Vincent Marra is a Miami cop on medical leave in Puerto Rico, where he's being stalked by a sex offender he testified against. Vincent's girlfriend leaves him for a job as a "hostess" in an... See full summary »
Born in the Bronx and raised in upstate New York, Abel Ferrara started his professional film career on Mulberry Street in 1975. For the past year he's been living on the block, and the ... See full summary »
Set in the Middle East in 1919, a group of European Jews planning on settling in the Sinai Desert are attacked by Bedouin tribesmen. As they fight for their lives they realize that they are... See full summary »
Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from the legendary residence, the Chelsea Hotel, in the heart of New York. Once considered an ... See full summary »
Ryder Hart is a disgraced ex-cop who is now a low-rent private investigator. His estranged wife, Anita, runs the Sunset Grill and is now involved with Jeff a police detective who used to ... See full summary »
An American veteran (Weller) of the Dominican Republic intervention (LBJ era) is running a hotel in Miami, and is trying to put the memories of the intervention behind him. He gets involved with a former Dominican Republic general's wife (McGillis). He then gets duped through a series of intricate plot twists into helping a group of people trying to rip the general off. Based on the novel by Elmore Leonard. Written by
Ed Sutton <firstname.lastname@example.org>
This movie was beset by corporate problems which may account for its rough edges. Elmore Leonard is one of the best detective story writers today, but even as a co-script writer, he couldn't do much with this confusing picture, made from one of his books (a terrific read, incidentally). .Aside from the beautiful art direction, an excellent Chick Correa score that's never gotten much play, and a nicely edgy appearance by the late Charles Durning, the poor man's Sidney Greenstreet, "Cat Chaser," set in the sultry, tropical Dominican Republic, is like wasting away in Margueritaville, sans Margueritas. .One saving grace is the dialogue -- vintage Elmore Leonard, especially the lines given to Charles Durning's character. Leonard is at the top of his game here and Durning's delivery, in his patented New York Irish accent, doesn't let him down. Peter Weller and Kelly McGillis are as unfetching a couple as possible. Director Abel Ferrara has done much better work elsewhere.
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