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Communion (1989)

5.7
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Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a ... See full summary »

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Title: Communion (1989)

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Cast

Cast overview, first billed only:
...
...
Anne Strieber
...
Dr. Janet Duffy
...
Alex
Terri Hanauer ...
Sarah
Joel Carlson ...
Andrew Strieber
...
Fireman
...
Mrs. Greenberg
Aileen Fitzpatrick ...
Mother
R.J. Miller ...
Father
...
Praying Mantis Girl
...
Woman from Apartment
...
Second Grade Girl (as Juliet Sorcey)
Tifni Twitchell ...
Teacher
Joshua Miller ...
Tall Boy (as Joshua John Miller)
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Storyline

Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a horrible dilema; was I abducted or am I going mad? He sees a psychiatrist who tries to use hypnotic regression to discover the truth. Written by Matthew Stanfield <mattst@cogs.susx.ac.uk>

Plot Summary | Add Synopsis

Taglines:

On December 26th, 1985, Whitley Strieber had a dream. Weeks later, he discovered his family had the same dream. Months later, he made the most shocking discovery of his life. Now, you will discover it. See more »


Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

10 November 1989 (USA)  »

Also Known As:

Die Besucher  »

Box Office

Gross:

$1,919,653 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(video)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Whitley Strieber's Alien Contact books are usually cataloged as "Psychical Research" or "Paranormal". However, the cassette audio-book of Communion, read by 'Roddy McDowell' and produced by a Hertfordshire company called "Redback", simply has the word "FICTION" on the back of the inlay. This could have been a compromise to preserve the credibility of a start-up company and increase publicity for Strieber at the same time. See more »

Goofs

As Whitley opens the closet to find the teddy bear he opens the right closet door. When filmed from the inside, both doors are open and he then proceeds to close the left door. See more »

Quotes

Whitley: You've broken my mind.
See more »

Connections

Referenced in Sgt. Kabukiman N.Y.P.D. (1990) See more »

Soundtracks

PUTTIN' ON THE RITZ
Written by Irving Berlin
(c) Irving Berling Music Corporation
See more »

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User Reviews

Thoughtful treatment of controversial subject.
19 June 1999 | by (Natick, MA, USA) – See all my reviews

The film depicts the personal and professional crises a writer experiences after a series of encounters with non-human beings.

The film strongly benefits from the performances of Christopher Walken and Lindsay Crouse. Walken (always engaging) manages the challenging task of making Whitley Strieber a compelling character; you care about him even if you don't necessarily like him 100% of the time. Crouse succeeds as Whitley's wife; the two together are immediately believable as a married couple.

The film is arguably the most intelligent film about the alien abduction/ visitor phenomenon. Unlike countless cheap, made-for-TV films, where the emphasis is on the sensationalistic, "shocking" aspects of the subject, COMMUNION focuses on the psychological and emotional harm the experience does. We see Strieber describe his experiences to his medical doctor, and then to a psychiatrist. Once his own mental health has been established, then (and only then) does he begin to consider the possibility that the creatures he has seen are actually real.

After questioning everyone from medical professionals to fellow abductees, Whitley realizes the only ones with the answers are the visitors themselves. At the film's climax, he willingly presents himself to the visitors. This is what makes COMMUNION transcend every other film about the phenomenon.

Director Phillipe Mora successfully creates a "you-are-there" atmosphere, letting the actors improvise a lot of their dialogue. There are two distinct moods: one, where things are brightly lit, secure, and normal; and secondly, the dark, unsettling world Strieber inhabits only with himself and with the visitors. Mora's direction is subtle, with cues in both the dialogue and a detailed, occasionally wry visual style.

Another plus is Eric Clapton's opening and closing theme music.

This is a seriously underrated film.

The director's cut (with commentary by Mora) is recommended.


22 of 23 people found this review helpful.  Was this review helpful to you?

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