Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <firstname.lastname@example.org>
When Daisy visits the Piggly Wiggly near her house in the Druid Hills neighborhood of Atlanta, a small movie theater named the Rialto is next to it. In the real Atlanta of that time, there was a major downtown movie theater named the Rialto (now the Rialto Center for the Arts). A small neighborhood movie house would not have taken the same name as a downtown first-run theater. See more »
Only those with dull minds would find this boring.
Only those with dull minds would find this boring. A truly perfect movie, in my opinion. I never saw the stage production, but I can't believe it could have been better. I believe the movie was perfectly cast, as well, even though I adore Dana Ivey, who originated the role of Daisy Werthan. By the way, I can see a day far in the future when Morgan Freeman will win an Oscar for a small supporting role in an otherwise forgettable movie. That Oscar will be the reward for movies like this one.
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