Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
This is about a self-styled New York hipster who is paid a surprise and quite unwelcome visit by his pretty sixteen-year-old Hungarian cousin. From initial hostility and indifference a ... See full summary »
Ophthalmologist Judah Rosenthal has had an affair with Dolores for several years, and now she threatens to ruin his life if he doesn't marry her. When his brother Jack suggests to have Dolores murdered, Judah is faced with a big moral dilemma: destruction of his life or murder. Meanwhile, documentary filmmaker Clifford Stern is trying to make a film of a philosophy professor, but instead he's commissioned to make a portrait of successful TV producer and brother-in-law Lester, who to Clifford represents everything that he despises. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
10 minutes and 10 seconds into the film, the lady that says: "Hello Lester...Thank you so much for inviting me...its a beautiful party" is Wanda Toscanini-Horowitz. See more »
(at around 1h 30 mins) While they are celebrating at the wedding party the theme "Crazy Rhythm" is been played by the jazz orchestra, a muted trumpet can be heard but the trumpet player isn't using one. See more »
We're all very proud of Judah Rosenthal's philanthropic efforts. His endless hours of fund raising for the hospital, the new medical center, and now, the ophthalmology wing, which until this year had just been a dream. But it's due to Rosenthal our friend that we most appreciate. The husband, the father, the golf companion. Naturally if you have a medical problem you can call Judah...
You're blushing darling.
...day or night, weekends or holidays. But you can also call Judah to ...
[...] See more »
When I registered with the IMDb, one of the survey questions asked what my favorite film was. I listed Allen's Crimes and Misdemeanors. I don't know if this is always true, but for the most part I feel fairly confident regarding my choice. Allen's story here works, like most well written literature, on many levels. It is funny (Woody's lessons), symbolic (the Rabbi going blind), ironic (the good suffer and the evil go unpunished), deep (faith and suicide), and is a film that leaves you with something to identify with and learn from. Even Hally Reed's (Mia Farrow) surprising revelation at the end of the film, which I won't reveal of course, shows us a bit about the dangers of prejudging others. Woody shows us that we shouldn't judge on the surface, but must look deeper into the individual value of people. Do we trust Hally, or do we stick to what we see as the truth about Lester (Alan Alda)? This is a lesson that Woody's character, Cliff, doesn't even fully grasp at the end of the film, but Allen gives us the insight, even though what Hally reveals about Lester goes against what we've seen of him.
Crimes and Misdemeanors is certainly not for all tastes. It's not exactly a film that people would watch for pure escapism. This is a film to be treasured, revisited and held up with some of the greatest films of all time. Not for how it looks or sounds, but for what it says. This is a film aimed at both the heart and the mind and succeeds in capturing both.
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