| Jean-Christophe Brétigniere | ... | Carlo (as Jean Christophe Bretigniere) | |
| Cinzia Monreale | ... | Marcia | |
| Lubka Lenzi | ... | Mary Valdi (as Lubka Cibulova) | |
| Lino Salemme | ... | Guido | |
| Franco Diogene | ... | Mr. Coby | |
| Vernon Dobtcheff | ... | The Exorcist (as Alexander Vernon Dobtcheff) | |
| Giuliano Gensini | ... | Marco | |
| Ilary Blasi | ... | Sarah | |
| Dante Fioretti | ... | Father O'Toole | |
| Pascal Persiano | ... | Roberto Valdi |
Directed by | |||
| Lucio Fulci | |||
Writing credits(in alphabetical order) | ||
| Gigliola Battaglini | screenplay | |
| Lucio Fulci | story | |
| Vincenzo Mannino | screenplay | |
Produced by | |||
| Massimo Manasse | .... | executive producer | |
| Marco Grillo Spina | .... | executive producer | |
Original Music by | |||
| Vince Tempera | |||
Cinematography by | |||
| Sebastiano Celeste | (director of photography) (as Nino Celeste) | ||
Film Editing by | |||
| Alberto Moriani | (as Albert Morris) | ||
Set Decoration by | |||
| Giacomo Calò Carducci | |||
Costume Design by | |||
| Valentina Di Palma | |||
Makeup Department | |||
| Maria Teresa Carrera | .... | hair stylist | |
Production Management | |||
| Renato Camarda | .... | production representative: Reteitalia | |
| Renato Fiè | .... | production manager | |
| Alessandro Loy | .... | production supervisor (as Alessandro Loy Donà) | |
Second Unit Director or Assistant Director | |||
| Michéle De Angelis | .... | assistant director | |
| Camilla Fulci | .... | assistant director | |
Art Department | |||
| Paolo Faenzi | .... | assistant set designer | |
| Massimo Antonello Geleng | .... | set designer (as Antonello Geleng) | |
| Vincenzo Luzzi | .... | property master | |
Sound Department | |||
| Giuliano Piermarioli | .... | sound recordist | |
Special Effects by | |||
| Giuseppe Ferranti | .... | special makeup effects | |
| Ditta Ricci | .... | set effects | |
Camera and Electrical Department | |||
| Luigi Conversi | .... | assistant camera | |
| Tarcisio Diamanti | .... | key grip | |
| Romolo Eucalitto | .... | still photographer | |
| Alessandro Grossi | .... | camera operator (as Sandro Grossi) | |
| Armando Moreschini | .... | gaffer | |
| Camillo Sabatini | .... | assistant camera | |
| Sandro Tamborra | .... | camera operator | |
Costume and Wardrobe Department | |||
| Milena Printus | .... | wardrobe (as Milena Pintus) | |
Editorial Department | |||
| Rosaria Bellu | .... | assistant editor | |
Other crew | |||
| Egle Guarino | .... | continuity | |
| Massimo Massimi | .... | accountant | |
| Elio Terribili | .... | set technician | |
|
|
|
|
|
| Deep Red | Twitch of the Death Nerve | The Beyond | Blood and Black Lace | Torso |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
Normally, I wouldn't expect anything from a made for TV Italian horror flick; but this one was directed by the great Lucio Fulci, and his first entry in the House tetralogy (a collaboration with Umberto Lenzi), House of Clocks, was a nice little film and so my expectations went up for this one. However, it has to be said that The Sweet House of Horrors is one of Fulci's very worst efforts, as the only really striking thing about it is a pair of irritating kids who, combined, rival the awful Giovanni Frezza in Fulci's House by the Cemetery for sheer irritation. The plot focuses on a house where a couple were murdered. However, it's not the end of the line for them as the dead people return to get revenge for their murder, protect their kids who are still living in the house, and to prevent the house from being sold. The way that the film plods out is almost completely devoid of interesting scenes, and strangely Fulci puts the focus on the kids and it makes the film seems almost childlike. The gore that Fulci is famous for only really appears in one sequence, and it's not even that good as it just feels out of place in the context of the film. Fulci made some brilliant horror films over his vast career; but this isn't one of them. Not recommended.