The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
This time Columbo pits his wits against a movie director who murders an old friend on a set, because this friend is in possession of a damaging piece of film, on which the actress died and isn't helped by the movie director. Written by
Maarten Hofman <firstname.lastname@example.org>
Columbo spots a couple of ice-cream sodas left on the counter in Alex Brady's office, known as his "boys' club". One glass is almost full, the other about half-full. Not only can we see this, but Columbo comments on it at length, theorizing with uncanny accuracy how the full and the half-full glasses show what happened earlier, when the victim was visiting Brady's office. The moment Columbo leaves, Brady rushes to the soda glasses, to destroy the evidence. Inexplicably, he finds both glasses are now empty except for a milky residue. See more »
Coincidence is what makes a story, Lieutenant. Without coincidence, life runs evenly like a train on a track. Coincidence is a trainwreck, violence, suffering, and guilt.
See more »
Fisher Stevens gives a tour-de-force performance as a Spielberg-like director with delusions of omnipotence. Columbo gives him enough rope to hang himself and Stevens uses it spectacularly. There is never a dull moment as Stevens, for the first time, meets another chess player smarter than he, and unwilling to bend, Stevens ultimately breaks -- in unforgettable fashion. An "A+" Columbo episode.
5 of 7 people found this review helpful.
Was this review helpful to you?