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Directed by | |||
| Joseph Sargent | |||
Writing credits(WGA) | ||
| Peter Wyden | (book "Day One: Before Hiroshima and After") | |
| David W. Rintels | (teleplay) | |
Produced by | |||
| Josette Perrotta | .... | associate producer | |
| David W. Rintels | .... | producer | |
| Aaron Spelling | .... | executive producer | |
| E. Duke Vincent | .... | executive producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Kees Van Oostrum | |||
Film Editing by | |||
| Debra Karen | |||
Production Design by | |||
| Curtis A. Schnell | (as Curtis Schnell) | ||
Art Direction by | |||
| Guy Lalande | |||
Costume Design by | |||
| Renée April | |||
Makeup Department | |||
| Jocelyne Bellemare | .... | head makeup artist | |
| Serge Morache | .... | assistant hair stylist | |
| Benjamin Robin | .... | hair stylist | |
| Ronald J. Rolfe | .... | assistant hair stylist | |
Production Management | |||
| Ken Gord | .... | executive in charge of production | |
| Norman Henry | .... | executive production manager | |
| Josette Perrotta | .... | unit production manager | |
| François Sylvestre | .... | unit manager | |
Art Department | |||
| Jean-François Bonnevie | .... | set constructor | |
| Jacques Chamberland | .... | property master | |
| Ronald Fauteux | .... | set dresser | |
| Jean-Vincent Fournier | .... | assistant propman | |
| Alain Giguère | .... | head scenic painter | |
| Abe Lee | .... | set dresser | |
| Real Ouellette | .... | set dresser | |
Sound Department | |||
| Rob Bertola | .... | sound effects editor | |
| Donald Cohen | .... | sound mixer | |
| Don Cohen | .... | sound recordist | |
| Rick Ellis | .... | sound re-recording engineer | |
| Steve Foster | .... | adr editor | |
| Yuri Gorbachow | .... | sound effects editor | |
| Christopher Hutton | .... | supervising sound editor | |
| Stephen Lawrence | .... | sound effects editor | |
| James Porteous | .... | sound re-recording engineer | |
| James Ryckman | .... | sound effects editor | |
Special Effects by | |||
| Louis Craig | .... | special effects | |
| Mario Dumont | .... | special effects technician | |
Camera and Electrical Department | |||
| Al Campbell | .... | key grip | |
| Stephen Wells | .... | best boy grip | |
Casting Department | |||
| Leslee Dennis | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Blanche-Danielle Boileau | .... | wardrobe coordinator | |
| Mario Davignon | .... | wardrobe master | |
| Lyse Pomerleau | .... | dresser | |
Editorial Department | |||
| Joseph Dervin Jr. | .... | executive in charge of post-production | |
Transportation Department | |||
| Aleck Duncan | .... | driver: minibus | |
| Tim Parkinson | .... | driver | |
| Don Stenstrom | .... | transportation captain | |
Other crew | |||
| Howard M. Baker | .... | military consultant | |
| Fritz Buchinger | .... | technical advisor | |
| James MacGregor Burns | .... | historical consultant | |
| Robert J. Graebener | .... | military consultant | |
| Frederick Thomas Hedgecock | .... | technical advisor | |
| Renate Kamer | .... | executive assistant | |
| France Lachapelle | .... | script supervisor | |
| Michael Leonard | .... | production assistant | |
| Carole Mondello | .... | location manager | |
| Jonathan Starr | .... | director of research | |
| Cheryl R. Stein | .... | executive assistant | |
| Jacqueline Tone | .... | assistant to producer | |
| Peter Wyden | .... | creative consultant | |
| Company credits | Technical specifications | Main details |