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The House of Clocks (1989) (TV)
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showtimesofficial sitesmiscellaneousphotographssound clipsvideo clipsThe House of Clocks (1989) (TV) More at IMDbPro »La casa nel tempo (original title)
Overview
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Plot:
Three lowlife punks are trapped in a posh villa while trying to rob it and become at the mercy of the murderous owners whom have the power to stop and reverse time via their mystical clocks. Full summary » | Full synopsis »
User Reviews:
Fulci Does the Twilight Zone
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Cast
(in credits order) | Keith Van Hoven | ... | Tony |
| Karina Huff | ... | Sandra |
| Paolo Paoloni | ... | Vittorio Corsini |
| Bettine Milne | ... | Sara Corsini (as Bettina Milne) |
| Peter Hintz | ... | Paul |
| Al Cliver | ... | Peter |
| Carla Cassola | ... | Maria |
| Paolo Bernardi | ... | The Nephew |
| Francesca DeRose | ... | The Niece |
| Massimo Sarchielli | ... | Storekeeper |
| rest of cast listed alphabetically: | |||
| Vincenzo Luzzi | ... | Policeman #1 (uncredited) |
Directed by | |||
| Lucio Fulci | |||
Writing credits(in alphabetical order) | ||
| Gianfranco Clerici | screenplay | |
| Lucio Fulci | story | |
| Daniele Stroppa | screenplay | |
Produced by | |||
| Massimo Manasse | .... | executive producer | |
| Marco Grillo Spina | .... | executive producer | |
Original Music by | |||
| Vince Tempera | |||
Cinematography by | |||
| Sebastiano Celeste | (as Nino Celeste) | ||
Film Editing by | |||
| Alberto Moriani | (as Albert Morris) | ||
Costume Design by | |||
| Valentina Di Palma | |||
| Cinzia Milani | |||
Makeup Department | |||
| Maria Teresa Carrera | .... | hair stylist | |
Production Management | |||
| Renato Camarda | .... | production representative | |
| Renato Fiè | .... | production manager | |
| Alessandro Loy | .... | production supervisor (as Alessandro Loy Dona) | |
Second Unit Director or Assistant Director | |||
| Michéle De Angelis | .... | assistant director | |
| Camilla Fulci | .... | assistant director | |
Art Department | |||
| Paolo Faenzi | .... | assistant set designer | |
| Vincenzo Luzzi | .... | property master | |
| Elio Micheli | .... | set designer | |
Sound Department | |||
| Giuliano Piermarioli | .... | sound recordist | |
Special Effects by | |||
| Giuseppe Ferranti | .... | special makeup effects | |
| Ditta Ricci | .... | set effects | |
Camera and Electrical Department | |||
| Francesco Damiani | .... | assistant camera | |
| Tarcisio Diamanti | .... | key grip | |
| Romolo Eucalitto | .... | still photographer | |
| Alessandro Grossi | .... | camera operator (as Sandro Rossi) | |
| Armando Moreschini | .... | gaffer | |
| Camillo Sabatini | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Milena Printus | .... | wardrobe (as Milena Pintus) | |
Editorial Department | |||
| Rosaria Bellu | .... | assistant editor | |
| Nicoletta Leone | .... | assistant editor | |
Other crew | |||
| Egle Guarino | .... | continuity | |
| Massimo Massimi | .... | accountant | |
| Elio Terribili | .... | set technician | |
Production CompaniesDistributors
- DMEG (2004) (Sweden) (video)
- Shriek Show (2002) (USA) (DVD)
- Shriek Show (2002) (USA) (VHS)
Additional Details
Also Known As:
"La casa nel tempo" - Italy (original title)
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Parents Guide:
Runtime:
84 min
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Aspect Ratio:
1.85 : 1 See more »
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Did You Know?
Trivia:
This film was originally intended for Italian television and shot in spherical widescreen for subsequent sales to foreign theatrical markets. It was then ruled to be too gory even for Italian TV viewing and released instead to cinemas and video.See more »
Movie Connections:
Follows The Sweet House of Horrors (1989) (TV)See more »
FAQ
Bombs, Shovel, Older man in yellow raincoat?See more »
See more (23 total) »
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going into this film i didnt expect a whole lot. made for tv movies here in the u.s. usually arent too impressive. the same may not be said for italy apparently. of all of lucio fulci's films i've seen, this one had the tightest plot ..... well... maybe just slightly less than 'the psychic'. there are no points of the movie that drag either. those with limited attention spans will not be searching for the fast forward button. the gore is more plentiful than you'd expect too. never excessive and never lacking. the acting is surprisingly well done too. it might take some poking around but try and dig this one up. it shouldnt let you down.