When three close friends escape from Hong Kong to war-time Saigon to start a criminal's life, they all go through a harrowing experience which totally shatters their lives and their friendship forever.
Tony Chiu Wai Leung,
A violent Hong Kong action film, this is the story of an assassin, Jeffrey Chow (aka Mickey Mouse) who takes one last job so he can retire and care for his girlfriend Jenny. When his employers betray him, he reluctantly joins forces with Inspector Lee (aka Dumbo), the cop who is pursuing him. Together, the new friends face the final confrontation of the gangsters out to kill them. Written by
Jeff Hansen <email@example.com>
Initially, Golden Princess did not want to make the movie, but Yun-Fat Chow (the studio's top star) insisted that it be made. Chow was also instrumental in bringing in Kong Chu. Chu had not performed in a movie since the 1970s and the studio was hesitant to use him, but he and Chow were good friends after having worked on some television shows together. Chow wanted Chu to play the part of Li, but Chu thought he was too old. Director John Woo suggested that they bring in his friend Danny Lee, who at one time wanted to be a cop and had already made a name for himself playing both police officers and gangsters. Chow had previously worked with Lee on a small film in the early 1980s called Zhi fa zhe (1981) (aka "Killers Two") and Ringo Lam's gangster classic City on Fire (1987), and agreed with Woo that he would be a perfect fit for the part of Li. See more »
When Jeff goes to the back room in the first gun battle at the bar, a man takes aim at him from behind the bar counter with a shotgun. Jeff turns his attention to another man with a gun, and then looks back to the man behind the bar, who is seen putting the shotgun into firing position once more. See more »
First of all, I am disgusted by some of these reviews. Modern action has been overrun by special effects and stuntmen with death wishes (not that I'm complaining), but one must consider the time and the place. It's not the world of the Matrix or the Human-Cyborg War (or whatever it's called) in the Terminator, it's Hong Kong in the 1980's with counterfeiting, hostile Chinese syndicates. It doesn't have to be a big budget feature to be great. Clerks by Kevin Smith had a minute budget, but it made Smith famous.
I digress. Woo creates a sensitive and emotionally complex... assassin. To make him reconsider his job as a professional killing machine Jeffrey, the killer, blinds a lounge singer, Jenny. He swears to himself that he will end his career after one last job. Woo introduces us to the concept, like you see in A Better Tomorrow, that you can never leave a Triad even if you try your hardest. With an hour of attempting, Jeff realizes the horrible truth. Rarely does Woo bring in this feeling of absolute futility in his work. After losing his best friend, Jeff has crossed the Rubicon in his attempts and must end his ties to it by ending his everyone's but his own, excluding Jenny and Inspector Lee. Some people dislike the final shootout, but the doves and the Christian symbology adds a touch that drives religious and heroic bloodshed to the minds of the audience. On a personal note, I love it. The last few seconds depict a man, perhaps Lee, playing a harmonica in front of the church for reasons I don't know.
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