A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a... See full summary »
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
Dr. Weitzman works with patients in a sanitarium. Convinced that all that his "group" needs is a some fresh air and some time away from the sanitarium, he pursuades the administration to allow him to take them to a ballgame. Unfortunately, he accidentally stumbles across a crime in progress and ends up in hospital. The group are stranded in New York City, forced to cope with a place which is often more bizarre than their sanitarium. Written by
Murray Chapman <firstname.lastname@example.org>
All three characters that Michael Keaton played in movies in 1989 were all 'B' names with first names beginning with that letter. They were Billy Caulfield in this film and Batman and Bruce Wayne in Batman (1989). See more »
In one early scene Christopher Lloyd, thinking he's a doctor, walks in on Stephen Furst who's singing the National Anthem while watching the start of a Yankees/Orioles baseball game. The hospital they're in is in New Jersey, and both the Yankees and Orioles play in the same time zone. But the clock on the back wall says 10:30. No games start at that time. See more »
Funny comedy about a group of mental patients who take a trip to the big city under the supervision of their doctor, and wind up being framed for a murder they didn't commit. Far-fetched and far from great, but made enjoyable by a few funny fish-out-of-water/mistaken-identity sequences and the spirited performances by Michael Keaton, Christopher Lloyd and Peter Boyle: all three of whom, it may be noted, seem to have lost their careers in recent time...but were at the top of their games during the era and are certainly at home here in a film that is never quite as good as it could be but is nevertheless a whole lot better than I ever expected it would be.
I like the beginning sequence with Ray Charles' "Hit the Road Jack" over the credits. I don't know why - maybe because I saw it years ago and it's just stuck with me - but I always think of this when I picture the film in my head.
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