Set in the Middle East in 1919, a group of European Jews planning on settling in the Sinai Desert are attacked by Bedouin tribesmen. As they fight for their lives they realize that they are... See full summary »
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
An American veteran (Weller) of the Dominican Republic intervention (LBJ era) is running a hotel in Miami, and is trying to put the memories of the intervention behind him. He gets involved with a former Dominican Republic general's wife (McGillis). He then gets duped through a series of intricate plot twists into helping a group of people trying to rip the general off. Based on the novel by Elmore Leonard. Written by
Ed Sutton <email@example.com>
Could have been so much more, given the supporting cast and Elmore Leonard's script, but it's a flat beer of a movie. Maybe Ferrara got homesick, but the pacing and editing is unusually lethargic, so perhaps impending bankruptcy was driving the whole production into the throes of despair. The performances are so underwhelming as to be invisible. Weller is a B-movie actor. Robocop is still his finest hour. McGillis looks fairly lantern-jawed and mannish throughout. Was Ferrara taking the mickey by shooting her profile so often?. Tree-like in every scene, could anyone seriously find her charms so irresistible?
The bogus history lessons and lightweight back story are dull as ditchwater. And the mushy love scenes between the two leads just don't cut it. A clunker for completists. Catch it on afternoon TV if you're paralysed from the neck up.
Hard to believe that Ferrara had anything at all to do with this movie.
6 of 13 people found this review helpful.
Was this review helpful to you?