| Peter Falk | ... | Columbo | |
| Anthony Andrews | ... | Elliott Blake | |
| Karen Austin | ... | Dr. Paula Hall | |
| James Greene | ... | Bert Spindler | |
| Alan Fudge | ... | Mr. Harrow | |
| Dana Andersen | ... | Dori | |
| Robert Costanzo | ... | Sgt. Russo | |
| Anthony Zerbe | ... | Max Dyson | |
| Michael Bacall | ... | Tommy | |
| Charles Howerton | ... | Colonel Eckherdt | |
| Milt Kogan | ... | Medical Examiner | |
| Tony Amendola | ... | Clergyman | |
| Rob Garrison | ... | Young Man | |
| Frank Simons | ... | Polygraph Operator | |
| Lenny Hicks | ... | Eddie | |
| Ben Yudell | ... | Kevin | |
| Nick DeMauro | ... | Locksmith (as Nick Demauro) | |
| Peter Noel Duhamel | ... | Detective | |
| Steve Zettler | ... | Lieutenant Bravo | |
| Andrew Philpot | ... | Captain Alpha | |
| Charles Champion | ... | Major Charlie | |
| Christopher Hart | ... | Magician at Cemetary | |
| Dan Birch | ... | Magician at Cemetary |
| Episode Crew |
Directed by | |||
| Leo Penn | |||
Writing credits | ||
| Richard Levinson | (creator) & | |
| William Link | (creator) | |
| William Read Woodfield | (written by) | |
Produced by | |||
| Peter Falk | .... | co-executive producer | |
| Stanley Kallis | .... | producer | |
| William Link | .... | supervising executive producer | |
| John A. Martinelli | .... | associate producer | |
| Philip Saltzman | .... | supervising producer | |
| Richard Alan Simmons | .... | executive producer | |
| Abby Singer | .... | coordinating producer | |
| Peter V. Ware | .... | co-producer | |
| Todd London | .... | associate producer (uncredited) | |
Original Music by | |||
| John Cacavas | |||
Cinematography by | |||
| Robert Seaman | (director of photography) | ||
Film Editing by | |||
| John A. Martinelli | |||
Production Design by | |||
| Archie J. Bacon | (as Arch Bacon) | ||
Art Direction by | |||
| Cameron Birnie | |||
Set Decoration by | |||
| Richard B. Goddard | |||
Costume Design by | |||
| Brienne Glyttov | (as Brienne) | ||
Makeup Department | |||
| Carolyn Elias | .... | hairstylist | |
| Greg LaCava | .... | makeup artist | |
Production Management | |||
| Abby Singer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brenda Kalosh | .... | second assistant director | |
| Richard A. Wells | .... | first assistant director | |
Art Department | |||
| Thomas R. Cahill | .... | assistant property master (uncredited) | |
| Thomas R. Cahill | .... | set propmaster (uncredited) | |
| Bruce Wayne Mecchi | .... | leadman (uncredited) | |
Sound Department | |||
| James R. Alexander | .... | sound mixer (as Jim Alexander) | |
| Deni King | .... | sound editor | |
Camera and Electrical Department | |||
| Jeff Greene | .... | first assistant camera (uncredited) | |
| William Mayer | .... | dolly grip (uncredited) | |
| Lee Nakahara | .... | camera operator (uncredited) | |
| Randall Robinson | .... | camera operator (uncredited) | |
| Joseph Staton | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Darlene Kaplan | .... | casting | |
Costume and Wardrobe Department | |||
| Michael J. Long | .... | costume supervisor (as Michael Long) | |
| Karen Bellamy | .... | set costumer (uncredited) | |
Music Department | |||
| Laurie Higgins Tobias | .... | supervising music editor (as Laurie L. Higgins) | |
| Mike Post | .... | composer: "Mystery Movie" theme | |
Other crew | |||
| Jackson Gillis | .... | executive story consultant | |
| Bruce Sinclair | .... | magic technical advisor | |
| Robert Visciglia Jr. | .... | special consultant (as R.J. Visciglia) | |
| Huey Redwine | .... | stand-in (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Richard Levinson | creator | |
| William Link | creator | |
| Recent Posts (updated daily) | User |
|---|---|
| How does the ending explain anything? | BRisBR |
| Continuity error? | Sabreman64 |
| Karen Austin's eyes | old_tv_guy |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Crime section | IMDb USA section |
Elliot Blake is a well-known psychic who is working to prove his skills to the US Government so he can enter the lucrative and highly secretive programme for developing psychic powers. Despite having blitzed the tests (with a little help from the inside) the game appears up when magician and renowned cynic Max Dyson is brought in by the Government to give him a harder test. What the Government agents don't know is that the men have a history and Dyson helps Blake by passing him despite him being a fake. However this history also drives Blake to kill Dyson in the latter's own magic guillotine making it look like a tragic accident. It appears an open and shut case of death by misadventure but a Philips head screwdriver is enough to put doubt in Columbo's mind. Finding that Dyson had just worked with Blake and signed him off as genuine, Columbo turns to his unique talent to assist him with the case.
As with many TV film series (such as Perry Mason), if you like one or two of them then you'll pretty much like them all. This entry in the Columbo series pretty much follows the usual formula we know the killer and the "perfect" plan but then watch Columbo follow his hunch and gradually starts to pick holes in the story he is told before eventually finding enough to prove his suspicions. Knowing this ahead of time won't ruin anything for you; it is simply what happens in all the films. With this strict adherence to formula it is usually down to several factors whether or not the Columbo film stands out or if it is just average. The new Columbo films don't always pull this trick off but this one is enjoyable enough thanks to sticking close to the formula to cover up for the unlikely nature of the plot. Although it provides some nice ideas, the narrative lacks a real lack of convincing development and this at times put me off but generally it had enough about it to keep me interested.
The way Columbo solves the mystery isn't a nice, logical story but moves in jumps and sudden discoveries; again it is entertaining enough but not quite as satisfying where he picks at smaller details. The magical aspect of the story has been done better earlier in the series but it still works well here, providing Columbo with some nice scenes where he turns the tricks on Elliott to get his man. It isn't classic fare but it should satisfy fans. Falk is on good form, which helps, and he does enjoy a nice chemistry with Andrews. The latter is not great but he is good enough to work within the formula and make for an interesting target for Columbo. Support from Zerbe is good but other than him nobody else is really that memorable.
Overall this is not up to the standard of the better Columbo episodes from the 1970's but it is actually reasonably good. By sticking to formula it covers up the plot weaknesses and will do enough to satisfy fans of the film. A much better alternative would be "Columbo: Now You See Him" but failing a return to the best days this is an OK modern Columbo.