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A Doll's House (1959)

TV Movie  |   |  Drama  |  15 November 1959 (USA)
7.4
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A wealthy woman's attempts to help her financially troubled husband go unrewarded.

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(adaptation), (play)
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Title: A Doll's House (TV Movie 1959)

A Doll's House (TV Movie 1959) on IMDb 7.4/10

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Drama

Based on the Ibsen play, a drama centered on a woman married to an overbearing husband, set against the backdrop of the current economic crisis.

Director: Charles Huddleston
Stars: Ben Kingsley, Matthew Wolf, Michele Martín
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Cast

Credited cast:
...
Nora Helmer
...
Torvald Helmer
Rest of cast listed alphabetically:
...
Randy Gaynes ...
Bobby
...
Kristine Lind
Maggie King ...
Amy
Katharine Raht ...
Anna-Maria
...
Dr. Rank (as Jason Robards Jr.)
Walter Slezak ...
Presenter
...
Ivor (as Richard E. Thomas)
Mildred Trares ...
Helena
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Storyline

A wealthy woman's attempts to help her financially troubled husband go unrewarded.

Plot Summary | Add Synopsis

Plot Keywords:

based on play | See All (1) »

Genres:

Drama

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Details

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Release Date:

15 November 1959 (USA)  »

Also Known As:

Hallmark Hall of Fame: A Doll's House (#9.2)  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

Several times during the program, crew members can be heard loudly coughing and walking around off-camera. See more »

Connections

Edited into Hallmark Hall of Fame (1951) See more »

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User Reviews

 
Well Done, Believable TV Adaptation of the Play
1 January 2006 | by (Los Angeles) – See all my reviews

Despite the current description, this live TV drama from the late '50s is not in color, although it does include a color introduction by Richard Thomas, who played a bit part as one of Nora's kids.

There are also interviews with Robards, Plummer, Harris, and director Schaefer that are a bit more candid than one usually expects. For instance, Plummer and Robards got so hammered the night before the broadcast that they both showed up late for the dress rehearsal. Plummer even adds that he vaguely remembers being with a girl he'd picked up, but had probably been unable to "perform" with her.

Meanwhile, Robards and Harris can't help smirking a bit about Schaefer, who would regularly fall asleep in a wheelchair midway through rehearsals. He didn't *need* the wheelchair -- he simply didn't like walking!

In any case, the whole group came up with a first rate, streamlined version of the play. Harris is believably superficial and dishonest early on, and doesn't overplay her final act epiphany. Robards, who may well still have been drunk, has no trouble appearing "under the weather" but is also believably low-key in his hushed admissions of love.

Plummer is a bit too smooth, perhaps, as Torvald, the sometimes smug, sometimes insecure husband. Honestly, I kept thinking, "He's far too charismatic and attractive to play a moralizing, stick-in-the-mud banker."

Best of all is Hume Cronyn. As with everyone in this production, he's obviously (and wisely) been directed to steer clear of melodramatics. And even though, on paper, he's the least sympathetic character (a blackmailer), in performance he's the most understandable and convincing.

In all, this is better than the more familiar, easily available versions from the '70s (with Claire Bloom and Jane Fonda). Worth seeing if you can find it.


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