| Videos (see all 3) |
| Jason Robards | ... | Coleman Ettinger | |
| Corey Feldman | ... | Bobby Keller / Coleman Ettinger | |
| Piper Laurie | ... | Gena Ettinger | |
| Meredith Salenger | ... | Lainie Diamond | |
| Harry Dean Stanton | ... | Ike Baker | |
| Corey Haim | ... | Dinger | |
| Susan Blakely | ... | Cherry Diamond | |
| William McNamara | ... | Joel | |
| Matt Adler | ... | Dumas | |
| Victoria Jackson | ... | Kit Keller | |
| Alex Rocco | ... | Gus Keller | |
| Ria Pavia | ... | Maureen | |
| Lala Sloatman | ... | Shelley (as Lala) | |
| Laura Lee Norton | ... | Marge | |
| John Ward | ... | Derek | |
| Josh Evans | ... | Low Life #1 | |
| Jody Smith | ... | Low Life #2 | |
| Kent Faulcon | ... | Low Life #3 | |
| Russell Livingstone | ... | Neighbor Next Door | |
| Mickey Thomas | ... | Mr. Pattison | |
| Fran Taylor | ... | Sheila Baker | |
| John Grissom | ... | P.E. Coach | |
| John Ford Coley | ... | Ron |
Directed by | |||
| Marc Rocco | |||
Writing credits(WGA) | ||
| Daniel Jay Franklin | (story) | |
| Daniel Jay Franklin | (screenplay) and | |
| Marc Rocco | (screenplay) & | |
| D.E. Eisenberg | (screenplay) | |
Original Music by | |||
| John William Dexter | |||
Cinematography by | |||
| King Baggot | |||
Film Editing by | |||
| Russell Livingstone | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Matthew C. Jacobs | |||
Art Direction by | |||
| Melody Levy | |||
Costume Design by | |||
| Kristine Brown | |||
Makeup Department | |||
| Marie-Gabrielle Clark | .... | makeup artist | |
| Michelle Johnson | .... | hair stylist | |
Production Management | |||
| Vincent Agostino | .... | unit manager (as Vinnie Agostino) | |
Second Unit Director or Assistant Director | |||
| Patrick Leyba | .... | first assistant director | |
| James P. Liacouras | .... | second assistant director | |
| Russell Livingstone | .... | second unit director | |
Art Department | |||
| Mark Barofsky | .... | property master | |
| Kim Barofsky-Thorpe | .... | set dresser (as Kim Barofsky) | |
| Peter Battistelli | .... | construction coordinator | |
| Carmen Herman | .... | assistant property master | |
| Randall Milazzo | .... | lead man | |
| Jahmon Reed | .... | swing gang | |
| John Teitloff | .... | assistant property master | |
Sound Department | |||
| David W. Alstadter | .... | foley mixer | |
| Barney Cabral | .... | supervising sound editor | |
| Kelly Cabral | .... | sound editor | |
| Patrick Cabral | .... | foley artist | |
| Tim Chilton | .... | foley artist | |
| Clayton Collins | .... | foley artist | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Mark Hollingsworth | .... | sound editor | |
| Elizabeth Kenton | .... | assistant sound editor | |
| Leonard Marcel | .... | additional dream sound effects | |
| Robert Thirlwell | .... | sound re-recording mixer | |
| Blake Wilcox | .... | production sound mixer | |
| Chris Wilcox | .... | boom operator | |
| Asher Yates | .... | sound editor | |
Stunts | |||
| John Cade | .... | stunt coordinator | |
| Diane Dalmonte | .... | stunts | |
| James Wiggins | .... | stunts | |
Camera and Electrical Department | |||
| Danny Buck | .... | gaffer | |
| Phillip V. Caruso | .... | still photographer | |
| Joe D'Alessandro | .... | second assistant camera | |
| John Findlater | .... | still photographer | |
| Roy-Lee Gittens | .... | electrician | |
| Tony Hardmon | .... | assistant camera | |
| Chas Hinton | .... | best boy | |
| Kyle T. MacDowell | .... | electrician | |
| Russell McElhatton | .... | director of photography: second unit | |
| Russell McElhatton | .... | first assistant camera (as Russ McElhatton) | |
| Anastas N. Michos | .... | Steadicam operator | |
| Anastas N. Michos | .... | camera operator | |
| George Palmer | .... | key grip | |
| Riko Schatke | .... | grip | |
| Gregory W. Smith | .... | second assistant camera (as Gregory Smith) | |
| Steve Spier | .... | electrician | |
| David W. Strong | .... | best boy | |
| Rich Sutherland | .... | best boy grip (as Rick Sutherland) | |
| Dog Thomas | .... | dolly grip (as 'Dog' Thomas) | |
| Durk Tyndall | .... | grip | |
