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A Tale of Springtime (1990)
"Conte de printemps" (original title)

PG  |   |  Comedy, Drama, Romance  |  4 April 1990 (France)
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Ratings: 7.4/10 from 2,231 users  
Reviews: 16 user | 9 critic

Simple conversations engender complicated human interactions. Jeanne is open and even-tempered, a philosophy teacher at a lycée. Her fiancé is away and she doesn't want to stay at his messy... See full summary »



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Simple conversations engender complicated human interactions. Jeanne is open and even-tempered, a philosophy teacher at a lycée. Her fiancé is away and she doesn't want to stay at his messy flat; she's loaned hers to a cousin, so she accepts the invitation of Natasha, a music student whom she meets at a party, to sleep in her father Igor's bedroom because he's always with his young girlfriend, Eve. Natasha tells Jeanne a story of a missing necklace and her suspicions of Eve. They all meet at dinner, then again at Igor's country house. Is Natasha scheming to get Igor and Jeanne together alone? Once alone, what determines how they choose to act? And the necklace, what of it? Written by <>

Plot Summary | Add Synopsis


Comedy | Drama | Romance


PG | See all certifications »




Release Date:

4 April 1990 (France)  »

Also Known As:

A Tale of Springtime  »

Box Office


$201,332 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.66 : 1
See  »

Did You Know?


Shot in the spring of 1989. See more »


Jeanne: If anyone had secretly witnessed today all I've said and done, he'd have no idea of the situation's meaning...
See more »


Followed by Autumn Tale (1998) See more »


les Chants de l'aube
Written by Robert Schumann
Performed by Florence Darel
See more »

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User Reviews

Sparkling conversations
27 July 2006 | by (Vancouver, B.C.) – See all my reviews

Jeanne, a charming woman in her thirties, meets Natasha, a college student at a party and they strike up an unlikely friendship Bored with the party, they return to Natasha's apartment in Paris where her father's frequent absence allows her to invite Jeanne to stay for a week. While some thoughts may run to deviance or intrigue, A Tale of Springtime is Eric Rohmer territory and that means sparkling conversation, complex characters, and a slowly unfolding plot in which everyone discovers something new about themselves. Springtime is the first of Rohmer's Four Seasons series and, while we may not always be sure where we are going, we are always sure that there is an artist in firm control.

Both Jeanne and Natasha are smart and well spoken but each seems vaguely dissatisfied with their life. Jeanne (Anne Teyssedre), a philosophy teacher in high school, has lent her apartment to her cousin but refuses to stay at her boyfriend's place because of his inclination toward disorder and cannot quite come to terms with the question of whether or not she is in love with him. Natasha (Florence Darel) is a very talented pianist with romance and matchmaking on her mind; however, she is resentful of her divorced father's girlfriend Eve (Eloise Bennett), and has some serious thoughts about lining her father Igor (Hugues Quester) up with Jeanne.

Outwardly sweet but inwardly manipulative, Natasha suspects that Eve has stolen a family necklace that her father promised to her and tells the story to Jeanne, hoping to turn the teacher against her father's lover. When Igor shows up for a rare family dinner, all four participate in a philosophical conversation that leads to a clash of personalities. Each tries to impress the other with their knowledge and engage in some banter about Kantian philosophy, and it is easy to get lost among all the priori's and the posteriori's. The scene, however, is not really about philosophy but about how each character is revealed through their reactions and responses. Igor and Jeanne are attracted to each other but are leery of being manipulated. They cannot really be with each other because of that little voice chattering away in the back of their minds telling them to be cautious. As Jeanne says, "I spend too much time thinking about thought".

Unlike most Rohmer works, music is very much a part of this film, and the use of Beethoven's lilting Spring Sonata provides just the right touch. Though not on the top rung of Rohmer's films, A Tale of Springtime is a wonderfully entertaining way to spend two hours. It stands as a perfect example of how our considerations can sometimes get in the way of our aliveness and true self-interest. Characteristic of Rohmer, while each character is flawed and a bit lacking in self-awareness, they are very human and we identify their foibles as our own. By the end of the film, they have become a part of our lives.

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