Radio host Alan Bird witnesses how an ice cream van is attacked and destroyed by an angry competitor. This leads him into the struggle between two Italian families, the Bernardis and the ... See full summary »
Ex-CIA hit-man running from his past (Malone) finds just how difficult it is to retire when he runs accross a small town controlled by mercenaries and a family that's resisting their ... See full summary »
Bill Forsyth returns to the romantic comedy of Gregory's Girl. Twenty years after his teenage crush on a football-mad schoolgirl, Gregory is back at his old school, teaching English. When ... See full summary »
John Gordon Sinclair,
Ronnie, Wal, Andy and Vic are four bored, unemployed teens in dreary, rainy Glasgow. Ronnie comes up with a great idea. He has noticed that stainless steel sinks are worth a lot of money ... See full summary »
When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug ... See full summary »
Professional thief Ernie takes Mike on as an apprentice, but while Mike clearly has "larceny in his heart", it will take him a long time to get as good as Ernie. Written by
Jon Reeves <firstname.lastname@example.org>
In the scene where Mike is buying the torch at the hardware store, you can see a man in the background holding a stainless steel sink. This a reference to Director Bill Forsyth's first movie, That Sinking Feeling (1979), about a bunch of kids who decide to break into a stainless steel sink factory. See more »
an assuming film that flew too low beneath our collective radar
Burt Reynolds broke out of his leading man pigeonhole to attempt, for once, a more believable role, playing a middle-aged, low-rent burglar who enlists the help of a dumb but loyal grease monkey and then proceeds to give him lessons in both larceny and life. There are a few heists along the way, but this is more a character study than a caper film, and it works in large part because of the rapport and timing between Reynolds and his blue collar sidekick Casey Siemaszko. Both characters are losers, and it might be argued that losers make more engaging heroes, perhaps because they're easier to identify with. In the spirit of earlier Bill Forsythe films it's a slim but disarming comedy, with an extra measure of depth in the canny screenplay by John Sayles, as always the working man's champion, who along the way makes some minor but interesting points about the haves and the have-nots.
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