Oliver Deuce, a successful doctor, is shattered when his wife is killed in a freak car accident involving the car being driven by Alba Bewick colliding with a very large rare bird. His twin... See full summary »
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in ... See full summary »
The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism. Written by
Keith Loh <email@example.com>
Peter Greenaway uses specific colors to represent each set of the film. The exterior of Le Hollandais is predominantly blue. The kitchen is mostly green. The seating area of the restaurant is red and the restrooms are stark white. The color of Georgina's dress and the sashes that Albert and his associates wear change to match this scheme as the characters move from room to room. The color of Georgina's cigarettes also changes to match the color of the set as she moves. See more »
A play. A director. A crazy writer. Some more crazy actors. A perfect score. Mix them together, add a doze of Antonioni and Fellini, and you'll get this movie. This is not your usual film, and for the majority of people this would be `THE' craziest movie ever! But, for sake of art and originality, please see this movie with an open mind and take it as is: an expression of originality and creativity. The costumes, the scenes, and the cinematography are like from a play in the decadent times. Very intriguing transitions from one scene to another, changing the light/costumes/music all at the same time, but following the same scenario idea, makes you wonder if the director/writer were `awake' when they created this.
or a better way of saying something about this movies: `it's a Greenaway'. You see a Dali painting and you know is by Dali, the same with this film: something that you'll always associate with Greenaway and his original way of seeing the world.
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