Dark Obsession
(1989)
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Dark Obsession
(1989)
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| Cast overview, first billed only: | |||
| Gabriel Byrne | ... |
Lord Hugo Bruckton
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| Amanda Donohoe | ... |
Ginny Bruckton
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| Struan Rodger | ... |
Peter Eggleton
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| Douglas Hodge | ... | ||
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Peter Sands | ... |
Colonel
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David Delve | ... |
Alec
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| Ralph Brown | ... |
Jack
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Alexander Clempson | ... |
Edward
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Catherine Livesey | ... |
Nanny
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| Michael Hordern | ... |
Lord Crewne
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Ian Carmichael | ... |
Exeter
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Matthew Marsh | ... |
Raul
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| Judy Parfitt | ... |
Lady Crewne
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| Sadie Frost | ... |
Rebecca
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Edward Burnham | ... |
John the Gardener
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Hugo, heir to a fortune, is married to Ginny. They have a young son, and she seems devoted to Hugo, but jealousy wracks him: he imagines her in the arms of a colleague, he spies on her, he rages. One night, after drinking with members of his regiment, he runs his car over a woman: she dies, and all but one of his pals urge him to drive on. Why didn't he stop or swerve? She looked like Ginny. A psychological tug of war ensues: Peter, Hugo's business associate, wants to use the cover-up to leverage power over the estate; Jamie, who's dating Hugo's sister, wants to go to the police. Hugo's family closes ranks. As the police investigation closes in, who wins the power struggle? Written by <jhailey@hotmail.com>
This movie is perhaps the most compelling--and starkly fascinating--example of a filmmaker's ability to reveal the subtleties of psychology and class, and their combined effect on the an individual's actions. It's also terrifically fun to watch, make no mistake. When Viscount Bucton (Gabriel Byrne) accidentally (or with subconscious intent) kills a woman in a hit and run accident (thinking that it was his wife on an adulterous assignation) his upper-class army friends rally around him to protect one of their own. When Bucton's middle-class friend, Jamie, consumed by guilt, reveals the secret of what really happened that rainy night, he is first brutally ostracized, then framed, then killed. Rarely has the British class structure been so starkly and elegantly stripped of its "Disney" affectations, and shown for what it is. Wonderful performances, also, from Judy Parfitt as Bucton's mother, the Countess of Crune, and Michael Hordern and his father, the Earl of Crune. Bravo to acclaimed social documentarian Nick Broomfield, who turns his unsparing eye to a film that deserves a much wider distribution than it received, and which ought to be acknowledged as a dramatic triumph of Dickensian scope, beautifully and hauntingly photographed, magnificently acted, and powerfully--and tragically-- resonant. This is a profoundly intelligent film that requires a little more sophistication than the average filmgoer possesses, and will likely be a little too complicated for some viewers who might be better served by fluffier, more "Hollywood," fare.