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A Tale of Springtime (1990)
"Conte de printemps" (original title)

7.1
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Ratings: 7.1/10 from 1,535 users  
Reviews: 13 user | 9 critic

Simple conversations engender complicated human interactions. Jeanne is open and even-tempered, a philosophy teacher at a lycée. Her fiancé is away and she doesn't want to stay at his messy... See full summary »

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Title: A Tale of Springtime (1990)

A Tale of Springtime (1990) on IMDb 7.1/10

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Cast

Complete credited cast:
Anne Teyssèdre ...
Jeanne
Hugues Quester ...
Igor
Florence Darel ...
Natacha
Eloïse Bennett ...
Ève
Sophie Robin ...
Gaëlle
Marc Lelou ...
Gildas
François Lamore ...
William
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Storyline

Simple conversations engender complicated human interactions. Jeanne is open and even-tempered, a philosophy teacher at a lycée. Her fiancé is away and she doesn't want to stay at his messy flat; she's loaned hers to a cousin, so she accepts the invitation of Natasha, a music student whom she meets at a party, to sleep in her father Igor's bedroom because he's always with his young girlfriend, Eve. Natasha tells Jeanne a story of a missing necklace and her suspicions of Eve. They all meet at dinner, then again at Igor's country house. Is Natasha scheming to get Igor and Jeanne together alone? Once alone, what determines how they choose to act? And the necklace, what of it? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

4 April 1990 (France)  »

Also Known As:

A Tale of Springtime  »

Box Office

Gross:

$201,332 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Shot in the spring of 1989. See more »

Connections

Followed by A Tale of Winter (1992) See more »

Soundtracks

"Etudes symphoniques"
Written by Robert Schumann
Performed by Cécile Vigna
See more »

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User Reviews

 
Clever, witty, tasteful, bloodless
9 April 2003 | by (NYC) – See all my reviews

Clever, witty, tasteful, bloodless. Although sex seems to be on everyone's mind in this post-modern tale, only Beethoven, Schubert, and Schumann provide any passion in a film that reminds me more of Satie's witty piano doodles.


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