5.7/10
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49 user 22 critic

Communion (1989)

Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a ... See full summary »

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Cast

Cast overview, first billed only:
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Mrs. Greenberg (as Dee Dee Rescher)
Aileen Fitzpatrick ...
Mother
R.J. Miller ...
Father
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Praying Mantis Girl
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Woman from Apartment
Juliet Sorci ...
Second Grade Girl (as Juliet Sorcey)
Tifni Twitchell ...
Teacher
Joshua Miller ...
Tall Boy (as Joshua John Miller)
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Storyline

Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a horrible dilema; was I abducted or am I going mad? He sees a psychiatrist who tries to use hypnotic regression to discover the truth. Written by Matthew Stanfield <mattst@cogs.susx.ac.uk>

Plot Summary | Add Synopsis

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On December 26th, 1985, Whitley Strieber had a dream. Weeks later, he discovered his family had the same dream. Months later, he made the most shocking discovery of his life. Now, you will discover it. See more »


Certificate:

R | See all certifications »

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Release Date:

10 November 1989 (USA)  »

Also Known As:

Die Besucher  »

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Box Office

Budget:

$5,000,000 (estimated)

Gross USA:

$1,919,653
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(video)

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director Philippe Mora had originally met author Strieber in London in the late 1960's. After Mora made his film Death of a Soldier (1986) in the 1980's, he ran into Strieber again. They got to talking and Strieber mentioned his recent experiences. Mora told Strieber that if he got around to writing about them, to let him know. See more »

Goofs

When Whitley leaves his vehicle in the 'final' visit to the cabin, the camera cuts to the entire cabin drenched in light. As he starts approaching it you can clearly see the source of light as a spotlight at the top right of the screen. See more »

Quotes

Anne Strieber: Put your grey pants on, elephants are grey.
Whitley Strieber: [Playing with the elasticated trunk] Is this the front or the back?
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Connections

Referenced in The Tonight Show with Jay Leno: Episode #21.15 (2012) See more »

Soundtracks

PUTTIN' ON THE RITZ
Written by Irving Berlin
(c) Irving Berling Music Corporation
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User Reviews

Thoughtful treatment of controversial subject.
19 June 1999 | by See all my reviews

The film depicts the personal and professional crises a writer experiences after a series of encounters with non-human beings.

The film strongly benefits from the performances of Christopher Walken and Lindsay Crouse. Walken (always engaging) manages the challenging task of making Whitley Strieber a compelling character; you care about him even if you don't necessarily like him 100% of the time. Crouse succeeds as Whitley's wife; the two together are immediately believable as a married couple.

The film is arguably the most intelligent film about the alien abduction/ visitor phenomenon. Unlike countless cheap, made-for-TV films, where the emphasis is on the sensationalistic, "shocking" aspects of the subject, COMMUNION focuses on the psychological and emotional harm the experience does. We see Strieber describe his experiences to his medical doctor, and then to a psychiatrist. Once his own mental health has been established, then (and only then) does he begin to consider the possibility that the creatures he has seen are actually real.

After questioning everyone from medical professionals to fellow abductees, Whitley realizes the only ones with the answers are the visitors themselves. At the film's climax, he willingly presents himself to the visitors. This is what makes COMMUNION transcend every other film about the phenomenon.

Director Phillipe Mora successfully creates a "you-are-there" atmosphere, letting the actors improvise a lot of their dialogue. There are two distinct moods: one, where things are brightly lit, secure, and normal; and secondly, the dark, unsettling world Strieber inhabits only with himself and with the visitors. Mora's direction is subtle, with cues in both the dialogue and a detailed, occasionally wry visual style.

Another plus is Eric Clapton's opening and closing theme music.

This is a seriously underrated film.

The director's cut (with commentary by Mora) is recommended.


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