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The Killer (1989)
"Dip huet seung hung" (original title)

 -  Action | Crime | Drama  -  September 1990 (USA)
8.0
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Ratings: 8.0/10 from 34,641 users  
Reviews: 222 user | 71 critic

A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.

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Cast

Complete credited cast:
...
Ah Jong (as Chow Yun Fat)
Danny Lee ...
Sally Yeh ...
Kong Chu ...
Fung Sei (as Chu Kong)
...
Sgt. Tsang Yeh (as Tsang Kong)
Fui-On Shing ...
Wong Hoi (as Shing Fui On)
Wing-Cho Yip ...
Wong Dung-Yu
Fan Wei Yee ...
Paul Yau
Barry Wong ...
Chief Insp. Dou / Tu
Parkman Wong ...
Insp. Chan Bok
Siu-Hung Ng ...
A Killer
Yamson Domingo ...
Bodyguard A
Siu Hung Ngan ...
Bodyguard B
Kwong Leung Wong ...
Wong Tong
Edit

Storyline

A violent Hong Kong action film, this is the story of an assassin, Jeffrey Chow (aka Mickey Mouse) who takes one last job so he can retire and care for his girlfriend Jenny. When his employers betray him, he reluctantly joins forces with Inspector Lee (aka Dumbo), the cop who is pursuing him. Together, the new friends face the final confrontation of the gangsters out to kill them. Written by Jeff Hansen <jmh@umich.edu>

Plot Summary | Add Synopsis

Taglines:

One Vicious Killer. One Relentless Cop... ...Ten Thousand Bullets. See more »


Motion Picture Rating (MPAA)

Rated R for pervasive strong violence and some language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

September 1990 (USA)  »

Also Known As:

The Killer  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (R-rated) | (extended)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to the clock at Jeff's apartment, the time when Sydney double-crosses Jeff is 3.25 AM. See more »

Goofs

When Jeff goes to the back room in the first gun battle at the bar, a man takes aim at him from behind the bar counter with a shotgun. Jeff turns his attention to another man with a gun, and then looks back to the man behind the bar, who is seen putting the shotgun into firing position once more. See more »

Quotes

Lee: Do all killers have a sense of honor?
Joe (Cantonese)/Jeffrey (English): The world has changed. Honor is now a dirty word.
See more »

Connections

Referenced in Face/Off (1997) See more »

Soundtracks

(title song)
Music by Lowell Lowe
Lyrics by James Wong
Sung by Sally Yeh
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Among Revenge and Forgiveness, Among Bullets and Faithfulness
14 November 2009 | by (Ottawa, Canada) – See all my reviews

Chow Yun Fat and John Woo teams up together with strong commitment to this highly melodramatic action film. The Killer was so ahead of its time especially with its signature shootout scenes and fast paced action sequences in its time of production in Hong-Kong. Without any special, visual or sound effects; it's a high achievement on both sound and vision. It's high on thematic values, but low on production values.

Woo benefited a lot from a team of action-coordinators as part of the production crew he assigned with. 20 years from its screen release, today still there are not many action films in which the sequences are coordinated as good as in The Killer. The rest of the production was standing by its plot, which becomes unbearable due to extremely melodramatic events. Woo tries to hurt our feelings as much as he can by killing and injuring innocents so ruthlessly: Passengers on a train, children on a beach, singers at a night club etc.

Lowell Lo's heart-wrenching theme and background music was one of the finest of the thematic values. Story development is also very effective that everything seems going fine at the beginning of Jong(the hit-man)'s last mission, then for he wasn't paid for his successful assassination he decides to show up back from underground with his alias: "Jeffrey". When he did, a stage singer ends up losing her sight and becomes blind from shot blasting. Jong helps her get well; she falls in love with him. He introduces himself as Jeffrey to her. No matter what romance they share together, no matter how close they are to each other; there is absolutely no accordance no chemistry between Sally Yeh and Chow Yun-Fat. Sally Yeh acts so poorly, especially while she keeps screaming needlessly every other scene.

For whoever likes this film, I strongly advise Léon to them. The same idea also works in Luc Besson's film, too: In a hit-man's life; there is no certain way to go, there is nobody to trust, there is no repentance. In Luc Besson's film of 1994, Jean Reno and Natalie Portman builds up a better harmony using emotions but not melodrama.

Additionally in John Woo's film, even though Chow Yun-Fat is not fast enough he just stands by the bullets by running, or guards himself with armchairs and seats of the cathedral which are vulnerable to bullets with the gaps between backrests. So many bullets are used... Were they shot by children or blind hitmans? How could you explain not getting shot while 4 hitmans are aiming at you running inside the cathedral and running on the beach? On the other hand, every single bullet that's used in Léon, hurts one person or another; or leaves marks, tracks and holes on walls, and in the texture of the floor. It's not an acquirement to waste 10 thousand bullets in a movie; but it's really an achievement when you configure a sub-production plan just to preview and review the bullets in both pre-production and production.


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