Four mental patients on a field trip in New York must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Dr. Weitzman works with patients in a sanitarium. Convinced that all that his "group" needs is a some fresh air and some time away from the sanitarium, he pursuades the administration to allow him to take them to a ballgame. Unfortunately, he accidentally stumbles across a crime in progress and ends up in hospital. The group are stranded in New York City, forced to cope with a place which is often more bizarre than their sanitarium. Written by
Murray Chapman <email@example.com>
Jack claims that Leviticus 5:14 says: "Call not for a doctor, but an elder of the church," but the actual verse is: "The LORD spoke to Moses." The verse he quotes, or more or less paraphrases is James 5:14, which reads as follows: "Is any sick among you? let him call for the elders of the church; and let them pray over him, anointing him with oil in the name of the Lord." See more »
Now I've played some of the top Chinese guys, and I tell ya if you ever whip up a serve to go along with that backhand... it's gonna be a dark day in Peking, babe!
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Funny comedy about a group of mental patients who take a trip to the big city under the supervision of their doctor, and wind up being framed for a murder they didn't commit. Far-fetched and far from great, but made enjoyable by a few funny fish-out-of-water/mistaken-identity sequences and the spirited performances by Michael Keaton, Christopher Lloyd and Peter Boyle: all three of whom, it may be noted, seem to have lost their careers in recent time...but were at the top of their games during the era and are certainly at home here in a film that is never quite as good as it could be but is nevertheless a whole lot better than I ever expected it would be.
I like the beginning sequence with Ray Charles' "Hit the Road Jack" over the credits. I don't know why - maybe because I saw it years ago and it's just stuck with me - but I always think of this when I picture the film in my head.
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