Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <email@example.com>
While being interviewed in the 2008 PBS Mini-Series The Jewish Americans (2008), Alfred Uhry, who wrote the film's screen play and grew up as a Jewish child in Atlanta during the 40's and 50's, admitted that many Jews in Atlanta celebrated Christmas like Boolie and his wife in attempt to be a part of a community where Jews were a minority. See more »
When Hoke is driving Miss Daisy home after the temple bombing, he passes a parked blue and white pickup and nearby black sedan, visible through his window, twice. See more »
[Hoke and Idella are walking to Daisy's house and notice Boolie's car in the driveway]
Now what do you suppose he's doin' here this early in the mornin'?
Dunno... can't be good, I promise you that!
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Only those with dull minds would find this boring.
Only those with dull minds would find this boring. A truly perfect movie, in my opinion. I never saw the stage production, but I can't believe it could have been better. I believe the movie was perfectly cast, as well, even though I adore Dana Ivey, who originated the role of Daisy Werthan. By the way, I can see a day far in the future when Morgan Freeman will win an Oscar for a small supporting role in an otherwise forgettable movie. That Oscar will be the reward for movies like this one.
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