Casualties of War (1989)

Director:

Brian De Palma

Writers (WGA):

Daniel Lang (book)
David Rabe (screenplay)

Release Date:

18 August 1989 (USA)

Genre:

Adventure | Drama | War

Tagline:

Even in war... murder is murder.

Plot:

During the Vietnam War, a soldier finds himself the outsider of his own squad when they unnecessarily kidnap a female villager.

Plot Keywords:

Vietnam | Vietnam War | Rape | Village | 1960s

Awards:

Nominated for Golden Globe. Another 1 win & 1 nomination

Cast

Michael J. Fox	...	Eriksson
Sean Penn	...	Meserve
Don Harvey	...	Clark
John C. Reilly	...	Hatcher
John Leguizamo	...	Diaz
Thuy Thu Le	...	Oanh
Erik King	...	Brown
Jack Gwaltney	...	Rowan
Ving Rhames	...	Lt. Reilly
Dan Martin	...	Hawthorne
Dale Dye	...	Capt. Hill
Steve Larson	...	Agent #1
John Linton	...	Agent #2
Vyto Ruginis	...	Prosecutor
Al Shannon	...	Wilkins

Runtime:

113 min | USA:121 min (extended version)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Iceland:16 | Australia:MA (extended version) | Brazil:18 | Finland:K-16 | France:-12 | Norway:15 | Singapore:NC-16 | Sweden:15 | UK:18 | USA:R | West Germany:16 | Philippines:PG-13 | Australia:M

Filming Locations:

Kanchanaburi, Thailand

Company:

Columbia Pictures Corporation

Trivia:

The railroad trestle bridge utilized in the firefight near the end of the film is part of the Japanese transportation system as portrayed in the film The Bridge on the River Kwai (1957).

Goofs:

Continuity: When Ericsson goes to the toilet he is followed by Clark who tries to blow him up with a grenade. The guy who plays Clark is white but you can see that the person who lifts the slide to plant the grenade has a black arm.

Quotes:

Eriksson: You sick son of a bitch!
Clark: I told you, cherry. What happen...
[Clark is hit in the face by Eriksson with a shovel]
Eriksson: Nobody cares, Meserve. I told everybody. I told them. You don't have to worry. You don't have to try to kill me, man. I told them, and THEY DON'T CARE!

Movie Connections:

Referenced in Boogie Nights (1997)

Soundtrack:

Hello, I Love You

Blistering assault on the degrading effects of warfare

CASUALTIES OF WAR

Aspect ratio: 2.39:1 (Panavision)

Sound format: 6-track Dolby Stereo

(35mm and 70mm release prints)

During a routine field trip at the height of the Vietnam War, a young soldier (Michael J. Fox) rebels against his commanding officer (Sean Penn) and other members of his patrol when they kidnap a defenceless Vietnamese girl (Thuy Thu Le) and subject her to a terrifying physical ordeal.

Unfairly overshadowed by the simultaneous theatrical release of Oliver Stone's pompous - but still impressive - BORN ON THE FOURTH OF JULY (1989), Brian DePalma's CASUALTIES OF WAR recreates a harrowing incident from the Vietnam conflict - first reported in 'New Yorker' magazine in 1969 - in which a group of otherwise decent men succumbed to their own worst impulses and committed a terrible crime. Filmed with typical cinematic bravado by master craftsman DePalma, the movie uses every inch of the scope frame to convey both the duality of the landscape (vast swathes of breathtaking countryside, where sudden death lurks around every corner) and the moral vacuum which stretches the two central characters (Fox and Penn) to breaking point. Crafted with blistering simplicity by screenwriter David Rabe (himself a Vietnam veteran and author of the acclaimed stageplay 'Streamers'), the soldiers are depicted as brave individuals whose principles are shattered by their traumatic combat experiences, leaving Fox to essay the role of peacemaker in a world where all the rules have been turned upside down. Thuy - a model with no prior acting experience - is truly heartbreaking as the soldiers' terrified prisoner, and her ultimate fate is so horrific (arguably the most disturbing set-piece of this director's entire career), many viewers will be too appalled to see the film through to its inevitable conclusion. All in all, this uncompromising drama emerges as one of DePalma's strongest films to date.