| Photos (See all 15 | slideshow) | Videos (see all 3) |
| Michael J. Fox | ... | Eriksson | |
| Sean Penn | ... | Sgt. Tony Meserve | |
| Don Harvey | ... | Cpl. Thomas E. Clark | |
| John C. Reilly | ... | PFC Herbert Hatcher | |
| John Leguizamo | ... | PFC Antonio Diaz | |
| Thuy Thu Le | ... | Oanh | |
| Erik King | ... | Brown | |
| Jack Gwaltney | ... | Rowan | |
| Ving Rhames | ... | Lt. Reilly | |
| Dan Martin | ... | Sgt. Hawthorne | |
| Dale Dye | ... | Capt. Hill | |
| Steve Larson | ... | Agent #1 | |
| John Linton | ... | Agent #2 | |
| Vyto Ruginis | ... | Prosecutor | |
| Al Shannon | ... | Wilkins | |
| Wendell Pierce | ... | MacIntire | |
| Sam Robards | ... | Chaplain Kirk | |
| Maris Valainis | ... | Streibig | |
| Darren E. Burrows | ... | Cherry | |
| Sherman Howard | ... | Court Martial President | |
| John Marshall Jones | ... | M.P. (as J.J.) | |
| Holt McCallany | ... | Lt. Kramer | |
| Kady Tran | ... | Yen - Oahn's Sister | |
| Scott Gregory | ... | Soldier Charlie 1 | |
| Ennalls Berl | ... | Soldier Charlie 2 | |
| Vinh Tran | ... | V.C. Interpreter | |
| Somsak | ... | ARVN Interpreter | |
| Hataya Sarmount | ... | Girl Villager | |
| Ba Thuan T. Le | ... | Oahn's Mother (as Ba Thuan T Le) | |
| Nootch | ... | Child Villager | |
| Kwan | ... | Child Villager | |
| J. Chalerm | ... | Villager Old Man Farmer | |
| Sigma | ... | Villager Woman | |
| Po Powpi | ... | Villager Old Man | |
| Shaun Shea | ... | Soldier | |
| Kristopher Dunn | ... | Soldier | |
| Donal Gibson | ... | Soldier | |
| Shane Kerwin | ... | Soldier | |
| Niran | ... | V.C. in Tunnel | |
| rest of cast listed alphabetically: | |||
| Stephen Baldwin | ... | Soldier (uncredited) | |
| Stefan Ehlers | ... | Sgt. Fuller (uncredited) | |
| Amy Irving | ... | Voice of girl on the train (uncredited) | |
| Michael D. Jones | ... | Passenger on Train (uncredited) | |
| Jonathan MacLeod | ... | Soldier (uncredited) | |
Directed by | |||
| Brian De Palma | (as Brian DePalma) | ||
Writing credits(WGA) | ||
| Daniel Lang | (book "Casualties of War") | |
| David Rabe | (screenplay) | |
Produced by | |||
| Fred C. Caruso | .... | co-producer (as Fred Caruso) | |
| Art Linson | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Stephen H. Burum | (director of photography) | ||
Film Editing by | |||
| Bill Pankow | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Wolf Kroeger | |||
Art Direction by | |||
| Bernard Hides | (as Bernard Hydes) | ||
Set Decoration by | |||
| Peter Hancock | |||
| Hugh Scaife | |||
Costume Design by | |||
| Richard Bruno | |||
Makeup Department | |||
| Paul Engelen | .... | makeup supervisor | |
| Carl Fullerton | .... | prosthetic makeup artist: Thuy Thu Le, San Francisco | |
| Adam Hill | .... | makeup effects moldmaker: Burman Studios | |
| Mike Lockey | .... | hair stylist (as Michael Lockey) | |
| Bron Roylance | .... | makeup supervisor: Michael J. Fox | |
| Suzanne Stokes-Munton | .... | wig supervisor | |
Production Management | |||
| Fred C. Caruso | .... | unit production manager (as Fred Caruso) | |
Second Unit Director or Assistant Director | |||
| Peter Bennett | .... | additional second assistant director | |
| Brian W. Cook | .... | first assistant director | |
| Carl Goldstein | .... | second second assistant director | |
| Aldric La'auli Porter | .... | first assistant director: San Francisco (as Aldric Porter) | |
| Eric Schwab | .... | second unit director | |
| Annie Spiegelman | .... | second assistant director: San Francisco | |
| Michael Stevenson | .... | second assistant director | |
| Sompol Sungkawess | .... | assistant director: Thailand | |
Art Department | |||
| Peter Hancock | .... | property master | |
| Tim Hatch | .... | greens supervisor | |
| Dave Midson | .... | supervising dressing props | |
| Michael O'Kane | .... | painter | |
| John Patterson | .... | construction supervisor | |
| Ray Pedler | .... | scenic artist | |
Sound Department | |||
| Richard P. Cirincione | .... | sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Lee Dichter | .... | sound re-recording mixer | |
| Susan Sklar Friedman | .... | apprentice sound editor | |
| Kerry Fulton | .... | apprentice sound editor (as Kerry Fulton-Peluffo) | |
| Jay Kessel | .... | assistant sound editor | |
| Bruce Kitzmeyer | .... | sound editor | |
| George A. Lara | .... | foley mixer | |
| Kevin Lee | .... | sound editor | |
| Jimmy McDonough | .... | sound editor | |
| Peter Odabashian | .... | sound editor | |
| Mark Rathaus | .... | sound editor | |
| Maurice Schell | .... | supervising sound editor | |
| Leo Trombetta | .... | assistant sound editor | |
| Mark J. Wasiutak | .... | boom operator | |
Special Effects by | |||
| John Baker | .... | special effects | |
| Terence J. Cox | .... | special effects (as Terry Cox) | |
| Yves De Bono | .... | special effects (as Yves DeBono) | |
| Trevor Neighbour | .... | special effects | |
| Sasisupa Sungvaribud | .... | special effects coordinator: Thailand | |
| Kit West | .... | special effects supervisor | |
| Trevor Wood | .... | special effects | |
Stunts | |||
| Kenny Bates | .... | stunts (as Ken Bates) | |
