith | .... | construction coordinator | |
| Kristen McGary | .... | lead person (as Kris McGary) | |
| John Oliveira | .... | set dresser | |
| Vera Smith | .... | property assistant | |
| Philip Steuer | .... | property | |
| Karen Young | .... | set dresser | |
| Bill Zullo | .... | property assistant (as William Zullo) | |
| Steven Blutstein | .... | lead man (uncredited) | |
| Steven Blutstein | .... | set dresser (uncredited) | |
| Jeff Cronin | .... | draughtsman (uncredited) | |
| Patrick Fuhrman | .... | set dresser (uncredited) | |
| Phil Hayes | .... | set dresser (uncredited) | |
| George A. Lee | .... | painter (uncredited) | |
| Amy McGary | .... | buyer (uncredited) | |
| Stephanie Ryan | .... | additional art department assistant (uncredited) | |
| Johnny Thigpen | .... | scenic artist (uncredited) | |
Sound Department | |||
| Sandina Bailo-Lape | .... | foley editor | |
| Tom Bellfort | .... | adr editor | |
| Gloria S. Borders | .... | supervising sound editor | |
| Gloria Cooper | .... | cableperson | |
| Gloria Cooper | .... | second boom operator | |
| Melissa Dietz | .... | dialogue editor | |
| Clare C. Freeman | .... | assistant sound editor (as Clare Freeman) | |
| Hank Garfield | .... | production sound mixer | |
| Karen Harding | .... | assistant sound editor | |
| Robin Harlan | .... | foley artist | |
| Tim Holland | .... | sound effects editor | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Ronald Jacobs | .... | dialogue editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| Matt Patterson | .... | sound recordist (as Matthew Patterson) | |
| Andy Rovins | .... | boom operator | |
| David Slusser | .... | foley recordist | |
| Kim Cascone | .... | assistant foley recordist (uncredited) | |
Special Effects by | |||
| B.J. Shelley | .... | special effects assistant | |
| Bob Shelley | .... | special effects coordinator | |
Visual Effects by | |||
| Tim Donahue | .... | visual effects art director: Introvision (uncredited) | |
| Richard Kilroy | .... | matte painter: Introvision (uncredited) | |
| Richard Kilroy | .... | model builder (uncredited) | |
| John P. Mesa | .... | visual effects cameraman (uncredited) | |
| William Mesa | .... | visual effects supervisor (uncredited) | |
| Rick Rische | .... | matte painter: Introvision (uncredited) | |
Stunts | |||
| Dan Mabry | .... | stunt double (as Danny Mabry) | |
| Mags Kavanaugh | .... | stunt double (uncredited) | |
| Gene Witham | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Jeff Becker | .... | best boy | |
| Sam Emerson | .... | still photographer (as Sam Young Emerson) | |
| Michael Fedack | .... | dolly grip (as Michael John Fedack) | |
| David J. Frederick | .... | first assistant camera (as David John Frederick) | |
| Robert Kempf | .... | key grip | |
| David Meistrich | .... | second assistant camera | |
| Greg Morse | .... | playback operator | |
| Erich Roland | .... | camera operator | |
| Keith Sherer | .... | gaffer | |
| David Sinrich | .... | best boy / grip | |
| David Reeder | .... | first assistant camera: second unit (uncredited) | |
Casting Department | |||
| Elyn Wright | .... | casting: Atlanta (as Elyn S. Wright) | |
| Diane Alexander | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Kris Kearney | .... | costumer (as Kristine Kearney) | |
| Susan Mickey | .... | costumer (as Susan E. Mickey) | |
| Marsha Perloff | .... | wardrobe supervisor | |
Editorial Department | |||
| Donald Likovich | .... | assistant film editor | |
| Jeremiah O'Driscoll | .... | apprentice film editor | |
| Bob Putynkowski | .... | color timer | |
| Steven Ramirez | .... | first assistant film editor | |
| Tom Shaffer | .... | color timer | |
Music Department | |||
| Barry Levine | .... | music supervisor | |
| Laura Perlman | .... | music editor | |
| Jay Rifkin | .... | music scoring mixer | |
Transportation Department | |||
| Cindy Parker | .... | transportation captain | |
| J.L. Parker | .... | transportation coordinator | |
| Ronald F. Debranski II | .... | driver (uncredited) | |
Thanks | |||
| Irving Vendig | .... | our gratitude to: creator-writer, "The Edge of Night" | |
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| Giant | Ray | Imitation of Life | The Color Purple | Terms of Endearment |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Morgan Freeman and Jessica Tandy (in Oscar Winning performance) invoke grace and dignity in this sensitive treatment of race relations and old age. Freeman stars as a gentle, wise black chauffeur in the service of a spunky Jewish widow, played by Tandy. As the years pass, their relationship evolves into a remarkable friendship despite their different backgrounds.
The film is skillfully adapted from the award-winning play, unfolding against the backdrop of civil rights changes in the South. Somewhat simplistic to be considered a strong statement about race relations, the Best Picture/Best Screenpaly Oscar Winner makes a heartwarming effort to give witness to dignified aging.
Freeman was never better, and the chemistry between the two leads is simply beautiful to watch. This is a very special cinema experience.