| Troy Upster | .... | electrician | |
| Oliver Whipple III | .... | grip | |
| Tim Woods | .... | electrician (as Timothy Woods) | |
Casting Department | |||
| Craig Fincannon | .... | extras casting | |
| Craig Fincannon | .... | local casting | |
| Mark Fincannon | .... | local casting | |
Costume and Wardrobe Department | |||
| Ron Gross | .... | wardrobe assistant (as Ronald Gross) | |
| Christina Svoboda | .... | wardrobe supervisor | |
Editorial Department | |||
| Anthony J. Ciccolini III | .... | post-production consultant | |
| Syd Cole | .... | negative cutter | |
| Jimbob | .... | color timer | |
| Stine Kjar | .... | additional assistant editor | |
| Ken Schretzmann | .... | assistant editor | |
Music Department | |||
| Derek Alpert | .... | music supervisor | |
| Martin J. Bram | .... | music editor | |
| John William Dexter | .... | soundtrack producer | |
| Elliot Groffman | .... | music counsel (as Elliot J. Groffman) | |
| Marc Rocco | .... | supervising soundtrack producer | |
Transportation Department | |||
| Mike Burton | .... | driver | |
| Michael Foster | .... | driver | |
| Vernon W. Harrell | .... | driver | |
| Neil Hyman | .... | transportation captain | |
| A. Welch Lambeth | .... | transportation coordinator | |
| Walter Lambeth | .... | driver | |
| Steve Malliard | .... | driver | |
| John Moore | .... | driver | |
| Bill Pitts | .... | driver | |
| Tom Rainey | .... | driver | |
| Lee Siler | .... | driver | |
| Greg Stancil | .... | driver | |
Thanks | |||
| Christopher Black | .... | very special thanks | |
| Byron Buckley Jr. | .... | acknowledgement of the special effects of | |
| Cameron Dye | .... | acknowledgement of the special effects of | |
| Chip Garamella | .... | acknowledgement of the special effects of | |
| Gail Gordon | .... | acknowledgement of the special effects of | |
| Judy Haim | .... | acknowledgement of the special effects of | |
| June Horton | .... | acknowledgement of the special effects of | |
| Jimmy Ienner | .... | special thanks | |
| Bruce Kaufman | .... | acknowledgement of the special effects of | |
| Jeff Krask | .... | acknowledgement of the special effects of | |
| Julie Lorensh | .... | acknowledgement of the special effects of | |
| Kim Millimaki | .... | acknowledgement of the special effects of | |
| Jim Morrison | .... | acknowledgement of the special effects of | |
| Adam Platnick | .... | very special thanks | |
| Jennifer Rocco | .... | special thanks | |
| Lisa Rocco | .... | very special thanks (as Lisa) | |
| Jeffrey Rubin | .... | acknowledgement of the special effects of | |
| Richard Rush | .... | acknowledgement of the special effects of | |
| Heile Thirlwell | .... | acknowledgement of the special effects of | |
|
|
|
|
|
| Dazed and Confused | Porky's | Monkeybone | Juno | Brick |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Great coming of age vehicle for Corey Feldman, who once again shows the potential he did in "Stand By Me" earlier in his career. Bobby Keller (Feldman) is a teenager with unusual problems. When an older man who lives down the street (Robards) tries a transcendental experiment in order to extend the lives of him and his skeptical but humoring wife (Laurie), they quite literally become trapped in the bodies of Keller and his dream girl, Lainie (Salenger).
Bobby must figure out how to switch back to his own body by a certain deadline or be trapped. Worse is the fact that Lainie doesn't know what's happened to her, so Bobby has little time to win her and convince her of their predicament before she will be lost forever.
Although Haim is annoying (as usual) as Feldman's buddy "Dinger" (puh-leez), the movie has some funny moments (like when Robards' character is trying to teach Feldman's how to be suave and Feldman is trying to teach Robards how to be inconspicuous) and some sweet ones, (like when Bobby is trying to win Lainie's heart).
Although some of it may be too precocious for the younger kids (and too dorky for the more sophsticated older teens), I found it to be fun and nostalgic. Great movie for a rainy day.