| Ralph Garrett | .... | stunts | |
| Billy Hank Hooker | .... | stunts (as Billy H. Hooker) | |
| Jeff Jensen | .... | stunt coordinator | |
| Bob Minor | .... | stunts | |
| Bernie Pock | .... | stunts | |
| Chad Randall | .... | stunts | |
| Danny Wong | .... | stunts | |
| Charles Croughwell | .... | stunt double: Michael J. Fox (uncredited) | |
Camera and Electrical Department | |||
| Alan S. Blauvelt | .... | first assistant camera (as Alan Blauvelt) | |
| Bob Bridges | .... | second assistant camera (as Robert Bridges) | |
| John Clark | .... | best boy | |
| Gavin Horne | .... | set grip | |
| W.C. 'Chunky' Huse | .... | key grip (as 'Chunky' Huse) | |
| Larry McConkey | .... | steadicam operator | |
| Roland Neveu | .... | still photographer | |
| Douglas Ryan | .... | camera operator (as Doug Ryan) | |
| Laurie Shane | .... | chief lighting technician | |
| Danny Shelmerdine | .... | first assistant camera | |
| Tony Turner | .... | dolly grip | |
Casting Department | |||
| Nancy Hayes | .... | extras casting | |
Costume and Wardrobe Department | |||
| Julia Mansford | .... | costume supervisor | |
| Laurie Riley | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Phil Hetos | .... | color timer | |
| Anne McCabe | .... | apprentice film editor | |
| Debra C. Victoroff | .... | assistant editor | |
Music Department | |||
| Sergio Marcotulli | .... | music mixer | |
| Ennio Morricone | .... | conductor | |
| Ennio Morricone | .... | orchestrator | |
| Sergio Marcotulli | .... | music engineer (uncredited) | |
Transportation Department | |||
| Tommy Tancharoen | .... | transportation coordinator | |
Other crew | |||
| Sallie Beechinor | .... | production coordinator | |
| Alison Dickey | .... | assistant: Sean Penn | |
| Terry Dunn | .... | assistant accountant | |
| Dale Dye | .... | technical advisor | |
| Ray Freeborn | .... | location manager | |
| Nigel Goldsack | .... | co-unit location manager | |
| Monica Goldstein | .... | assistant: Mr. DePalma | |
| Ray Kybartas | .... | trainer: Sean Penn | |
| Erica Laine-Walian | .... | assistant: Michael J. Fox | |
| John Linson | .... | production assistant | |
| Elyse A. Mayberry | .... | production office coordinator: Burbank (as Elyse Mayberry) | |
| Golda Offenheim | .... | production office coordinator: London | |
| Ross Reynolds | .... | helicopter pilot | |
| Sioux Richards | .... | script supervisor | |
| Deborah Ricketts | .... | research coordinator | |
| Patti Roberts-Nelson | .... | assistant: Mr. Linson (as Patti Roberts Nelson) | |
| Brigette Roux-Lough | .... | assistant: Michael J. Fox | |
| Adele Sanders | .... | production accountant | |
| Maurice Schell | .... | adr loop group | |
| Linda Shapiro | .... | assistant accountant | |
| Ed Sienkaniec | .... | catering supervisor (as Ed 'Bubba' Steinkaniec) | |
| Art Smith Jr. | .... | technical advisor: military | |
| Mike Stokey | .... | technical advisor: military (as Michael Stokey) | |
| Doug Taylor | .... | unit publicist | |
| Vivian Treves | .... | interpreter: Ennio Morricone | |
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| Platoon | The Baader Meinhof Complex | The Mark of Cain | The Green Berets | Blood In, Blood Out |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
CASUALTIES OF WAR
Aspect ratio: 2.39:1 (Panavision)
Sound format: 6-track Dolby Stereo
(35mm and 70mm release prints)
During a routine field trip at the height of the Vietnam War, a young soldier (Michael J. Fox) rebels against his commanding officer (Sean Penn) and other members of his patrol when they kidnap a defenceless Vietnamese girl (Thuy Thu Le) and subject her to a terrifying physical ordeal.
Unfairly overshadowed by the simultaneous theatrical release of Oliver Stone's pompous - but still impressive - BORN ON THE FOURTH OF JULY (1989), Brian DePalma's CASUALTIES OF WAR recreates a harrowing incident from the Vietnam conflict - first reported in 'New Yorker' magazine in 1969 - in which a group of otherwise decent men succumbed to their own worst impulses and committed a terrible crime. Filmed with typical cinematic bravado by master craftsman DePalma, the movie uses every inch of the scope frame to convey both the duality of the landscape (vast swathes of breathtaking countryside, where sudden death lurks around every corner) and the moral vacuum which stretches the two central characters (Fox and Penn) to breaking point. Crafted with blistering simplicity by screenwriter David Rabe (himself a Vietnam veteran and author of the acclaimed stageplay 'Streamers'), the soldiers are depicted as brave individuals whose principles are shattered by their traumatic combat experiences, leaving Fox to essay the role of peacemaker in a world where all the rules have been turned upside down. Thuy - a model with no prior acting experience - is truly heartbreaking as the soldiers' terrified prisoner, and her ultimate fate is so horrific (arguably the most disturbing set-piece of this director's entire career), many viewers will be too appalled to see the film through to its inevitable conclusion. All in all, this uncompromising drama emerges as one of DePalma's strongest films to date.