Mr. Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends ... See full summary »
As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, ... See full summary »
Tired of her husband's philanderous ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is obscured. Her daughters are having ... See full summary »
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
Oliver Deuce, a successful doctor, is shattered when his wife is killed in a freak car accident involving the car being driven by Alba Bewick colliding with a very large rare bird. His twin... See full summary »
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
The planet has been affected by a mysterious occurrence known as the Violent Unknown Event, or V.U.E. It has caused immortality and disability. Victims have learned new and peculiar ... See full summary »
The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism. Written by
Keith Loh <email@example.com>
Peter Greenaway uses specific colors to represent each set of the film. The exterior of Le Hollandais is predominantly blue. The kitchen is mostly green. The seating area of the restaurant is red and the restrooms are stark white. The color of Georgina's dress and the sashes that Albert and his associates wear change to match this scheme as the characters move from room to room. The color of Georgina's cigarettes also changes to match the color of the set as she moves. See more »
I think those Ethiopians enjoy starving. Keeps them thin and graceful.
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Closing credits epilogue: "And a special thanks to those very many people who patiently & repeatedly performed as patients & nurses in the hospital ward, and as diners in the Hollandais Restaurant." See more »
The "inside story" of this film is color. Most professional reviewers, with nation-wide media exposure, missed this underlying story element entirely, as did I, until half way through my first viewing. Once I realized the colors of the costumes changed, as the characters passed from room to room, I had to go back and see it again. That's how I got hooked.
During the next viewing, I took note of the creativity and effort that went into the design and construction of the costumes, several times, as each one had to be rendered in several colors. The next time through, I noticed how the color of each room related to the activity that normally took place there, even in the outdoor sequences. With the subsequent viewing, I concentrated on the soundtrack.
From that point on, my awareness of all these elements, served to enhance my appreciation of each character and his or her contribution to the story line. That's when the much talked about "gross-out" aspects of the film seemed to diminish in their ability to shock. In fact, by that point, they seemed to fit much more naturally, although the "NC-17" rating is absolutely appropriate.
This is a sumptuous feast for the eyes and ears of intelligent "adult" viewers. Not to be missed.
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